O pecado no cotidiano medieval: as obras moralizantes e sociais de Hieronymus Bosch (1485-1516)

• Autor(a) principal: Silva, Tiago Varges da
• Data de Publicação: 2015
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/0013000008xfb
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/5393
• topic: Pecado; Imagem; Hieronymus Bosch; Sin; Image; Hieronymus Bosch; CIENCIAS HUMANAS::HISTORIA

The present dissertationaims at analyzing the historical processes which enabled the creation of sin as a fundamental element of Christian theology and, also, at reflecting upon how the iconographic resource was determinative in those processes. Therefore, we have utilized the works of the Flemish painter Hieronymus Bosch (1450-1516) that were produced between the years 1485 and 1516.We understand that Bosch is noteworthy among the artists who tried to represent the human vices, especially because he made use of everyday life elements to represent the theme. For this reason, we have developed a dialogue between Bosch‘s work and a number of other artists‘ works which have also approached sin as an object, in an attempt to problematize those images from the iconographic method. We believe that Bosch‘s work is part of a process of intense preoccupation with sin and its consequences, which is a characteristic of the transitional period from the medievalera to the Renaissance.