A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro

Detalhes bibliográficos
Autor(a) principal: Macedo, Eliene Nunes
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/5307
Resumo: This master thesis introduces the Congo dance, which has been performed in Goiás City (Goiás/Brazil) since the first half of the 18th century. In this ritual, we are able to watch the fight between Moors and Christians. The routine is divided into street parades and representations of an embassy mission, performed by poor Afro-Brazilian men, usually at the city’s Historical Centre (held as a UNESCO world cultural heritage). The performances generally take place during the Divine Holy Ghost and the Our Lady of the Rosary festivals. This is an ethnographic research project, which aims at interpreting the performances of the Congo dance ritual and its complex meaning relations. Therefore, a detailed description of the Congo dance structure was done, by highlighting its gestures, orality, music, clothing and dramatization. Also, as an analytical category, the theoretical background to such cultural performances was reviewed, aiming at analysing the dance and dancers’ embodied knowledge. Furthermore, some questions on the congos’ cultural social historical were raised, bringing some comparison among the thoughts on ethnographic studies on the Congo dance and the possibility of an interlocution between Brandão’s ethnography (1977) and the one presented in this paper. Eventually, the representation and appropriation of this way of expression towards the whole Goiás City’s cultural heritage and how safeguard policy is done were deeply observed. As a conclusion, the study states that the Congo dance from Goiás City is the materialisation of the iconography of people who live, fight, resist and remain.
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spelling Tamaso, Izabela Mariahttp://lattes.cnpq.br/3452984712174788Tamaso, Izabela MariaBrandão, Carlos RodriguesHartmann, LucianaCorrea Júnior, Sebastião Rioshttp://lattes.cnpq.br/2754312869007297Macedo, Eliene Nunes2016-03-04T14:54:31Z2015-07-30MACEDO, E. N. A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro. 2015. 159 folhas. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5307This master thesis introduces the Congo dance, which has been performed in Goiás City (Goiás/Brazil) since the first half of the 18th century. In this ritual, we are able to watch the fight between Moors and Christians. The routine is divided into street parades and representations of an embassy mission, performed by poor Afro-Brazilian men, usually at the city’s Historical Centre (held as a UNESCO world cultural heritage). The performances generally take place during the Divine Holy Ghost and the Our Lady of the Rosary festivals. This is an ethnographic research project, which aims at interpreting the performances of the Congo dance ritual and its complex meaning relations. Therefore, a detailed description of the Congo dance structure was done, by highlighting its gestures, orality, music, clothing and dramatization. Also, as an analytical category, the theoretical background to such cultural performances was reviewed, aiming at analysing the dance and dancers’ embodied knowledge. Furthermore, some questions on the congos’ cultural social historical were raised, bringing some comparison among the thoughts on ethnographic studies on the Congo dance and the possibility of an interlocution between Brandão’s ethnography (1977) and the one presented in this paper. Eventually, the representation and appropriation of this way of expression towards the whole Goiás City’s cultural heritage and how safeguard policy is done were deeply observed. As a conclusion, the study states that the Congo dance from Goiás City is the materialisation of the iconography of people who live, fight, resist and remain.Esta dissertação apresenta a Dança dos Congos que se realiza na cidade de Goiás (Goiás/Brasil) desde a primeira metade do século XVIII. Nesse ritual, é realizada a luta entre mouros e cristãos e constitui-se em uma performance dividida em marchas de rua e embaixadas, executadas por homens afro-brasileiros, possuidores de poucos recursos financeiros, sendo realizada, sobretudo, no Centro Histórico da cidade (reconhecida como patrimônio mundial pela UNESCO), por ocasião das festas do Divino Espírito Santo e de Nossa Senhora do Rosário. Trata-se de uma pesquisa etnográfica, cujo principal objetivo é interpretar as performances do ritual da Dança dos Congos e as complexas relações de significados naquele sistema cultural. Por isso, primeiramente foi realizada uma descrição pormenorizada da estrutura da Dança dos Congos, destacando gestos, oralidade, músicas, indumentárias, dramatizações. Também foram acionados os referenciais teóricos das performances culturais, enquanto categoria analítica, para analisar o conhecimento encorporado na dança e nos dançantes dos congos. Logo em seguida, levantaram-se algumas questões sobre o contexto sócio-histórico e cultural dos congos, trançando reflexões sobre os estudos etnográficos da Dança dos Congos, explorando a possibilidade de uma interlocução entre a etnografia realizada por Brandão (1977) e a que realizei. E por fim, observaram-se as representações e apropriação dessa forma de expressão em relação ao conjunto de bens patrimoniais da cidade de Goiás e as políticas de salvaguardas executadas por seus detentores. Este estudo permitiu identificar que a performance da Dança dos Congos, da cidade de Goiás é a materialização da iconografia de um povo que vive, luta, resiste e permanece.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2016-03-04T14:29:56Z No. of bitstreams: 2 Dissertação - Eliene Nunes Macedo - 2015.pdf: 2596070 bytes, checksum: 48efb799e64e51bedb36f55a296fc65d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-03-04T14:54:31Z (GMT) No. of bitstreams: 2 Dissertação - Eliene Nunes Macedo - 2015.pdf: 2596070 bytes, checksum: 48efb799e64e51bedb36f55a296fc65d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2016-03-04T14:54:31Z (GMT). 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dc.title.por.fl_str_mv A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
dc.title.alternative.eng.fl_str_mv The congo dance in Goiás city: an afro-brazilian group's performance
title A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
spellingShingle A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
Macedo, Eliene Nunes
Performances culturais
Afro-brasileiro
Dança dos congos
Conhecimento encorporado
Patrimônio imaterial
Cultural performances
Afro-brazilian
Congo dance
Embodied knowledge
ARTES::DANCA
title_short A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
title_full A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
title_fullStr A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
title_full_unstemmed A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
title_sort A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro
author Macedo, Eliene Nunes
author_facet Macedo, Eliene Nunes
author_role author
dc.contributor.advisor1.fl_str_mv Tamaso, Izabela Maria
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/3452984712174788
dc.contributor.referee1.fl_str_mv Tamaso, Izabela Maria
dc.contributor.referee2.fl_str_mv Brandão, Carlos Rodrigues
dc.contributor.referee3.fl_str_mv Hartmann, Luciana
dc.contributor.referee4.fl_str_mv Correa Júnior, Sebastião Rios
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2754312869007297
dc.contributor.author.fl_str_mv Macedo, Eliene Nunes
contributor_str_mv Tamaso, Izabela Maria
Tamaso, Izabela Maria
Brandão, Carlos Rodrigues
Hartmann, Luciana
Correa Júnior, Sebastião Rios
dc.subject.por.fl_str_mv Performances culturais
Afro-brasileiro
Dança dos congos
Conhecimento encorporado
Patrimônio imaterial
topic Performances culturais
Afro-brasileiro
Dança dos congos
Conhecimento encorporado
Patrimônio imaterial
Cultural performances
Afro-brazilian
Congo dance
Embodied knowledge
ARTES::DANCA
dc.subject.eng.fl_str_mv Cultural performances
Afro-brazilian
Congo dance
Embodied knowledge
dc.subject.cnpq.fl_str_mv ARTES::DANCA
description This master thesis introduces the Congo dance, which has been performed in Goiás City (Goiás/Brazil) since the first half of the 18th century. In this ritual, we are able to watch the fight between Moors and Christians. The routine is divided into street parades and representations of an embassy mission, performed by poor Afro-Brazilian men, usually at the city’s Historical Centre (held as a UNESCO world cultural heritage). The performances generally take place during the Divine Holy Ghost and the Our Lady of the Rosary festivals. This is an ethnographic research project, which aims at interpreting the performances of the Congo dance ritual and its complex meaning relations. Therefore, a detailed description of the Congo dance structure was done, by highlighting its gestures, orality, music, clothing and dramatization. Also, as an analytical category, the theoretical background to such cultural performances was reviewed, aiming at analysing the dance and dancers’ embodied knowledge. Furthermore, some questions on the congos’ cultural social historical were raised, bringing some comparison among the thoughts on ethnographic studies on the Congo dance and the possibility of an interlocution between Brandão’s ethnography (1977) and the one presented in this paper. Eventually, the representation and appropriation of this way of expression towards the whole Goiás City’s cultural heritage and how safeguard policy is done were deeply observed. As a conclusion, the study states that the Congo dance from Goiás City is the materialisation of the iconography of people who live, fight, resist and remain.
publishDate 2015
dc.date.issued.fl_str_mv 2015-07-30
dc.date.accessioned.fl_str_mv 2016-03-04T14:54:31Z
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dc.identifier.citation.fl_str_mv MACEDO, E. N. A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro. 2015. 159 folhas. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/5307
identifier_str_mv MACEDO, E. N. A dança dos congos da cidade de Goiás: performances de um grupo afro-brasileiro. 2015. 159 folhas. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.
url http://repositorio.bc.ufg.br/tede/handle/tede/5307
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