Música eletroacústica utilizando software livre: processos composicionais interativos

Detalhes bibliográficos
Autor(a) principal: Veiga Filho, Sérgio de Alencastro
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/4903
Resumo: This is a work investigating the possibility of composing musical works with interactive interfaces created with algorithms and programs that are Free Software including the entire operating system. It also includes description of their elaborations, both musical compositions with existing interfaces as for interfaces built in the light of musical and technological training of this composer. The compositions were presented during the Master's degree in performing arts in SEMPEM XIII, XIV and SEMPEM qualification and defense presentations. This research therefore is divided into two parts: Part A, which consists of the artistic part where the composer presents his work to the public hearing, and Part B, which consists of all written work, the scores and algorithms in computer language to this article.
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spelling Almeida, Anselmo Guerra dehttp://lattes.cnpq.br/2322584898095049Almeida, Anselmo Guerra deCosta , Carlos HenriqueRocha, Cleomar de Sousahttp://lattes.cnpq.br/0065921797374761Veiga Filho, Sérgio de Alencastro2015-11-16T09:22:33Z2015-04-27VEIGA FILHO, S. A. Música eletroacústica utilizando software livre: processos composicionais interativos. 2015. 59 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/4903This is a work investigating the possibility of composing musical works with interactive interfaces created with algorithms and programs that are Free Software including the entire operating system. It also includes description of their elaborations, both musical compositions with existing interfaces as for interfaces built in the light of musical and technological training of this composer. The compositions were presented during the Master's degree in performing arts in SEMPEM XIII, XIV and SEMPEM qualification and defense presentations. This research therefore is divided into two parts: Part A, which consists of the artistic part where the composer presents his work to the public hearing, and Part B, which consists of all written work, the scores and algorithms in computer language to this article.Este é um trabalho que investiga a possibilidade de composição de obras musicais com interfaces interativas criadas com algoritmos e programas que sejam S oftwares Livres desde o sistema operacional. Inclui também, descrição de suas elaborações, tanto para as composições musicais com interfaces já existentes como para as interfaces construídas à luz da formação musical e tecnológica deste compositor. As composições foram apresentadas durante o curso de mestrado em apresentações artísticas nos SEMPEM XIII, SEMPEM XIV e apresentações de qualificação e defesa. Este trabalho de pesquisa portanto se divide em duas partes: a Parte A, que consiste da parte artística onde o compositor apresenta sua obra para audição pública, e Parte B, que consiste em todo trabalho escrito, das partituras e algorítmos em linguagem computacional ao presente artigo.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2015-11-12T20:25:29Z No. of bitstreams: 2 Dissertação - Sérgio de Alencastro Veiga Filho - 2015.pdf: 13555500 bytes, checksum: 572004050c98fd5a1ab1d30f156cb9c4 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: cOLOCAR ANEXOS on 2015-11-13T10:05:01Z (GMT)Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2015-11-13T16:17:24Z No. of bitstreams: 32 Dissertação - Sérgio de Alencastro Veiga Filho - 2015.pdf: 13555500 bytes, checksum: 572004050c98fd5a1ab1d30f156cb9c4 (MD5) Partitura-Vênus e Marte.pdf: 1880908 bytes, checksum: 3b30f3609682c418aa5ad0401d5506fa (MD5) Sinth-Rand-Harm.pdf: 38778 bytes, checksum: 3f783ea7da9395fb00c10f3e0cc7c33b (MD5) Sinth-Rand-Harm-FLUX.png: 89293 bytes, checksum: baee49fe4d4194b1bf2c85d73d65422e (MD5) Sinth-Rand-Harm-Sliders.csd: 3412 bytes, checksum: f84ce270e36a536bea3723120b9d0d39 (MD5) Theremin-Giroscopico.pdf: 49251 bytes, checksum: 24002e1a59e55adf0647b55cf04908a9 (MD5) Theremin-OSC-Giroscópio.png: 383932 bytes, checksum: 9afc697fd14003e59e7db6fe2f7b2236 (MD5) Caverna da Medusa - 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dc.title.por.fl_str_mv Música eletroacústica utilizando software livre: processos composicionais interativos
dc.title.alternative.eng.fl_str_mv Electroacoustic music using free software: interactive compositional processes
title Música eletroacústica utilizando software livre: processos composicionais interativos
spellingShingle Música eletroacústica utilizando software livre: processos composicionais interativos
Veiga Filho, Sérgio de Alencastro
Música eletroacústica
Interface interativa
Software livre
Electroacoustic music
Interactive interface
Free software
MUSICA::COMPOSICAO MUSICAL
title_short Música eletroacústica utilizando software livre: processos composicionais interativos
title_full Música eletroacústica utilizando software livre: processos composicionais interativos
title_fullStr Música eletroacústica utilizando software livre: processos composicionais interativos
title_full_unstemmed Música eletroacústica utilizando software livre: processos composicionais interativos
title_sort Música eletroacústica utilizando software livre: processos composicionais interativos
author Veiga Filho, Sérgio de Alencastro
author_facet Veiga Filho, Sérgio de Alencastro
author_role author
dc.contributor.advisor1.fl_str_mv Almeida, Anselmo Guerra de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2322584898095049
dc.contributor.referee1.fl_str_mv Almeida, Anselmo Guerra de
dc.contributor.referee2.fl_str_mv Costa , Carlos Henrique
dc.contributor.referee3.fl_str_mv Rocha, Cleomar de Sousa
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0065921797374761
dc.contributor.author.fl_str_mv Veiga Filho, Sérgio de Alencastro
contributor_str_mv Almeida, Anselmo Guerra de
Almeida, Anselmo Guerra de
Costa , Carlos Henrique
Rocha, Cleomar de Sousa
dc.subject.por.fl_str_mv Música eletroacústica
Interface interativa
Software livre
topic Música eletroacústica
Interface interativa
Software livre
Electroacoustic music
Interactive interface
Free software
MUSICA::COMPOSICAO MUSICAL
dc.subject.eng.fl_str_mv Electroacoustic music
Interactive interface
Free software
dc.subject.cnpq.fl_str_mv MUSICA::COMPOSICAO MUSICAL
description This is a work investigating the possibility of composing musical works with interactive interfaces created with algorithms and programs that are Free Software including the entire operating system. It also includes description of their elaborations, both musical compositions with existing interfaces as for interfaces built in the light of musical and technological training of this composer. The compositions were presented during the Master's degree in performing arts in SEMPEM XIII, XIV and SEMPEM qualification and defense presentations. This research therefore is divided into two parts: Part A, which consists of the artistic part where the composer presents his work to the public hearing, and Part B, which consists of all written work, the scores and algorithms in computer language to this article.
publishDate 2015
dc.date.accessioned.fl_str_mv 2015-11-16T09:22:33Z
dc.date.issued.fl_str_mv 2015-04-27
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv VEIGA FILHO, S. A. Música eletroacústica utilizando software livre: processos composicionais interativos. 2015. 59 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/4903
identifier_str_mv VEIGA FILHO, S. A. Música eletroacústica utilizando software livre: processos composicionais interativos. 2015. 59 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2015.
url http://repositorio.bc.ufg.br/tede/handle/tede/4903
dc.language.iso.fl_str_mv por
language por
dc.relation.program.fl_str_mv -8926704311827950450
dc.relation.confidence.fl_str_mv 600
600
600
600
dc.relation.department.fl_str_mv -1800367251745901470
dc.relation.cnpq.fl_str_mv 874118075398272510
dc.relation.sponsorship.fl_str_mv -961409807440757778
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv image/jpeg
image/png
application/vnd.openxmlformats-officedocument.wordprocessingml.document
audio/basic
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Musica (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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institution UFG
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http://repositorio.bc.ufg.br/tede/bitstreams/e1d8eb00-3505-4270-828b-0c90acb70272/download
http://repositorio.bc.ufg.br/tede/bitstreams/f0197625-086f-47a9-9493-88832b42a2d2/download
http://repositorio.bc.ufg.br/tede/bitstreams/03a6ad44-9ae4-425b-9db2-2f901164f7d0/download
http://repositorio.bc.ufg.br/tede/bitstreams/ac1e4d12-b812-40c5-a413-ad47f062fa77/download
http://repositorio.bc.ufg.br/tede/bitstreams/df710ed9-b239-4067-abe4-948491b66f88/download
http://repositorio.bc.ufg.br/tede/bitstreams/fd30726c-f408-4b6e-93e2-3ede8fe26f9a/download
http://repositorio.bc.ufg.br/tede/bitstreams/aa52a3d1-3342-49c8-b515-fb162b775ccd/download
http://repositorio.bc.ufg.br/tede/bitstreams/244d0b06-3e8c-49d8-b5b5-cea50ad920fd/download
http://repositorio.bc.ufg.br/tede/bitstreams/84056fd0-23b3-47dd-b6ff-10db688d00e5/download
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