Love, eroticism and passion in Florbela Espanca
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signótica (Online) |
Texto Completo: | https://revistas.ufg.br/sig/article/view/29262 |
Resumo: | The erotic experience lived by the florbeliano poetic subject is a result of a close relationship between the Self and Nature. In this connection, all elements share and enjoy the same desire, the same erotic fever. Contemplating, observing, understanding the natural environment cause sensations that raise the erotic desire, and any scene becomes pure sensuality. Sensual, erotic experience is the lyric self’s experience and, sometimes, the Other’s (the lover), even though he is not always present. This article aims to analyze some florbeliano poems in the thematic field of the loving feeling and eroticism to check the kind of relationship that is established in the complex game of love, taking into account the erotic, love and divinity. To perform the analysis of the poems, theoretical discussions about love and eroticism, based on authors such as Barthes, Paz, Costa, Platão, Elkins among others, who set the tone and pointed the way to reach the proposed goal. The choice of poems to be analyzed focused on those in which the erotic Florbela nudes herself in front of the reader’s eyes. |
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Love, eroticism and passion in Florbela EspancaAmor, erotismo y pasión en Florbela EspancaAmor, erotismo e paixão em Florbela Espancaeroticismfemale subjectfemale authorship.erotismosujeto femeninoautoría femenina.erotismosujeito femininoautoria feminina.The erotic experience lived by the florbeliano poetic subject is a result of a close relationship between the Self and Nature. In this connection, all elements share and enjoy the same desire, the same erotic fever. Contemplating, observing, understanding the natural environment cause sensations that raise the erotic desire, and any scene becomes pure sensuality. Sensual, erotic experience is the lyric self’s experience and, sometimes, the Other’s (the lover), even though he is not always present. This article aims to analyze some florbeliano poems in the thematic field of the loving feeling and eroticism to check the kind of relationship that is established in the complex game of love, taking into account the erotic, love and divinity. To perform the analysis of the poems, theoretical discussions about love and eroticism, based on authors such as Barthes, Paz, Costa, Platão, Elkins among others, who set the tone and pointed the way to reach the proposed goal. The choice of poems to be analyzed focused on those in which the erotic Florbela nudes herself in front of the reader’s eyes.La experiencia erótica vivida por el sujeto poético florbeliano es resultado de una estrecha relación del Yo con la Naturaleza. En este contacto, todos los elementos comparten y disfrutan el mismo deseo, la misma fiebre erótica. Contemplar, observar, percibir el entorno natural que causa sensaciones que desencadenan el deseo erótico, y cualquier escena se transforma en pura sensualidad. La experiencia sensual, erótica es la experiencia del Yo lírico y, a veces del Otro (el amante), aunque no siempre está presente. Este artículo tiene el objetivo de analizar algunos poemas florbelianos en el campo temático del sentimiento amoroso y erótico para constatar qué tipo de relaciones se establecen en el complejo juego del amor, teniendo en cuenta lo erótico, el amor y la divinidad. Para hacer el análisis de los poemas, discusiones teóricas sobre el amor y el erotismo, basados en autores como Barthes, Paz, Costa, Platón, Elkins, entre otros, dieron el tono y señalaron el camino para alcanzar el objetivo propuesto. La elección de los poemas analizados se centró en aquellos en los que verifica la Florbela erótica que se desnuda ante los ojos del lector.A experiência erótica vivida pelo sujeito poético florbeliano é resultante de uma estreita relação do Eu com a Natureza. Nesse contato, todos os elementos partilham e usufruem o mesmo desejo, a mesma febre erótica. Contemplar, observar, perceber o ambiente natural provocam sensações que disparam o desejo erótico, e qualquer cena transforma-se em pura sensualidade. A experiência sensual, erótica é a experiência do Eu lírico e por vezes do Outro (o amante), embora nem sempre este esteja presente. Este artigo tem como objetivo analisar alguns poemas florbelianos dentro do campo temático do sentimento amoroso e do erotismo para verificar que tipo de relações se estabelece no complexo jogo do amor levando-se em conta o erótico, o amor e a divindade. Para a realização da análise dos poemas, discussões teóricas sobre amor e erotismo, tomando por base autores como Barthes, Paz, Costa, Platão, Elkins, dentre outros, deram o tom e apontaram o caminho para se chegar ao objetivo proposto. A escolha dos poemas analisados incidiu naqueles em que se constata a Florbela erótica que se desnuda frente aos olhos do leitor.Universidade Federal de Goiás2016-09-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/xmlhttps://revistas.ufg.br/sig/article/view/2926210.5216/sig.v28i1.29262Signótica; Vol. 28 No. 1 (2016); 175-198Signótica; v. 28 n. 1 (2016); 175-1982316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/29262/22157https://revistas.ufg.br/sig/article/view/29262/24733Copyright (c) 2016 Signóticainfo:eu-repo/semantics/openAccessSoares, Marly Catarina2018-02-20T12:09:39Zoai:ojs.revistas.ufg.br:article/29262Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:14.159556Signótica (Online) - Universidade Federal de Goiás (UFG)true |
dc.title.none.fl_str_mv |
Love, eroticism and passion in Florbela Espanca Amor, erotismo y pasión en Florbela Espanca Amor, erotismo e paixão em Florbela Espanca |
title |
Love, eroticism and passion in Florbela Espanca |
spellingShingle |
Love, eroticism and passion in Florbela Espanca Soares, Marly Catarina eroticism female subject female authorship. erotismo sujeto femenino autoría femenina. erotismo sujeito feminino autoria feminina. |
title_short |
Love, eroticism and passion in Florbela Espanca |
title_full |
Love, eroticism and passion in Florbela Espanca |
title_fullStr |
Love, eroticism and passion in Florbela Espanca |
title_full_unstemmed |
Love, eroticism and passion in Florbela Espanca |
title_sort |
Love, eroticism and passion in Florbela Espanca |
author |
Soares, Marly Catarina |
author_facet |
Soares, Marly Catarina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Soares, Marly Catarina |
dc.subject.por.fl_str_mv |
eroticism female subject female authorship. erotismo sujeto femenino autoría femenina. erotismo sujeito feminino autoria feminina. |
topic |
eroticism female subject female authorship. erotismo sujeto femenino autoría femenina. erotismo sujeito feminino autoria feminina. |
description |
The erotic experience lived by the florbeliano poetic subject is a result of a close relationship between the Self and Nature. In this connection, all elements share and enjoy the same desire, the same erotic fever. Contemplating, observing, understanding the natural environment cause sensations that raise the erotic desire, and any scene becomes pure sensuality. Sensual, erotic experience is the lyric self’s experience and, sometimes, the Other’s (the lover), even though he is not always present. This article aims to analyze some florbeliano poems in the thematic field of the loving feeling and eroticism to check the kind of relationship that is established in the complex game of love, taking into account the erotic, love and divinity. To perform the analysis of the poems, theoretical discussions about love and eroticism, based on authors such as Barthes, Paz, Costa, Platão, Elkins among others, who set the tone and pointed the way to reach the proposed goal. The choice of poems to be analyzed focused on those in which the erotic Florbela nudes herself in front of the reader’s eyes. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-09-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/sig/article/view/29262 10.5216/sig.v28i1.29262 |
url |
https://revistas.ufg.br/sig/article/view/29262 |
identifier_str_mv |
10.5216/sig.v28i1.29262 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/sig/article/view/29262/22157 https://revistas.ufg.br/sig/article/view/29262/24733 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Signótica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Signótica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/xml |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Signótica; Vol. 28 No. 1 (2016); 175-198 Signótica; v. 28 n. 1 (2016); 175-198 2316-3690 0103-7250 reponame:Signótica (Online) instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Signótica (Online) |
collection |
Signótica (Online) |
repository.name.fl_str_mv |
Signótica (Online) - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
signotica@gmail.com |
_version_ |
1799875045485445120 |