Imagem e memória: fragmentos poéticos de um ator

• Autor(a) principal: Silva, Andreane Lima e
• Data de Publicação: 2023
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/001300000bk67
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/13334
• topic: Imagem; Memória; Imaginário; Teatro; Image; Memory; Imaginary; Theater; LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS::PINTURA

Aiming to investigate this apparently intangible world that makes up the studies of the imaginary, this work proposes to reflect on the concepts of image and memory, exemplified through a case study, in order to contribute to the production of knowledge in theatrical creation. To do so, I focus on the montage of three actor-creative processes experienced by me at different times in my career: A Farpa, by Cia Mínima de Teatro (2008); O Semeador de Poesias, by Corpo Cênico (2010) and Njilas: Dance e Esqueça suas Dores, by LABORSATORI (2017), which were on display in the city of Goiânia/GO. My main objective is to analyze how imagery representations collaborate in the interpretation work, based on the staging of the investigated shows and, finally, try to understand how the imaginary world experienced by the artist can be articulated as a creation tool, taking into account considering that each montage process has particular symbolic systems. Therefore, it was necessary to carry out a bibliographical survey on the works and authors of reference in this theoretical field, articulating their epistemological concepts about image and memory to artistic language, in a constant dialogue between theory and practice.