Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/0013000009rvd |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/6459 |
Resumo: | The formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations. |
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Mello, Márcia Metran dehttp://lattes.cnpq.br/4684676783995945Mello, Márcia Metran dehttp://lattes.cnpq.br/4684676783995945Oliveira, Adriana Mara Vaz deBoaventura, Deusa Maria Rodrigueshttp://lattes.cnpq.br/9827123546166718Ferreira, Ana Isabel Oliveira2016-11-08T17:35:55Z2016-06-24FERREIRA, Ana Isabel Oliveira. Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim. 2016. 201 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás,Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/6459ark:/38995/0013000009rvdThe formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations.A formação de empresas culturais, o fortalecimento do mercado de consumo cultural, bem como a criação de exposições itinerantes e temporárias vinculadas às transformações artísticas, fizeram com que os espaços expositivos adquirissem um novo caráter, exigindo uma reformulação tanto de suas antigas exigências quanto da necessidade de ampliação de seus limites no mundo contemporâneo. Nesse contexto, esta dissertação apresenta um estudo sobre as concepções espaciais dos museus contemporâneos baseado na análise das galerias do Instituto Inhotim, considerado o mais importante centro de arte contemporânea do país. Esta pesquisa pretende discorrer sobre as interfaces entre arte e arquitetura e compreender suas interferências sobre a configuração dos atuais espaços expositivos. Quanto à contextualização do tema, primeiro, foi realizado um histórico sobre a evolução do museu como tipo de edifício e, depois, um histórico sobre a expansão das manifestações artísticas. O objeto de estudo, Instituto de Arte Contemporânea do Inhotim, situa-se tanto no contexto da evolução histórica institucional e espacial dos museus quanto nas manifestações da arte contemporânea. A partir de então, é possível realizar a análise dos projetos das galerias. A metodologia adotada resultou na classificação das galerias do Instituto em três diferentes linhas de abordagem: Arquitetura como obra de arte; Uma arquitetura, várias obras; e Uma arquitetura para um artista. Verificando as similitudes e divergências, o método comparativo e de descrições que analisa as distintas abordagens do processo de construção e concepção das galerias do Instituto, relaciona os meios estéticos e de edificação, recursos do processo de realização da obra de arquitetura, com a arte exposta. No que diz respeito à concepção dos museus do mundo contemporâneo, este trabalho surge como meio de instigar e instaurar novas discussões e possibilitar o aprimoramento e desenvolvimento de parâmetros projetuais, uma vez que são espaços que se submeteram e continuam a se submeter a profundas transformações.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-10-21T17:12:04Z No. of bitstreams: 2 Dissertação - Ana Isabel Oliveira Ferreira - 2016.pdf: 16337836 bytes, checksum: 6a62154469ce0d5d3b62d7f699bed70e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2016-11-08T17:35:55Z (GMT) No. of bitstreams: 2 Dissertação - Ana Isabel Oliveira Ferreira - 2016.pdf: 16337836 bytes, checksum: 6a62154469ce0d5d3b62d7f699bed70e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-11-08T17:35:55Z (GMT). No. of bitstreams: 2 Dissertação - Ana Isabel Oliveira Ferreira - 2016.pdf: 16337836 bytes, checksum: 6a62154469ce0d5d3b62d7f699bed70e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-06-24Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Projeto e Cidade (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessInstituto de arte contemporânea do InhotimMuseuArquiteturaArteLugarPaisagemContemporary art institute of InhotimMuseumArchitectureArtPlaceLandscapeARQUITETURA E URBANISMO::PAISAGISMOInterfaces entre arte e arquitetura: oiInstituto de arte contemporânea do InhotimInterfaces between art and architecture: the contemporary art institute of Inhotiminfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1780400497863143944600600600600-5849096158746369096678952304551397187-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
dc.title.alternative.eng.fl_str_mv |
Interfaces between art and architecture: the contemporary art institute of Inhotim |
title |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
spellingShingle |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim Ferreira, Ana Isabel Oliveira Instituto de arte contemporânea do Inhotim Museu Arquitetura Arte Lugar Paisagem Contemporary art institute of Inhotim Museum Architecture Art Place Landscape ARQUITETURA E URBANISMO::PAISAGISMO |
title_short |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
title_full |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
title_fullStr |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
title_full_unstemmed |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
title_sort |
Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim |
author |
Ferreira, Ana Isabel Oliveira |
author_facet |
Ferreira, Ana Isabel Oliveira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Mello, Márcia Metran de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4684676783995945 |
dc.contributor.referee1.fl_str_mv |
Mello, Márcia Metran de |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/4684676783995945 |
dc.contributor.referee2.fl_str_mv |
Oliveira, Adriana Mara Vaz de |
dc.contributor.referee3.fl_str_mv |
Boaventura, Deusa Maria Rodrigues |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9827123546166718 |
dc.contributor.author.fl_str_mv |
Ferreira, Ana Isabel Oliveira |
contributor_str_mv |
Mello, Márcia Metran de Mello, Márcia Metran de Oliveira, Adriana Mara Vaz de Boaventura, Deusa Maria Rodrigues |
dc.subject.por.fl_str_mv |
Instituto de arte contemporânea do Inhotim Museu Arquitetura Arte Lugar Paisagem |
topic |
Instituto de arte contemporânea do Inhotim Museu Arquitetura Arte Lugar Paisagem Contemporary art institute of Inhotim Museum Architecture Art Place Landscape ARQUITETURA E URBANISMO::PAISAGISMO |
dc.subject.eng.fl_str_mv |
Contemporary art institute of Inhotim Museum Architecture Art Place Landscape |
dc.subject.cnpq.fl_str_mv |
ARQUITETURA E URBANISMO::PAISAGISMO |
description |
The formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations. |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-11-08T17:35:55Z |
dc.date.issued.fl_str_mv |
2016-06-24 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
FERREIRA, Ana Isabel Oliveira. Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim. 2016. 201 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás,Goiânia, 2016. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/6459 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000009rvd |
identifier_str_mv |
FERREIRA, Ana Isabel Oliveira. Interfaces entre arte e arquitetura: oiInstituto de arte contemporânea do Inhotim. 2016. 201 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás,Goiânia, 2016. ark:/38995/0013000009rvd |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/6459 |
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por |
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por |
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600 600 600 600 |
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678952304551397187 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Artes Visuais - FAV (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
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