Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4904 |
Resumo: | Is surprising the challenge of the to question and to have the possibility to answer with music. Of the music to question and other sensibility to answer her. The sound doesn't just belong to the music, the music is not only composed of sounds. The life that sounds receives the care historical of the emotional existence, and this experience receives the musical components as indicators of the intertextual reading. The African diáspora offers the rhythm of the pop music that, for your time, she takes charge of being the habitat of the AfroAmerican memory. The sound memory of the diáspora is interpreted by the rhythmic beat of the pop music, an ethnic beat that is causing black reinventions in the musical performances in global contexts. To approach the pop musical expression as phenomenon of reinvention of the black identity, the memory African cultural scored the black identification in the AfroAmerican musical head offices traveled by the rhythmic transformations of the gospel, blues, jazz, swing, rhythm and blues, soul, freejazz, rock, funk, pop and rap. The social rhythm that accompany those gender it is centralized in the freejazz for the development of the research, from where they follow analyses and comments on the process of construction of the pop beat addressed in a social slope of racial protest and in the musical agency of black domain. The ethnic revival of the decade of 1960 is the scenario for the presented musiciansocial dialogues in way to map responsible relationships for the rhythmic development that consolidated the beat of the pop music as an ethnic beat. The reflection around the pop gender renounces academic precepts and formalist of the European musical tradition to present a possibility of musical analysis where the procedure is given by the content to be received from the object. This way the pop music can be questioned before the suffered social context by the agents of your creation. The followed road is updated by those musical agents, that give us elucidation answers if we look for the music as a resulting art of human negotiations. |
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Noronha, Márcio Pizarrohttp://lattes.cnpq.br/2875707762585409Noronha, Márcio PizarroNascimento, Fernanda Albernaz doSimões, Rosa Maria Araújohttp://lattes.cnpq.br/2101756258881763Barrozo, Maria Regiane da Silva Lopes2015-11-16T09:27:07Z2009-05-25SILVA, M. R. Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos. 2008. 119 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2009.http://repositorio.bc.ufg.br/tede/handle/tede/4904Is surprising the challenge of the to question and to have the possibility to answer with music. Of the music to question and other sensibility to answer her. The sound doesn't just belong to the music, the music is not only composed of sounds. The life that sounds receives the care historical of the emotional existence, and this experience receives the musical components as indicators of the intertextual reading. The African diáspora offers the rhythm of the pop music that, for your time, she takes charge of being the habitat of the AfroAmerican memory. The sound memory of the diáspora is interpreted by the rhythmic beat of the pop music, an ethnic beat that is causing black reinventions in the musical performances in global contexts. To approach the pop musical expression as phenomenon of reinvention of the black identity, the memory African cultural scored the black identification in the AfroAmerican musical head offices traveled by the rhythmic transformations of the gospel, blues, jazz, swing, rhythm and blues, soul, freejazz, rock, funk, pop and rap. The social rhythm that accompany those gender it is centralized in the freejazz for the development of the research, from where they follow analyses and comments on the process of construction of the pop beat addressed in a social slope of racial protest and in the musical agency of black domain. The ethnic revival of the decade of 1960 is the scenario for the presented musiciansocial dialogues in way to map responsible relationships for the rhythmic development that consolidated the beat of the pop music as an ethnic beat. The reflection around the pop gender renounces academic precepts and formalist of the European musical tradition to present a possibility of musical analysis where the procedure is given by the content to be received from the object. This way the pop music can be questioned before the suffered social context by the agents of your creation. The followed road is updated by those musical agents, that give us elucidation answers if we look for the music as a resulting art of human negotiations.Surpreendente o desafio de questionar e ter a possibilidade de responder com música. De a música questionar e outra sensibilidade respondêla. O som não pertence apenas à música, a música não é composta somente de sons. A vida que soa recebe o cuidado histórico da existência emocional, e esta experiência recebe os elementos compositivos musicais como indicadores da leitura intertextual. A diáspora africana oferece o ritmo da música pop que, por sua vez, se encarrega de ser o habitat da memória afroamericana. A memória sonora da diáspora é interpretada pelo beat rítmico da música pop, um ethnic beat que está provocando reinvenções negras nas performances musicais em contextos globais. Para abordar a expressão musical pop como fenômeno de reinvenção da identidade negra, a memória cultural africana instrumentalizou a identificação negra nas matrizes musicais afroamericanas percorridas pelas transformações rítmicas do gospel, blues, jazz, swing, rhythm and blues, soul, freejazz, rock, funk, pop e rap. O ritmo social que acompanha esses gêneros é centralizado no freejazz para o desenvolvimento da pesquisa, de onde partem análises e comentários sobre o processo de construção do beat pop direcionado numa vertente social de protesto racial e na agência musical de domínio negro. O revival étnico da década de 1960 é o cenário para as interlocuções músicosociais apresentadas de modo a mapear relações responsáveis pelo desenvolvimento rítmico que consolidou a batida da música pop como um beat étnico. A reflexão em torno do gênero pop renuncia preceitos acadêmicos e formalistas da tradição musical européia para apresentar uma possibilidade de análise musical onde o procedimento é dado pelo conteúdo a ser recebido do objeto. Desse modo a música pop pode ser questionada diante do contexto social sofrido pelos agentes de sua criação. O caminho seguido é atualizado por esses agentes musicais, que nos dão respostas esclarecedoras se olharmos para a música como uma arte resultante de negociações humanas.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2015-11-13T17:20:53Z No. of bitstreams: 2 Dissertação - Maria Regiane da Silva - 2008.pdf: 7085056 bytes, checksum: e1affea996a9127b26d7dabb64a227e1 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-11-16T09:27:07Z (GMT) No. of bitstreams: 2 Dissertação - Maria Regiane da Silva - 2008.pdf: 7085056 bytes, checksum: e1affea996a9127b26d7dabb64a227e1 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-11-16T09:27:07Z (GMT). No. of bitstreams: 2 Dissertação - Maria Regiane da Silva - 2008.pdf: 7085056 bytes, checksum: e1affea996a9127b26d7dabb64a227e1 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2009-05-25application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessDiáspora africanaMúsica popMemóriaEthnical beatHistória socialAfrican diásporaPop musicMemoryEthnical beatSocial historyARTES::MUSICAEthnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricosEthnical beat: the black rhythm of pop music the international-globalizada. A study of hybrid cartografias sonorous-musical hybrid as memory, agency and performance of the afro american identifications in disporicos contextsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600-1800367251745901470-3756787875205786831reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/57935b42-27e4-43aa-a04f-504079478ade/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/d9d7dc63-5b43-49ac-8e27-222d49fd1894/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-821468http://repositorio.bc.ufg.br/tede/bitstreams/e9af7562-9edb-4810-9bbd-b8a70c6c161e/downloadae2fe251842ade1134c5d9bb99b6eefeMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-823148http://repositorio.bc.ufg.br/tede/bitstreams/0b10c05b-1fee-456f-9f33-9f975117bdab/download9da0b6dfac957114c6a7714714b86306MD54ORIGINALDissertação - Maria Regiane da Silva - 2008.pdfDissertação - Maria Regiane da Silva - 2008.pdfapplication/pdf7085056http://repositorio.bc.ufg.br/tede/bitstreams/c3105a2f-dabe-43d5-b0d5-dc60e365674d/downloade1affea996a9127b26d7dabb64a227e1MD55tede/49042015-11-16 07:27:07.887http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/4904http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2015-11-16T09:27:07Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.por.fl_str_mv |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
dc.title.alternative.eng.fl_str_mv |
Ethnical beat: the black rhythm of pop music the international-globalizada. A study of hybrid cartografias sonorous-musical hybrid as memory, agency and performance of the afro american identifications in disporicos contexts |
title |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
spellingShingle |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos Barrozo, Maria Regiane da Silva Lopes Diáspora africana Música pop Memória Ethnical beat História social African diáspora Pop music Memory Ethnical beat Social history ARTES::MUSICA |
title_short |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
title_full |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
title_fullStr |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
title_full_unstemmed |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
title_sort |
Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos |
author |
Barrozo, Maria Regiane da Silva Lopes |
author_facet |
Barrozo, Maria Regiane da Silva Lopes |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Noronha, Márcio Pizarro |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2875707762585409 |
dc.contributor.referee1.fl_str_mv |
Noronha, Márcio Pizarro |
dc.contributor.referee2.fl_str_mv |
Nascimento, Fernanda Albernaz do |
dc.contributor.referee3.fl_str_mv |
Simões, Rosa Maria Araújo |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2101756258881763 |
dc.contributor.author.fl_str_mv |
Barrozo, Maria Regiane da Silva Lopes |
contributor_str_mv |
Noronha, Márcio Pizarro Noronha, Márcio Pizarro Nascimento, Fernanda Albernaz do Simões, Rosa Maria Araújo |
dc.subject.por.fl_str_mv |
Diáspora africana Música pop Memória Ethnical beat História social |
topic |
Diáspora africana Música pop Memória Ethnical beat História social African diáspora Pop music Memory Ethnical beat Social history ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
African diáspora Pop music Memory Ethnical beat Social history |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
Is surprising the challenge of the to question and to have the possibility to answer with music. Of the music to question and other sensibility to answer her. The sound doesn't just belong to the music, the music is not only composed of sounds. The life that sounds receives the care historical of the emotional existence, and this experience receives the musical components as indicators of the intertextual reading. The African diáspora offers the rhythm of the pop music that, for your time, she takes charge of being the habitat of the AfroAmerican memory. The sound memory of the diáspora is interpreted by the rhythmic beat of the pop music, an ethnic beat that is causing black reinventions in the musical performances in global contexts. To approach the pop musical expression as phenomenon of reinvention of the black identity, the memory African cultural scored the black identification in the AfroAmerican musical head offices traveled by the rhythmic transformations of the gospel, blues, jazz, swing, rhythm and blues, soul, freejazz, rock, funk, pop and rap. The social rhythm that accompany those gender it is centralized in the freejazz for the development of the research, from where they follow analyses and comments on the process of construction of the pop beat addressed in a social slope of racial protest and in the musical agency of black domain. The ethnic revival of the decade of 1960 is the scenario for the presented musiciansocial dialogues in way to map responsible relationships for the rhythmic development that consolidated the beat of the pop music as an ethnic beat. The reflection around the pop gender renounces academic precepts and formalist of the European musical tradition to present a possibility of musical analysis where the procedure is given by the content to be received from the object. This way the pop music can be questioned before the suffered social context by the agents of your creation. The followed road is updated by those musical agents, that give us elucidation answers if we look for the music as a resulting art of human negotiations. |
publishDate |
2009 |
dc.date.issued.fl_str_mv |
2009-05-25 |
dc.date.accessioned.fl_str_mv |
2015-11-16T09:27:07Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, M. R. Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos. 2008. 119 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2009. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4904 |
identifier_str_mv |
SILVA, M. R. Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos. 2008. 119 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2009. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4904 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-8926704311827950450 |
dc.relation.confidence.fl_str_mv |
600 600 600 |
dc.relation.department.fl_str_mv |
-1800367251745901470 |
dc.relation.cnpq.fl_str_mv |
-3756787875205786831 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Musica (EMAC) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Escola de Música e Artes Cênicas - EMAC (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
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UFG |
institution |
UFG |
reponame_str |
Repositório Institucional da UFG |
collection |
Repositório Institucional da UFG |
bitstream.url.fl_str_mv |
http://repositorio.bc.ufg.br/tede/bitstreams/57935b42-27e4-43aa-a04f-504079478ade/download http://repositorio.bc.ufg.br/tede/bitstreams/d9d7dc63-5b43-49ac-8e27-222d49fd1894/download http://repositorio.bc.ufg.br/tede/bitstreams/e9af7562-9edb-4810-9bbd-b8a70c6c161e/download http://repositorio.bc.ufg.br/tede/bitstreams/0b10c05b-1fee-456f-9f33-9f975117bdab/download http://repositorio.bc.ufg.br/tede/bitstreams/c3105a2f-dabe-43d5-b0d5-dc60e365674d/download |
bitstream.checksum.fl_str_mv |
bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f ae2fe251842ade1134c5d9bb99b6eefe 9da0b6dfac957114c6a7714714b86306 e1affea996a9127b26d7dabb64a227e1 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1798044397465501696 |