Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas

Detalhes bibliográficos
Autor(a) principal: Borges, Poliana Queiroz
Data de Publicação: 2019
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/9781
Resumo: This thesis is dedicated to the study of the presence of musical structures in four narratives of Nove, novena (1966): "A point in the circle", "Hahn's pentagon", "Baroque tale or tripartite unit" and "Pastoral". The choice of these narratives was made by bringing, in the literalness of the text, a permeability between literature and music. It focuses on perceiving the aesthetic features of a musical nature, either from the introduction of a sound sensation, or from structural elements shared or transposed between the musical and literary languages, forged in the elaboration of a new narrative writing. Osman Lins proposes a conception of literature that resembles a cosmogony, in which it is in the ordering of chaos by the word that the opportunity of dialogue with the reader is created and, from this, the possibility of a new look on the world and its social models. To this end, the writer uses technical and aesthetic procedures of the artistic creation in the field of the intersection between arts, in order to establish this debate. One of the musical variants that contribute to our work is the concept of "soundscape", coined by the Canadian composer, musicologist and critic Murray Schafer (2001), who affirms that it is possible to isolate a field of knowledge and study it as an acoustic field. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Italo Calvino (1990), Mircea Eliade (2011) and Gaston Bachelard (1978) actuates the research, establishing themselves as a theoretical foundation.
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spelling Ribeiro, Renata Rochahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4757020A7Ribeiro, Renata RochaNuto, João Vianney CavalcantiUnes, Wolney Alfredo ArrudaCánovas, Suzana Yolanda Lenhardt MachadoRegino, Sueli Maria de Oliveirahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4472830J3Borges, Poliana Queiroz2019-07-04T13:30:08Z2019-04-24BORGES, Poliana Queiroz. Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas. 2019. 111 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9781This thesis is dedicated to the study of the presence of musical structures in four narratives of Nove, novena (1966): "A point in the circle", "Hahn's pentagon", "Baroque tale or tripartite unit" and "Pastoral". The choice of these narratives was made by bringing, in the literalness of the text, a permeability between literature and music. It focuses on perceiving the aesthetic features of a musical nature, either from the introduction of a sound sensation, or from structural elements shared or transposed between the musical and literary languages, forged in the elaboration of a new narrative writing. Osman Lins proposes a conception of literature that resembles a cosmogony, in which it is in the ordering of chaos by the word that the opportunity of dialogue with the reader is created and, from this, the possibility of a new look on the world and its social models. To this end, the writer uses technical and aesthetic procedures of the artistic creation in the field of the intersection between arts, in order to establish this debate. One of the musical variants that contribute to our work is the concept of "soundscape", coined by the Canadian composer, musicologist and critic Murray Schafer (2001), who affirms that it is possible to isolate a field of knowledge and study it as an acoustic field. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Italo Calvino (1990), Mircea Eliade (2011) and Gaston Bachelard (1978) actuates the research, establishing themselves as a theoretical foundation.Esta tese dedica-se ao estudo da presença de estruturas próprias à linguagem musical em quatro narrativas de Nove, novena (1966): “Um ponto no círculo”, “Pentágono de Hahn”, “Conto barroco ou unidade tripartita” e “Pastoral”. A escolha destas narrativas se deu por trazerem, na literalidade do texto, uma permeabilidade entre literatura e música. Concentra-se em perceber os recursos estéticos de natureza musical, seja a partir da instauração de uma sensação sonora, seja por elementos estruturais compartilhados ou transpostos entre as linguagens musical e literária, forjados na elaboração de uma nova escrita narrativa. Osman Lins propõe uma concepção de literatura que seja tal qual uma cosmogonia, em que é na ordenação do caos pela palavra que se cria a oportunidade de diálogo com o leitor e, a partir disso, a possibilidade de um novo olhar sobre o mundo e seus modelos sociais. Para tanto, o escritor utiliza de procedimentos técnicos e estéticos da criação artística no campo da interseção entreartes, de modo a estabelecer esse debate. Uma das variantes musicais que contribuem para o nosso trabalho é o conceito de “paisagem sonora”, cunhado pelo compositor, musicólogo e crítico canadense Murray Schafer (2001), que afirma ser possível isolar um campo do conhecimento e estudá-lo como campo acústico. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Ítalo Calvino (1990), Mircea Eliade (2011) e Gaston Bachelard (1978) impulsionam a pesquisa, estabelecendo-se como fundamentação teórica.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2019-07-03T15:23:09Z No. of bitstreams: 2 Tese - Poliana Queiroz Borges - 2019.pdf: 13343039 bytes, checksum: 3a36ca9210d2bdbfdea842ea74431082 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-07-04T13:30:08Z (GMT) No. of bitstreams: 2 Tese - Poliana Queiroz Borges - 2019.pdf: 13343039 bytes, checksum: 3a36ca9210d2bdbfdea842ea74431082 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-07-04T13:30:08Z (GMT). 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dc.title.eng.fl_str_mv Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
dc.title.alternative.eng.fl_str_mv I hear in what i read or i feel in what i see: musicality in four osmanian narratives
title Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
spellingShingle Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
Borges, Poliana Queiroz
Estudos entreartes
Música e literatura
Osman Lins
Nove, novena
Interdisciplinary art studies
Music and literature
Osman Lins
Nove, novena
LETRAS::LITERATURA BRASILEIRA
title_short Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
title_full Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
title_fullStr Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
title_full_unstemmed Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
title_sort Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
author Borges, Poliana Queiroz
author_facet Borges, Poliana Queiroz
author_role author
dc.contributor.advisor1.fl_str_mv Ribeiro, Renata Rocha
dc.contributor.advisor1Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4757020A7
dc.contributor.referee1.fl_str_mv Ribeiro, Renata Rocha
dc.contributor.referee2.fl_str_mv Nuto, João Vianney Cavalcanti
dc.contributor.referee3.fl_str_mv Unes, Wolney Alfredo Arruda
dc.contributor.referee4.fl_str_mv Cánovas, Suzana Yolanda Lenhardt Machado
dc.contributor.referee5.fl_str_mv Regino, Sueli Maria de Oliveira
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4472830J3
dc.contributor.author.fl_str_mv Borges, Poliana Queiroz
contributor_str_mv Ribeiro, Renata Rocha
Ribeiro, Renata Rocha
Nuto, João Vianney Cavalcanti
Unes, Wolney Alfredo Arruda
Cánovas, Suzana Yolanda Lenhardt Machado
Regino, Sueli Maria de Oliveira
dc.subject.por.fl_str_mv Estudos entreartes
Música e literatura
Osman Lins
Nove, novena
topic Estudos entreartes
Música e literatura
Osman Lins
Nove, novena
Interdisciplinary art studies
Music and literature
Osman Lins
Nove, novena
LETRAS::LITERATURA BRASILEIRA
dc.subject.eng.fl_str_mv Interdisciplinary art studies
Music and literature
Osman Lins
Nove, novena
dc.subject.cnpq.fl_str_mv LETRAS::LITERATURA BRASILEIRA
description This thesis is dedicated to the study of the presence of musical structures in four narratives of Nove, novena (1966): "A point in the circle", "Hahn's pentagon", "Baroque tale or tripartite unit" and "Pastoral". The choice of these narratives was made by bringing, in the literalness of the text, a permeability between literature and music. It focuses on perceiving the aesthetic features of a musical nature, either from the introduction of a sound sensation, or from structural elements shared or transposed between the musical and literary languages, forged in the elaboration of a new narrative writing. Osman Lins proposes a conception of literature that resembles a cosmogony, in which it is in the ordering of chaos by the word that the opportunity of dialogue with the reader is created and, from this, the possibility of a new look on the world and its social models. To this end, the writer uses technical and aesthetic procedures of the artistic creation in the field of the intersection between arts, in order to establish this debate. One of the musical variants that contribute to our work is the concept of "soundscape", coined by the Canadian composer, musicologist and critic Murray Schafer (2001), who affirms that it is possible to isolate a field of knowledge and study it as an acoustic field. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Italo Calvino (1990), Mircea Eliade (2011) and Gaston Bachelard (1978) actuates the research, establishing themselves as a theoretical foundation.
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-07-04T13:30:08Z
dc.date.issued.fl_str_mv 2019-04-24
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dc.identifier.citation.fl_str_mv BORGES, Poliana Queiroz. Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas. 2019. 111 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/9781
identifier_str_mv BORGES, Poliana Queiroz. Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas. 2019. 111 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019.
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