Americanismo e cinema hollywoodiano no filme A felicidade não se compra
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8932 |
Resumo: | This research defends the idea that the social forces determined ideologically the cinematographic production of the United States of America, during the emergence of the cinema until the period of its consolidation, collaborating for the propagation of Americanism as a way of life. As a methodology, was used the film analysis of It’s a Wonderful Life (1946), to observe what kind of American way of life the cinema of classic narrative structure would be insert in its production, with the intention of spreading the american way of life without breaking the moral rules already established by the codes of censorship imposed at the time and that until now, in contemporary times, are in force. US culture, politics, and economics were discussed in the 1930s, 1940s and 1950s, periods selected for their relevance in the making of myths and turning points in American history; Americanism as a way of life; Fordism; and Hollywood cinema, for being the one of the pioneering mass media that collaborated with the forms of Americanization not only within the US but throughout the world. |
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Maciel, Davidhttp://lattes.cnpq.br/3587511267893434Maciel, DavidVilela, Ana Lúcia OliveiraGonçalves, Rodrigo Jurucê Mattoshttp://lattes.cnpq.br/3346550660140566Cardoso, Tatiana Cristina2018-10-01T14:53:07Z2018-09-06CARDOSO, Tatiana Cristina. Americanismo e cinema hollywoodiano no filme A felicidade não se compra. 2018. 340 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8932ark:/38995/001300000b1t1This research defends the idea that the social forces determined ideologically the cinematographic production of the United States of America, during the emergence of the cinema until the period of its consolidation, collaborating for the propagation of Americanism as a way of life. As a methodology, was used the film analysis of It’s a Wonderful Life (1946), to observe what kind of American way of life the cinema of classic narrative structure would be insert in its production, with the intention of spreading the american way of life without breaking the moral rules already established by the codes of censorship imposed at the time and that until now, in contemporary times, are in force. US culture, politics, and economics were discussed in the 1930s, 1940s and 1950s, periods selected for their relevance in the making of myths and turning points in American history; Americanism as a way of life; Fordism; and Hollywood cinema, for being the one of the pioneering mass media that collaborated with the forms of Americanization not only within the US but throughout the world.Esta pesquisa defende a ideia de que forças sociais determinaram ideologicamente a produção cinematográfica dos Estados Unidos da América (EUA), durante o surgimento do cinema até o período de sua consolidação, colaborando para a propagação do americanismo como modo de vida. A metodologia utilizada foi a análise fílmica de A Felicidade Não Se Compra (1946), para se observar que tipo de modo de vida norte- americana o cinema de estrutura narrativa clássica inseria em sua produção, com o intuito de difundir o american way of life, sem quebrar as regras de moral já estabelecidos pelos códigos de censura impostos na época e que até hoje, na contemporaneidade, vigoram. Foram discutidos ainda cultura, política e economia dos EUA nos anos 1930, 1940 e 1950, períodos selecionados pela sua relevância na fabricação de mitos e momentos decisivos na história norte-americana; americanismo como modo de vida; fordismo; e o cinema hollywoodiano, por ser o um dos meios de comunicação de massa pioneiros que colaborou com as formas de americanização não só dentro dos EUA, mas por todo o mundo.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-10-01T13:37:31Z No. of bitstreams: 2 Dissertação - Tatiana Cristina Cardoso - 2018.pdf: 2244201 bytes, checksum: b535418aa6ab1df564591f3737ce6013 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-01T14:53:07Z (GMT) No. of bitstreams: 2 Dissertação - Tatiana Cristina Cardoso - 2018.pdf: 2244201 bytes, checksum: b535418aa6ab1df564591f3737ce6013 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-10-01T14:53:07Z (GMT). No. of bitstreams: 2 Dissertação - Tatiana Cristina Cardoso - 2018.pdf: 2244201 bytes, checksum: b535418aa6ab1df564591f3737ce6013 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-09-06application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAmericanismoCinema hollywoodianoEstados Unidos da AméricaAmericanismHollywood CinemaUnited States of AmericaCIENCIAS HUMANAS::HISTORIAAmericanismo e cinema hollywoodiano no filme A felicidade não se compraAmericanism and hollywood cinema on film It’s a wonderful lifeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis2839177457274157639600600600318079220827185643-3840921936332040591reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/cc0d91db-b739-4842-bad9-91a58c2b7b52/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.eng.fl_str_mv |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
dc.title.alternative.eng.fl_str_mv |
Americanism and hollywood cinema on film It’s a wonderful life |
title |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
spellingShingle |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra Cardoso, Tatiana Cristina Americanismo Cinema hollywoodiano Estados Unidos da América Americanism Hollywood Cinema United States of America CIENCIAS HUMANAS::HISTORIA |
title_short |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
title_full |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
title_fullStr |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
title_full_unstemmed |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
title_sort |
Americanismo e cinema hollywoodiano no filme A felicidade não se compra |
author |
Cardoso, Tatiana Cristina |
author_facet |
Cardoso, Tatiana Cristina |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Maciel, David |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3587511267893434 |
dc.contributor.referee1.fl_str_mv |
Maciel, David |
dc.contributor.referee2.fl_str_mv |
Vilela, Ana Lúcia Oliveira |
dc.contributor.referee3.fl_str_mv |
Gonçalves, Rodrigo Jurucê Mattos |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3346550660140566 |
dc.contributor.author.fl_str_mv |
Cardoso, Tatiana Cristina |
contributor_str_mv |
Maciel, David Maciel, David Vilela, Ana Lúcia Oliveira Gonçalves, Rodrigo Jurucê Mattos |
dc.subject.por.fl_str_mv |
Americanismo Cinema hollywoodiano Estados Unidos da América |
topic |
Americanismo Cinema hollywoodiano Estados Unidos da América Americanism Hollywood Cinema United States of America CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Americanism Hollywood Cinema United States of America |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA |
description |
This research defends the idea that the social forces determined ideologically the cinematographic production of the United States of America, during the emergence of the cinema until the period of its consolidation, collaborating for the propagation of Americanism as a way of life. As a methodology, was used the film analysis of It’s a Wonderful Life (1946), to observe what kind of American way of life the cinema of classic narrative structure would be insert in its production, with the intention of spreading the american way of life without breaking the moral rules already established by the codes of censorship imposed at the time and that until now, in contemporary times, are in force. US culture, politics, and economics were discussed in the 1930s, 1940s and 1950s, periods selected for their relevance in the making of myths and turning points in American history; Americanism as a way of life; Fordism; and Hollywood cinema, for being the one of the pioneering mass media that collaborated with the forms of Americanization not only within the US but throughout the world. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-10-01T14:53:07Z |
dc.date.issued.fl_str_mv |
2018-09-06 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
CARDOSO, Tatiana Cristina. Americanismo e cinema hollywoodiano no filme A felicidade não se compra. 2018. 340 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8932 |
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ark:/38995/001300000b1t1 |
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CARDOSO, Tatiana Cristina. Americanismo e cinema hollywoodiano no filme A felicidade não se compra. 2018. 340 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018. ark:/38995/001300000b1t1 |
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