Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/9781 |
Resumo: | This thesis is dedicated to the study of the presence of musical structures in four narratives of Nove, novena (1966): "A point in the circle", "Hahn's pentagon", "Baroque tale or tripartite unit" and "Pastoral". The choice of these narratives was made by bringing, in the literalness of the text, a permeability between literature and music. It focuses on perceiving the aesthetic features of a musical nature, either from the introduction of a sound sensation, or from structural elements shared or transposed between the musical and literary languages, forged in the elaboration of a new narrative writing. Osman Lins proposes a conception of literature that resembles a cosmogony, in which it is in the ordering of chaos by the word that the opportunity of dialogue with the reader is created and, from this, the possibility of a new look on the world and its social models. To this end, the writer uses technical and aesthetic procedures of the artistic creation in the field of the intersection between arts, in order to establish this debate. One of the musical variants that contribute to our work is the concept of "soundscape", coined by the Canadian composer, musicologist and critic Murray Schafer (2001), who affirms that it is possible to isolate a field of knowledge and study it as an acoustic field. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Italo Calvino (1990), Mircea Eliade (2011) and Gaston Bachelard (1978) actuates the research, establishing themselves as a theoretical foundation. |
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Ribeiro, Renata Rochahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4757020A7Ribeiro, Renata RochaNuto, João Vianney CavalcantiUnes, Wolney Alfredo ArrudaCánovas, Suzana Yolanda Lenhardt MachadoRegino, Sueli Maria de Oliveirahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4472830J3Borges, Poliana Queiroz2019-07-04T13:30:08Z2019-04-24BORGES, Poliana Queiroz. Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas. 2019. 111 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9781ark:/38995/0013000008w3jThis thesis is dedicated to the study of the presence of musical structures in four narratives of Nove, novena (1966): "A point in the circle", "Hahn's pentagon", "Baroque tale or tripartite unit" and "Pastoral". The choice of these narratives was made by bringing, in the literalness of the text, a permeability between literature and music. It focuses on perceiving the aesthetic features of a musical nature, either from the introduction of a sound sensation, or from structural elements shared or transposed between the musical and literary languages, forged in the elaboration of a new narrative writing. Osman Lins proposes a conception of literature that resembles a cosmogony, in which it is in the ordering of chaos by the word that the opportunity of dialogue with the reader is created and, from this, the possibility of a new look on the world and its social models. To this end, the writer uses technical and aesthetic procedures of the artistic creation in the field of the intersection between arts, in order to establish this debate. One of the musical variants that contribute to our work is the concept of "soundscape", coined by the Canadian composer, musicologist and critic Murray Schafer (2001), who affirms that it is possible to isolate a field of knowledge and study it as an acoustic field. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Italo Calvino (1990), Mircea Eliade (2011) and Gaston Bachelard (1978) actuates the research, establishing themselves as a theoretical foundation.Esta tese dedica-se ao estudo da presença de estruturas próprias à linguagem musical em quatro narrativas de Nove, novena (1966): “Um ponto no círculo”, “Pentágono de Hahn”, “Conto barroco ou unidade tripartita” e “Pastoral”. A escolha destas narrativas se deu por trazerem, na literalidade do texto, uma permeabilidade entre literatura e música. Concentra-se em perceber os recursos estéticos de natureza musical, seja a partir da instauração de uma sensação sonora, seja por elementos estruturais compartilhados ou transpostos entre as linguagens musical e literária, forjados na elaboração de uma nova escrita narrativa. Osman Lins propõe uma concepção de literatura que seja tal qual uma cosmogonia, em que é na ordenação do caos pela palavra que se cria a oportunidade de diálogo com o leitor e, a partir disso, a possibilidade de um novo olhar sobre o mundo e seus modelos sociais. Para tanto, o escritor utiliza de procedimentos técnicos e estéticos da criação artística no campo da interseção entreartes, de modo a estabelecer esse debate. Uma das variantes musicais que contribuem para o nosso trabalho é o conceito de “paisagem sonora”, cunhado pelo compositor, musicólogo e crítico canadense Murray Schafer (2001), que afirma ser possível isolar um campo do conhecimento e estudá-lo como campo acústico. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Ítalo Calvino (1990), Mircea Eliade (2011) e Gaston Bachelard (1978) impulsionam a pesquisa, estabelecendo-se como fundamentação teórica.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2019-07-03T15:23:09Z No. of bitstreams: 2 Tese - Poliana Queiroz Borges - 2019.pdf: 13343039 bytes, checksum: 3a36ca9210d2bdbfdea842ea74431082 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-07-04T13:30:08Z (GMT) No. of bitstreams: 2 Tese - Poliana Queiroz Borges - 2019.pdf: 13343039 bytes, checksum: 3a36ca9210d2bdbfdea842ea74431082 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-07-04T13:30:08Z (GMT). No. of bitstreams: 2 Tese - Poliana Queiroz Borges - 2019.pdf: 13343039 bytes, checksum: 3a36ca9210d2bdbfdea842ea74431082 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-04-24application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessEstudos entreartesMúsica e literaturaOsman LinsNove, novenaInterdisciplinary art studiesMusic and literatureOsman LinsNove, novenaLETRAS::LITERATURA BRASILEIRAOuço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianasI hear in what i read or i feel in what i see: musicality in four osmanian narrativesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1403758209736362229600600600-5417850704678072988-324704315598873511reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALTese - Poliana Queiroz Borges - 2019.pdfTese - Poliana Queiroz Borges - 2019.pdfapplication/pdf13343039http://repositorio.bc.ufg.br/tede/bitstreams/ff72f757-11ec-4085-ae96-ce1506213b80/download3a36ca9210d2bdbfdea842ea74431082MD55LICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
dc.title.alternative.eng.fl_str_mv |
I hear in what i read or i feel in what i see: musicality in four osmanian narratives |
title |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
spellingShingle |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas Borges, Poliana Queiroz Estudos entreartes Música e literatura Osman Lins Nove, novena Interdisciplinary art studies Music and literature Osman Lins Nove, novena LETRAS::LITERATURA BRASILEIRA |
title_short |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
title_full |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
title_fullStr |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
title_full_unstemmed |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
title_sort |
Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas |
author |
Borges, Poliana Queiroz |
author_facet |
Borges, Poliana Queiroz |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ribeiro, Renata Rocha |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4757020A7 |
dc.contributor.referee1.fl_str_mv |
Ribeiro, Renata Rocha |
dc.contributor.referee2.fl_str_mv |
Nuto, João Vianney Cavalcanti |
dc.contributor.referee3.fl_str_mv |
Unes, Wolney Alfredo Arruda |
dc.contributor.referee4.fl_str_mv |
Cánovas, Suzana Yolanda Lenhardt Machado |
dc.contributor.referee5.fl_str_mv |
Regino, Sueli Maria de Oliveira |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4472830J3 |
dc.contributor.author.fl_str_mv |
Borges, Poliana Queiroz |
contributor_str_mv |
Ribeiro, Renata Rocha Ribeiro, Renata Rocha Nuto, João Vianney Cavalcanti Unes, Wolney Alfredo Arruda Cánovas, Suzana Yolanda Lenhardt Machado Regino, Sueli Maria de Oliveira |
dc.subject.por.fl_str_mv |
Estudos entreartes Música e literatura Osman Lins Nove, novena |
topic |
Estudos entreartes Música e literatura Osman Lins Nove, novena Interdisciplinary art studies Music and literature Osman Lins Nove, novena LETRAS::LITERATURA BRASILEIRA |
dc.subject.eng.fl_str_mv |
Interdisciplinary art studies Music and literature Osman Lins Nove, novena |
dc.subject.cnpq.fl_str_mv |
LETRAS::LITERATURA BRASILEIRA |
description |
This thesis is dedicated to the study of the presence of musical structures in four narratives of Nove, novena (1966): "A point in the circle", "Hahn's pentagon", "Baroque tale or tripartite unit" and "Pastoral". The choice of these narratives was made by bringing, in the literalness of the text, a permeability between literature and music. It focuses on perceiving the aesthetic features of a musical nature, either from the introduction of a sound sensation, or from structural elements shared or transposed between the musical and literary languages, forged in the elaboration of a new narrative writing. Osman Lins proposes a conception of literature that resembles a cosmogony, in which it is in the ordering of chaos by the word that the opportunity of dialogue with the reader is created and, from this, the possibility of a new look on the world and its social models. To this end, the writer uses technical and aesthetic procedures of the artistic creation in the field of the intersection between arts, in order to establish this debate. One of the musical variants that contribute to our work is the concept of "soundscape", coined by the Canadian composer, musicologist and critic Murray Schafer (2001), who affirms that it is possible to isolate a field of knowledge and study it as an acoustic field. Mikhail Bakhtin (1981), Umberto Eco (2010), Friedrich Nietzsche (2007), Mário de Andrade (2003), Italo Calvino (1990), Mircea Eliade (2011) and Gaston Bachelard (1978) actuates the research, establishing themselves as a theoretical foundation. |
publishDate |
2019 |
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2019-07-04T13:30:08Z |
dc.date.issued.fl_str_mv |
2019-04-24 |
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BORGES, Poliana Queiroz. Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas. 2019. 111 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019. |
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http://repositorio.bc.ufg.br/tede/handle/tede/9781 |
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BORGES, Poliana Queiroz. Ouço no que leio ou sinto no que vejo: musicalidade em quatro narrativas osmanianas. 2019. 111 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019. ark:/38995/0013000008w3j |
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http://repositorio.bc.ufg.br/tede/handle/tede/9781 |
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Universidade Federal de Goiás |
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