Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8437 |
Resumo: | It is in language that things get a meaning. In it, some verbs are impersonal and have no subject. This implies not having someone to agree with, like the verb "to do”. All verb indicates an action, an act in constitution. This is the case of this study: a process of "feature", a becoming-another, a becoming-body. The materialization of one corpus, about which to tell about the body's relations with the world and with others. This constitution will be made in four main actions: did, undoing, (re) doing and did. Such actions indicate the disruption of order, to establish estrangement, to inaugurate a new way of seeing and thinking the body. This dissertation aims to investigate practices, self-care and performativity in the body constitution of queers characters in the cinema of Pedro Almodóvar. In order to do so, it appropriates the concepts of subjectivities, practices and care of himself, performativity, body, heterotopy and, methodologically, uses a deconstructionist perspective and filmic analysis to perceive the performativity and self-practices of the characters. As a clipping and object of analysis, we selected the characters Tina and Pablo from Pedro Almodóvar's Law of Desire (1987). Such characters have polymorphous sexualities, allowing us to perceive how the processes of self-constitution occur and show perspectives of sexuality subversion. Their bodies are plastic, flexible, transgressors and indicate an agonistic quest in creating an aesthetic ethical truth about themselves. In this study, we are interested in discussing the queer body and how it constitutes a heterotopy, that is, the techniques, the cares and the practices of the self by which this body subverts the previously determined spaces and determinations of the body of the relations of power imposed through the device of sexuality inaugurating counter space. It is against the triple knowledge-power-subject that defines the device of sexuality that these subjects put themselves. This is because the queer is already an overlapping of social positions, a displacement to the margin, are boundary and deviant bodies that are not content to cross the binary divisions but live on the border. To define the queer body as a heterotopy, is to understand it by subversion of the natural order. It is to see it in the modification of the spaces and positions of the discourses of normatizing sexuality. Studying it under this configuration enables the communication to understand it, immersed in a culture, from traces of an event. It is in this body that cries, that laughs, that makes party (that is a party) that are locked relations of power and is in them that they transit, establishing resistances, if doing, being and surviving. |
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Gomes, Suely Henrique de Aquinohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781724P1Costa, Deyvisson Pereira dahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4735659AGomes, Suely Henrique de AquinoCosta, Deyvisson Pereira daBorges, Rosana Maria RibeiroSantos, Adriana Rosa Cruzhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4407231U4Oliveira, Mayllon Lyggon de Sousa2018-05-07T12:50:44Z2018-03-16OLIVEIRA, M. L. S. Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar. 2018. 133 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8437ark:/38995/001300000dbzwIt is in language that things get a meaning. In it, some verbs are impersonal and have no subject. This implies not having someone to agree with, like the verb "to do”. All verb indicates an action, an act in constitution. This is the case of this study: a process of "feature", a becoming-another, a becoming-body. The materialization of one corpus, about which to tell about the body's relations with the world and with others. This constitution will be made in four main actions: did, undoing, (re) doing and did. Such actions indicate the disruption of order, to establish estrangement, to inaugurate a new way of seeing and thinking the body. This dissertation aims to investigate practices, self-care and performativity in the body constitution of queers characters in the cinema of Pedro Almodóvar. In order to do so, it appropriates the concepts of subjectivities, practices and care of himself, performativity, body, heterotopy and, methodologically, uses a deconstructionist perspective and filmic analysis to perceive the performativity and self-practices of the characters. As a clipping and object of analysis, we selected the characters Tina and Pablo from Pedro Almodóvar's Law of Desire (1987). Such characters have polymorphous sexualities, allowing us to perceive how the processes of self-constitution occur and show perspectives of sexuality subversion. Their bodies are plastic, flexible, transgressors and indicate an agonistic quest in creating an aesthetic ethical truth about themselves. In this study, we are interested in discussing the queer body and how it constitutes a heterotopy, that is, the techniques, the cares and the practices of the self by which this body subverts the previously determined spaces and determinations of the body of the relations of power imposed through the device of sexuality inaugurating counter space. It is against the triple knowledge-power-subject that defines the device of sexuality that these subjects put themselves. This is because the queer is already an overlapping of social positions, a displacement to the margin, are boundary and deviant bodies that are not content to cross the binary divisions but live on the border. To define the queer body as a heterotopy, is to understand it by subversion of the natural order. It is to see it in the modification of the spaces and positions of the discourses of normatizing sexuality. Studying it under this configuration enables the communication to understand it, immersed in a culture, from traces of an event. It is in this body that cries, that laughs, that makes party (that is a party) that are locked relations of power and is in them that they transit, establishing resistances, if doing, being and surviving.É na língua que as coisas adquirem significação. Nela, alguns verbos são impessoais e não possuem sujeito. Isso implica em não ter com quem concordar, como o verbo “fazer”. Todo verbo indica uma ação, um ato em constituição. É o caso desse trabalho: um processo de “feição”, um devir-outro, um devir-corpo. A materialização de um corpus sobre o qual se disserta acerca das relações do corpo com o mundo e com os outros. Essa constituição, será feita em quatro ações principais: fizeram, desfazendo, (re) fazendo e fiz. Tais ações indicam o rompimento da ordem, para estabelecer um estranhamento, inaugurar uma nova forma de ver e pensar o corpo. Essa dissertação objetiva pesquisar as práticas, os cuidados de si e as performatividades na constituição do corpo de personagens queers no cinema de Pedro Almodóvar. Para tanto se apropria dos conceitos de subjetivação, práticas e cuidados de si, performatividade, corpo, heterotopia e, metodologicamente, se vale de uma perspectiva desconstrucionista e de análise fílmica para perceber as performatividades e práticas de si dos personagens. Como recorte e objeto de análise selecionamos os personagens Tina e Pablo do filme A lei do desejo (1987) de Pedro Almodóvar. Tais personagens possuem sexualidades polimorfas, permitindo perceber como se dão os processos de constituição de si e mostram perspectivas de subversão da sexualidade. Seus corpos são plásticos, flexíveis, transgressores e indicam uma busca agonística na criação de uma verdade ético estética sobre si mesmos. Nesse estudo, interessa-nos discorrer sobre o corpo queer e como ele se constitui uma heterotopia, ou seja, as técnicas, os cuidados e as práticas de si pelas quais esse corpo subverte os espaços e determinações corporais previamente determinados, das relações de poder impostas através do dispositivo da sexualidade inaugurando contraespaços. É contra a tríplice saber-poder-sujeito que define o dispositivo da sexualidade que esses sujeitos se colocam. Isso porque o queer já é uma sobreposição das posições sociais, um deslocamento para a margem, são corpos fronteiriços e desviantes que não se contentam em atravessar as divisões binárias, mas vivem na fronteira. Definir o corpo queer como uma heterotopia é compreendê-lo pela subversão da ordem natural. É vê-lo na modificação dos espaços e posições dos discursos da sexualidade normatizadora. Estudá-lo sob essa configuração possibilita à Comunicação entendê-lo, imerso em uma cultura, a partir de rastros de um acontecimento. É nesse corpo que chora, que ri, que faz festa (que é festa) que são travadas relações de poder e é nelas que eles transitam, estabelecendo resistências, se fazendo, sendo e (sobre)vivendo.Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-05-07T11:38:27Z No. of bitstreams: 2 Dissertação - Mayllon Lyggon de Sousa Oliveira - 2018.pdf: 2383708 bytes, checksum: 704ba622064357cd91a655907e80a0e0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-07T12:50:44Z (GMT) No. of bitstreams: 2 Dissertação - Mayllon Lyggon de Sousa Oliveira - 2018.pdf: 2383708 bytes, checksum: 704ba622064357cd91a655907e80a0e0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-05-07T12:50:44Z (GMT). No. of bitstreams: 2 Dissertação - Mayllon Lyggon de Sousa Oliveira - 2018.pdf: 2383708 bytes, checksum: 704ba622064357cd91a655907e80a0e0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-16Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Comunicação (FIC)UFGBrasilFaculdade de Informação e Comunicação - FIC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCorpoQueerHeterotopiaCinemaPedro AlmodóvarBodyHeterotopyCIENCIAS SOCIAIS APLICADAS::COMUNICACAOFizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro AlmodóvarThey made me body, I did heterotopia: a study of the body heterotopias of the queers characters in the cinema of Pedro Almodóvarinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7949609749769452194600600600600-3448915382621527388-40560210555028745732075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
dc.title.alternative.eng.fl_str_mv |
They made me body, I did heterotopia: a study of the body heterotopias of the queers characters in the cinema of Pedro Almodóvar |
title |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
spellingShingle |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar Oliveira, Mayllon Lyggon de Sousa Corpo Queer Heterotopia Cinema Pedro Almodóvar Body Heterotopy CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
title_full |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
title_fullStr |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
title_full_unstemmed |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
title_sort |
Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar |
author |
Oliveira, Mayllon Lyggon de Sousa |
author_facet |
Oliveira, Mayllon Lyggon de Sousa |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Gomes, Suely Henrique de Aquino |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781724P1 |
dc.contributor.advisor-co1.fl_str_mv |
Costa, Deyvisson Pereira da |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4735659A |
dc.contributor.referee1.fl_str_mv |
Gomes, Suely Henrique de Aquino |
dc.contributor.referee2.fl_str_mv |
Costa, Deyvisson Pereira da |
dc.contributor.referee3.fl_str_mv |
Borges, Rosana Maria Ribeiro |
dc.contributor.referee4.fl_str_mv |
Santos, Adriana Rosa Cruz |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4407231U4 |
dc.contributor.author.fl_str_mv |
Oliveira, Mayllon Lyggon de Sousa |
contributor_str_mv |
Gomes, Suely Henrique de Aquino Costa, Deyvisson Pereira da Gomes, Suely Henrique de Aquino Costa, Deyvisson Pereira da Borges, Rosana Maria Ribeiro Santos, Adriana Rosa Cruz |
dc.subject.por.fl_str_mv |
Corpo Queer Heterotopia Cinema Pedro Almodóvar |
topic |
Corpo Queer Heterotopia Cinema Pedro Almodóvar Body Heterotopy CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Body Heterotopy |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
It is in language that things get a meaning. In it, some verbs are impersonal and have no subject. This implies not having someone to agree with, like the verb "to do”. All verb indicates an action, an act in constitution. This is the case of this study: a process of "feature", a becoming-another, a becoming-body. The materialization of one corpus, about which to tell about the body's relations with the world and with others. This constitution will be made in four main actions: did, undoing, (re) doing and did. Such actions indicate the disruption of order, to establish estrangement, to inaugurate a new way of seeing and thinking the body. This dissertation aims to investigate practices, self-care and performativity in the body constitution of queers characters in the cinema of Pedro Almodóvar. In order to do so, it appropriates the concepts of subjectivities, practices and care of himself, performativity, body, heterotopy and, methodologically, uses a deconstructionist perspective and filmic analysis to perceive the performativity and self-practices of the characters. As a clipping and object of analysis, we selected the characters Tina and Pablo from Pedro Almodóvar's Law of Desire (1987). Such characters have polymorphous sexualities, allowing us to perceive how the processes of self-constitution occur and show perspectives of sexuality subversion. Their bodies are plastic, flexible, transgressors and indicate an agonistic quest in creating an aesthetic ethical truth about themselves. In this study, we are interested in discussing the queer body and how it constitutes a heterotopy, that is, the techniques, the cares and the practices of the self by which this body subverts the previously determined spaces and determinations of the body of the relations of power imposed through the device of sexuality inaugurating counter space. It is against the triple knowledge-power-subject that defines the device of sexuality that these subjects put themselves. This is because the queer is already an overlapping of social positions, a displacement to the margin, are boundary and deviant bodies that are not content to cross the binary divisions but live on the border. To define the queer body as a heterotopy, is to understand it by subversion of the natural order. It is to see it in the modification of the spaces and positions of the discourses of normatizing sexuality. Studying it under this configuration enables the communication to understand it, immersed in a culture, from traces of an event. It is in this body that cries, that laughs, that makes party (that is a party) that are locked relations of power and is in them that they transit, establishing resistances, if doing, being and surviving. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-05-07T12:50:44Z |
dc.date.issued.fl_str_mv |
2018-03-16 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, M. L. S. Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar. 2018. 133 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2018. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8437 |
dc.identifier.dark.fl_str_mv |
ark:/38995/001300000dbzw |
identifier_str_mv |
OLIVEIRA, M. L. S. Fizeram-me corpo, fiz-me heterotopia: um estudo das heterotopias corporais dos personagens queers no cinema de Pedro Almodóvar. 2018. 133 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2018. ark:/38995/001300000dbzw |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/8437 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-7949609749769452194 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
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