Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim

Detalhes bibliográficos
Autor(a) principal: Ferreira, Ana Isabel Oliveira
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/0013000009rvd
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/6459
Resumo: The formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations.
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spelling Mello, Márcia Metran dehttp://lattes.cnpq.br/4684676783995945Mello, Márcia Metran dehttp://lattes.cnpq.br/4684676783995945Oliveira, Adriana Mara Vaz deBoaventura, Deusa Maria Rodrigueshttp://lattes.cnpq.br/9827123546166718Ferreira, Ana Isabel Oliveira2016-11-08T17:35:55Z2016-06-24FERREIRA, Ana Isabel Oliveira. Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim. 2016. 201 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás,Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/6459ark:/38995/0013000009rvdThe formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations.A formação de empresas culturais, o fortalecimento do mercado de consumo cultural, bem como a criação de exposições itinerantes e temporárias vinculadas às transformações artísticas, fizeram com que os espaços expositivos adquirissem um novo caráter, exigindo uma reformulação tanto de suas antigas exigências quanto da necessidade de ampliação de seus limites no mundo contemporâneo. Nesse contexto, esta dissertação apresenta um estudo sobre as concepções espaciais dos museus contemporâneos baseado na análise das galerias do Instituto Inhotim, considerado o mais importante centro de arte contemporânea do país. Esta pesquisa pretende discorrer sobre as interfaces entre arte e arquitetura e compreender suas interferências sobre a configuração dos atuais espaços expositivos. Quanto à contextualização do tema, primeiro, foi realizado um histórico sobre a evolução do museu como tipo de edifício e, depois, um histórico sobre a expansão das manifestações artísticas. O objeto de estudo, Instituto de Arte Contemporânea do Inhotim, situa-se tanto no contexto da evolução histórica institucional e espacial dos museus quanto nas manifestações da arte contemporânea. A partir de então, é possível realizar a análise dos projetos das galerias. A metodologia adotada resultou na classificação das galerias do Instituto em três diferentes linhas de abordagem: Arquitetura como obra de arte; Uma arquitetura, várias obras; e Uma arquitetura para um artista. Verificando as similitudes e divergências, o método comparativo e de descrições que analisa as distintas abordagens do processo de construção e concepção das galerias do Instituto, relaciona os meios estéticos e de edificação, recursos do processo de realização da obra de arquitetura, com a arte exposta. No que diz respeito à concepção dos museus do mundo contemporâneo, este trabalho surge como meio de instigar e instaurar novas discussões e possibilitar o aprimoramento e desenvolvimento de parâmetros projetuais, uma vez que são espaços que se submeteram e continuam a se submeter a profundas transformações.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-10-21T17:12:04Z No. of bitstreams: 2 Dissertação - Ana Isabel Oliveira Ferreira - 2016.pdf: 16337836 bytes, checksum: 6a62154469ce0d5d3b62d7f699bed70e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2016-11-08T17:35:55Z (GMT) No. of bitstreams: 2 Dissertação - Ana Isabel Oliveira Ferreira - 2016.pdf: 16337836 bytes, checksum: 6a62154469ce0d5d3b62d7f699bed70e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-11-08T17:35:55Z (GMT). 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dc.title.por.fl_str_mv Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
dc.title.alternative.eng.fl_str_mv Interfaces between art and architecture: the contemporary art institute of Inhotim
title Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
spellingShingle Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
Ferreira, Ana Isabel Oliveira
Instituto de arte contemporânea do Inhotim
Museu
Arquitetura
Arte
Lugar
Paisagem
Contemporary art institute of Inhotim
Museum
Architecture
Art
Place
Landscape
ARQUITETURA E URBANISMO::PAISAGISMO
title_short Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
title_full Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
title_fullStr Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
title_full_unstemmed Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
title_sort Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
author Ferreira, Ana Isabel Oliveira
author_facet Ferreira, Ana Isabel Oliveira
author_role author
dc.contributor.advisor1.fl_str_mv Mello, Márcia Metran de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4684676783995945
dc.contributor.referee1.fl_str_mv Mello, Márcia Metran de
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/4684676783995945
dc.contributor.referee2.fl_str_mv Oliveira, Adriana Mara Vaz de
dc.contributor.referee3.fl_str_mv Boaventura, Deusa Maria Rodrigues
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9827123546166718
dc.contributor.author.fl_str_mv Ferreira, Ana Isabel Oliveira
contributor_str_mv Mello, Márcia Metran de
Mello, Márcia Metran de
Oliveira, Adriana Mara Vaz de
Boaventura, Deusa Maria Rodrigues
dc.subject.por.fl_str_mv Instituto de arte contemporânea do Inhotim
Museu
Arquitetura
Arte
Lugar
Paisagem
topic Instituto de arte contemporânea do Inhotim
Museu
Arquitetura
Arte
Lugar
Paisagem
Contemporary art institute of Inhotim
Museum
Architecture
Art
Place
Landscape
ARQUITETURA E URBANISMO::PAISAGISMO
dc.subject.eng.fl_str_mv Contemporary art institute of Inhotim
Museum
Architecture
Art
Place
Landscape
dc.subject.cnpq.fl_str_mv ARQUITETURA E URBANISMO::PAISAGISMO
description The formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations.
publishDate 2016
dc.date.accessioned.fl_str_mv 2016-11-08T17:35:55Z
dc.date.issued.fl_str_mv 2016-06-24
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dc.identifier.citation.fl_str_mv FERREIRA, Ana Isabel Oliveira. Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim. 2016. 201 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás,Goiânia, 2016.
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identifier_str_mv FERREIRA, Ana Isabel Oliveira. Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim. 2016. 201 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás,Goiânia, 2016.
ark:/38995/0013000009rvd
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