O Ver Poético: Arnaldo Antunes e Eduardo Kac

• Autor(a) principal: MARTINS, Patrícia Ferreira da Silva
• Data de Publicação: 2010
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/0013000008mpd
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tde/2838
• topic: poesia; visualidade; tecnologia; Arnaldo Antunes; Eduardo Kac; 1.Antunes, Arnaldo Crítica e interpretação 2.Kac, Eduardo - Crítica e interpretação 3.Poesia visual 4.Poesia digital 5.Poetas brasileiros Modernidade; poetry; visuality; technology; Arnaldo Antunes; Eduardo Kac; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS

This thesis, developed within the research line Modern Poetics, aims at providing a critical and analytical reading of the experimental poetry by Arnaldo Antunes and Eduardo Kac, focusing on the practices that emphasize, above all, the relations between poetic experimentation, visuality and technology. In this sense, we present a reflection that develops among the border of literature, art and science. The work also presents a general notion of what can be called digital poetry and cyberpoetry, emphasizing the poetic works, within these inter-related practices, that have been produced in Brazil and in the world. This field imposes upon us a theoretical discussion that develops around the way of approaching the computational poetry and, consequently, around the questions related to interface and interactivity and the shifts within the system author-work-reception. In order to do that, our theoretical discussion is articulated around Jorge Luiz Antonio s and Christopher Funkhouser s reflections about the electronic and digital poetry. We also count with the aesthetic proposals of Suzete Venturelli, Anne Cauquelin and Claudia Giannetti. From these readings, we establish an approach to deal with this poetic form. This approach, as an open process of negotiation, emphasizes the link observer-work that aligns with the concepts of interface and interactivity. It is intended to investigate, with this work, elements as the vitality of the experimental technological poetic production of both poets in reveling tensions in our time, exploiting the limits of subjectivity before the new means and collaborating to the humanization of technologies.