(Sans)corps: possíveis fugas imagéticas de performances (in)visíveis

• Autor(a) principal: Oliveira Júnior, Hélio Batista de
• Data de Publicação: 2018
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/0013000002cd1
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8890
• topic: Performance; Corpo; Imagem; Guerra; Violência; Performance; Body; Picture; War; Violence; LINGUISTICA, LETRAS E ARTES::ARTES

(SANS) CORPS: Possible imagetic pictures of (in)visible performances, is the title of a research that intends to investigate the symbolism of the body and its reverberations in the contemporary artistic practices, aiming at what are our relations when we come across images of pain , war and violence, whether in contemporary art or elsewhere. For this, we present some concepts and ideas about the image and the visuals with the studies of Visual Culture, contaminating the subject endowed with experiences and perceptions. The methodological development will be carried out by means of the iconographic analysis of representations of the body of performance artists, from the observation of their records/files (photographs and videos) of the artists Bas Jan Ader and Gina Pane, to later write new poetic essays and visual effects. We approached some images generated during some wars and we problematized some visualities of the pain. The research will be approached and interlaced by establishing its basis in theoretical reflection, through the analysis of records, proposing a cut from the art of escape, that is, the physical limit as a performance experience and some concepts and technical aspects.