Em busca de holofotes e vagalumes: patrimonialização, turistificação e o centro histórico de Pirenópolis

• Autor(a) principal: Avelino Filho, Lucídio Gomes
• Data de Publicação: 2021
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/11571
• topic: Patrimonialização; Turistificação; Holofotes; Vagalumes; Centro histórico; Pirenópolis; Patrimonialização; Fireflies; Historic Center; Touristification; Pirenópolis; CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::FUNDAMENTOS DE ARQUITETURA E URBANISMO

The present work represents a provisional synthesis of experiences and reflections regarding the patrimonialization and the touristification of the urban space in the historical center of Pirenópolis. To this end, it uses, as a guiding thread, the poetic aesthetic of a metaphor that associates spotlights with hegemonic systems of power, and fireflies with flashes of singularity contained in popular expressions of life. The objective was to present and discuss heritage and tourism as processes that create, mechanisms and machinations, influencing the production of urban space and the experiences of subjects in the historic center of Pirenópolis. It sought to understand the processes of patrimonialization and touristification beyond the economic spectrum and the cultural preservation, discussing the consolidation of their relationship as hegemonic subjectivation processes. Simultaneously, other more singular forms of subjectivations were investigated, in order to explore the potentialities that emerge from the urban experience as an alternative to new understandings about the historical center of Pirenópolis. It brings an account of a process of autoetnographic investigation, which considered and applied different research procedures in a multi-method approach. From an old mining camp, Pirenópolis has become one of the main tourist destinations in the State of Goiás. Within this context, heritage and tourism create mechanisms and machinations producing subjectivities in the urban space of Pirenópolis. Supported by several transdisciplinary references to architecture and urbanism, and memories of past personal experiences, it was possible to experience the hypothesis that heritage and touristification reached such a degree of spectacularization in spaces, which created territories / places almost exclusively for tourists or residents in the historic center. In the search for searchlights and fireflies, both hegemonic processes, linked to heritage and tourism, as well as singular processes related to the daily life and the experience of the subjects involved in the production of urban space were treated.