A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/7348 |
Resumo: | The present work aims to analyze and present a brief biographical account and the work of Brazilian women composers, with an analysis of the works made in the 1970s. As secondary objectives we search for the contribution to the national repertoire, in the sense of giving visibility to works not much known and played, and to highlight the participation of women in the scenario of Brazilian musical composition, turning the attention to the production of guitar music. To find the works, various search engines were used, such as: catalogs of works, books, as well as interviews conducted during the research. The composers found here are: Lina Pires de Campos, Adelaide Pereira da Silva, Eunice Katunda, Esther Scliar and Maria Helena da Costa. Of the diverse works found, we selected only one piece of each composer, representing their languages and stylistic aspects. The main reference used for the analysis was the book by John White (1976), The Analysis of Music. We also include the precepts of Schoenberg (1996) and Kostka (1999). The results found were some stylistic similarity between some works analyzed here, as well as features that dialogue with the stylistic aspects of the analyzed period. |
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Meirinhos, Eduardohttp://lattes.cnpq.br/0771092244377551Meirinhos, Eduardohttp://lattes.cnpq.br/0771092244377551Antunes, GilsonCardoso, Antonio Marcoshttp://lattes.cnpq.br/7239910693757190Amaral, Mayara2017-05-19T10:47:51Z2017-03-30AMARAL, M. A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística. 2017. 176 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7348The present work aims to analyze and present a brief biographical account and the work of Brazilian women composers, with an analysis of the works made in the 1970s. As secondary objectives we search for the contribution to the national repertoire, in the sense of giving visibility to works not much known and played, and to highlight the participation of women in the scenario of Brazilian musical composition, turning the attention to the production of guitar music. To find the works, various search engines were used, such as: catalogs of works, books, as well as interviews conducted during the research. The composers found here are: Lina Pires de Campos, Adelaide Pereira da Silva, Eunice Katunda, Esther Scliar and Maria Helena da Costa. Of the diverse works found, we selected only one piece of each composer, representing their languages and stylistic aspects. The main reference used for the analysis was the book by John White (1976), The Analysis of Music. We also include the precepts of Schoenberg (1996) and Kostka (1999). The results found were some stylistic similarity between some works analyzed here, as well as features that dialogue with the stylistic aspects of the analyzed period.O presente trabalho tem como objetivo analisar e apresentar um breve relato biográfico e a obra de compositoras brasileiras compostas na década de 1970. Entre os objetivos secundários estão a contribuição para o repertório violonístico nacional, no sentido de dar visibilidade a obras pouco conhecidas e tocadas, e evidenciar a participação da mulher no cenário da composição musical brasileira, voltando o olhar para a produção violonística. Para encontrar as obras, foram utilizadas fontes de busca diversas, como: catálogos de obras, livros, bem como entrevistas realizadas durante a pesquisa. As compositoras encontradas e aqui abordadas são: Lina Pires de Campos, Adelaide Pereira da Silva, Eunice Katunda, Esther Scliar e Maria Helena da Costa. Das diversas obras encontradas, selecionamos apenas uma peça de cada compositora, representando suas linguagens e vertentes estilísticas. O referencial principal utilizado para as análises foi o livro de John White (1976), The Analysis of Music. Incluímos ainda os preceitos de Schoenberg (1996) e Kostka (1999). Os resultados encontrados foram algumas congruências estilísticas entre algumas obras aqui analisadas, bem como aspectos que dialogam com as vertentes estilísticas do período analisado.Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2017-05-18T20:12:26Z No. of bitstreams: 2 Dissertação - Mayara Amaral - 2017.pdf: 8539335 bytes, checksum: 58004a1433e26661e1ee04a717b0ec12 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-19T10:47:51Z (GMT) No. of bitstreams: 2 Dissertação - Mayara Amaral - 2017.pdf: 8539335 bytes, checksum: 58004a1433e26661e1ee04a717b0ec12 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-05-19T10:47:51Z (GMT). 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dc.title.eng.fl_str_mv |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
dc.title.alternative.eng.fl_str_mv |
The women composer and the guitar in the 1970: analytical aspects and historical context |
title |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
spellingShingle |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística Amaral, Mayara Mulheres compositoras Violão Repertório violonístico Música e gênero Women composers Guitar Guitar repertoire Music and gender ARTES::MUSICA |
title_short |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
title_full |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
title_fullStr |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
title_full_unstemmed |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
title_sort |
A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística |
author |
Amaral, Mayara |
author_facet |
Amaral, Mayara |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Meirinhos, Eduardo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0771092244377551 |
dc.contributor.referee1.fl_str_mv |
Meirinhos, Eduardo |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/0771092244377551 |
dc.contributor.referee2.fl_str_mv |
Antunes, Gilson |
dc.contributor.referee3.fl_str_mv |
Cardoso, Antonio Marcos |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7239910693757190 |
dc.contributor.author.fl_str_mv |
Amaral, Mayara |
contributor_str_mv |
Meirinhos, Eduardo Meirinhos, Eduardo Antunes, Gilson Cardoso, Antonio Marcos |
dc.subject.por.fl_str_mv |
Mulheres compositoras Violão Repertório violonístico Música e gênero |
topic |
Mulheres compositoras Violão Repertório violonístico Música e gênero Women composers Guitar Guitar repertoire Music and gender ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Women composers Guitar Guitar repertoire Music and gender |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
The present work aims to analyze and present a brief biographical account and the work of Brazilian women composers, with an analysis of the works made in the 1970s. As secondary objectives we search for the contribution to the national repertoire, in the sense of giving visibility to works not much known and played, and to highlight the participation of women in the scenario of Brazilian musical composition, turning the attention to the production of guitar music. To find the works, various search engines were used, such as: catalogs of works, books, as well as interviews conducted during the research. The composers found here are: Lina Pires de Campos, Adelaide Pereira da Silva, Eunice Katunda, Esther Scliar and Maria Helena da Costa. Of the diverse works found, we selected only one piece of each composer, representing their languages and stylistic aspects. The main reference used for the analysis was the book by John White (1976), The Analysis of Music. We also include the precepts of Schoenberg (1996) and Kostka (1999). The results found were some stylistic similarity between some works analyzed here, as well as features that dialogue with the stylistic aspects of the analyzed period. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-05-19T10:47:51Z |
dc.date.issued.fl_str_mv |
2017-03-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
AMARAL, M. A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística. 2017. 176 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/7348 |
identifier_str_mv |
AMARAL, M. A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística. 2017. 176 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/7348 |
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