THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ateliê Geográfico |
Texto Completo: | https://revistas.ufg.br/atelie/article/view/16628 |
Resumo: | This article discusses about the landscapes contained in the book Veranico de Janeiro, authored by Bernard Élis. We assume that literature is not an accurate representation of reality, despite the reference of reality. Moreover, we believe that literature and literary narratives are based on the experiences, and perspectives of the author. While he is making an artistic act he does not have commitment to "truth" and plays with it in order to compose the "real" and "unreal". So it is necessary to observe the socio-spatial trajectory of the author - his life story and spatialities which symbolically compose his experiences in order to precisely understand the production process of his work and the work for itself. In this case, Bernardo Élis composes his language and representations based on his experiences of "sertão" of Goiás. This is clear in Veranico de Janeiro, for the writer not only expresses the Goiás society and its contradictions marked in time-space, but also its relationship with the environment and, consequently, the formation of the landscape of this relationship. |
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THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIROLAS PAISAJES DE BERNARDO ÉLIS EN EL TRABAJO VERANICO DE JANEIROAs paisagens de Bernardo Élis na obra veranico de janeiro - DOI 10.5216/ag.v5i3.16628This article discusses about the landscapes contained in the book Veranico de Janeiro, authored by Bernard Élis. We assume that literature is not an accurate representation of reality, despite the reference of reality. Moreover, we believe that literature and literary narratives are based on the experiences, and perspectives of the author. While he is making an artistic act he does not have commitment to "truth" and plays with it in order to compose the "real" and "unreal". So it is necessary to observe the socio-spatial trajectory of the author - his life story and spatialities which symbolically compose his experiences in order to precisely understand the production process of his work and the work for itself. In this case, Bernardo Élis composes his language and representations based on his experiences of "sertão" of Goiás. This is clear in Veranico de Janeiro, for the writer not only expresses the Goiás society and its contradictions marked in time-space, but also its relationship with the environment and, consequently, the formation of the landscape of this relationship.Este artículo discute las paisajes contenidas en el libro "Verano de Janeiro", escrito por Bernard Élis. Suponemos que la literatura no es una representación exacta de la realidad, a pesar de la referencia en la realidad. Por otra parte, creemos que la narrativa de la literatura y la literatura se basan en las experiencias, perspectivas y experiencias del autor, y - haciendo un acto artístico - no tiene ningún compromiso con la "verdad" y juega con él "real" y él "irreales" para compor el trabajo. Por lo tanto, es necesario observar la trayectoria socio-espacial del escritor - historia de su vida y espacialidades simbólicas que constituyen sus experiencias, con el fin de entender con precisión el proceso de producción y el trabajo en sí mismo. En el caso que tratamos aquí, Bernardo Élis se basa en sus experiencias en lo "sertão" de Goiás, donde retiró las referencias a componer su lenguaje y representaciones. Esto es claro en "Verano de Janeiro", porque el escritor no sólo expresa la sociedad goiana y sus contradicciones marcados en el tiempo-espacio, sino también su relación con el medio ambiente y, en consecuencia, la formación del paisaje de esta relación.Este artigo aborda às paisagens contidas na obra Veranico de Janeiro, de autoria de Bernardo Élis. Partimos do pressuposto que a literatura não é uma representação fiel da realidade, apesar de se referenciar nela. Por outro lado, entendemos que a literatura ou as narrativas literárias se fundamentam nas vivências, experiências e perspectivas do autor, e ele – efetuando um ato artístico – não possui compromisso com a “verdade” e brinca com esta para compor o “real” e o “irreal” na obra. Assim, é necessário observar a trajetória socioespacial do literato – sua história de vida e as espacialidades que compõe simbolicamente suas vivências, afim de entendermos o processo de produção da obra e ela em si. No caso que aqui tratamos, Bernardo Élis se fundamenta em suas vivências e experiências no sertão goiano, de onde retirou referências para compor sua linguagem e representações. Isso é nítido em Veranico de Janeiro, pois, o literato não somente expressa a sociedade goiana e suas contradições marcadas no tempo-espaço, mas também a relação desta com a meio ambiente e, consequentemente, a constituição das paisagens dessa relação.Universidade Federal de Goiás2011-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/atelie/article/view/1662810.5216/ag.v5i3.16628Ateliê Geográfico Journal; Vol. 5 No. 3 (2011); 81-109Ateliê Geográfico; Vol. 5 Núm. 3 (2011); 81-109Ateliê Geográfico; v. 5 n. 3 (2011); 81-1091982-195610.5216/ag.v5i3.%areponame:Ateliê Geográficoinstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/atelie/article/view/16628/1008210.5216/ag.v5i3.16628Cirqueira, Diogo Marçalinfo:eu-repo/semantics/openAccess2015-10-16T18:48:20Zoai:ojs.revistas.ufg.br:article/16628Revistahttps://www.revistas.ufg.br/ateliePUBhttps://www.revistas.ufg.br/atelie/oairevista.ateliegeografico@gmail.com || deniscastilho@hotmail.com || laracristineufg@yahoo.com.br1982-19561982-1956opendoar:2024-05-21T19:55:12.193249Ateliê Geográfico - Universidade Federal de Goiás (UFG)true |
dc.title.none.fl_str_mv |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO LAS PAISAJES DE BERNARDO ÉLIS EN EL TRABAJO VERANICO DE JANEIRO As paisagens de Bernardo Élis na obra veranico de janeiro - DOI 10.5216/ag.v5i3.16628 |
title |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO |
spellingShingle |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO Cirqueira, Diogo Marçal |
title_short |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO |
title_full |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO |
title_fullStr |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO |
title_full_unstemmed |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO |
title_sort |
THE LANDSCAPES OF BERNARDO ÉLIS IN WORK VERANICO DE JANEIRO |
author |
Cirqueira, Diogo Marçal |
author_facet |
Cirqueira, Diogo Marçal |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cirqueira, Diogo Marçal |
description |
This article discusses about the landscapes contained in the book Veranico de Janeiro, authored by Bernard Élis. We assume that literature is not an accurate representation of reality, despite the reference of reality. Moreover, we believe that literature and literary narratives are based on the experiences, and perspectives of the author. While he is making an artistic act he does not have commitment to "truth" and plays with it in order to compose the "real" and "unreal". So it is necessary to observe the socio-spatial trajectory of the author - his life story and spatialities which symbolically compose his experiences in order to precisely understand the production process of his work and the work for itself. In this case, Bernardo Élis composes his language and representations based on his experiences of "sertão" of Goiás. This is clear in Veranico de Janeiro, for the writer not only expresses the Goiás society and its contradictions marked in time-space, but also its relationship with the environment and, consequently, the formation of the landscape of this relationship. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/atelie/article/view/16628 10.5216/ag.v5i3.16628 |
url |
https://revistas.ufg.br/atelie/article/view/16628 |
identifier_str_mv |
10.5216/ag.v5i3.16628 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/atelie/article/view/16628/10082 10.5216/ag.v5i3.16628 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Ateliê Geográfico Journal; Vol. 5 No. 3 (2011); 81-109 Ateliê Geográfico; Vol. 5 Núm. 3 (2011); 81-109 Ateliê Geográfico; v. 5 n. 3 (2011); 81-109 1982-1956 10.5216/ag.v5i3.%a reponame:Ateliê Geográfico instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Ateliê Geográfico |
collection |
Ateliê Geográfico |
repository.name.fl_str_mv |
Ateliê Geográfico - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
revista.ateliegeografico@gmail.com || deniscastilho@hotmail.com || laracristineufg@yahoo.com.br |
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1799874834975424512 |