From Formalism to Structuralism: through Fairies, Ogres and other Animals.
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signótica (Online) |
Texto Completo: | https://revistas.ufg.br/sig/article/view/70031 |
Resumo: | After the structuralism period but also the boom of poststructuralist deconstruction, this study aims to explore the functionalityof the models of narrative organization proposed by Formalist andStructuralist theories, by taking contemporary themes as a basis. Thefavored corpora for demonstration: the film Snow White and the Huntsman(2017) – to which we apply the 31 functions developed by Russian folkloristVladimir Propp – and the computer animation Shrek (2012) – consideringthe model of predictability developed by Lithuanian linguist A.J. Greimas. |
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From Formalism to Structuralism: through Fairies, Ogres and other Animals.Del Formalismo al Estructuralismo: entre Hadas, Ogros y otros Animales.Do Formalismo ao Estruturalismo: entre Fadas, Ogros e outros Bichos.FormalismStructuralismShrekFairy Tale.FormalismoEstructuralismoShrekCuento de HadasFormalismoEstruturalismoShrekConto de FadasAfter the structuralism period but also the boom of poststructuralist deconstruction, this study aims to explore the functionalityof the models of narrative organization proposed by Formalist andStructuralist theories, by taking contemporary themes as a basis. Thefavored corpora for demonstration: the film Snow White and the Huntsman(2017) – to which we apply the 31 functions developed by Russian folkloristVladimir Propp – and the computer animation Shrek (2012) – consideringthe model of predictability developed by Lithuanian linguist A.J. Greimas.Después del período estructuralista, pero también del apogeode la deconstrucción postestructuralista, este trabajo tiene como objetivoexplorar la operatividad de los modelos de organización narrativapropuestos por el formalismo y el estructuralismo, a partir de temascontemporáneos. Los corpus de análisis son la película Blancanieves y elcazador (2017), en la aplicación de las 31 funciones desarrolladas por el folclorista ruso Vladimir Propp, y la animación digital Shrek (2012), en el modelo de previsibilidad creado por el lingüista lituano A.J. Greimas.Passado o período estruturalista, mas também o apogeuda desconstrução pós-estruturalista, esse trabalho tem por objetivoexplorar a operacionalidade dos modelos de organização narrativapropostos pelo formalismo e pelo estruturalismo, apoiando-se emtemáticas contemporâneas. Os corpora de análise são o filme Branca deNeve e o Caçador (2017), na aplicação das 31 funções desenvolvidas pelofolclorista russo Vladimir Propp, e a animação digital Shrek (2012), nomodelo de previsibilidade elaborado pelo linguista lituano A.J. Greimas.Universidade Federal de Goiás2022-06-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/7003110.5216/sig.v34.70031Signótica; Vol. 34 (2022); e70031Signótica; v. 34 (2022); e700312316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/70031/38474Copyright (c) 2022 Signóticahttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessPereira, Deise Quintiliano 2023-10-05T00:36:07Zoai:ojs.revistas.ufg.br:article/70031Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:31.639052Signótica (Online) - Universidade Federal de Goiás (UFG)true |
dc.title.none.fl_str_mv |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. Del Formalismo al Estructuralismo: entre Hadas, Ogros y otros Animales. Do Formalismo ao Estruturalismo: entre Fadas, Ogros e outros Bichos. |
title |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. |
spellingShingle |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. Pereira, Deise Quintiliano Formalism Structuralism Shrek Fairy Tale. Formalismo Estructuralismo Shrek Cuento de Hadas Formalismo Estruturalismo Shrek Conto de Fadas |
title_short |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. |
title_full |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. |
title_fullStr |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. |
title_full_unstemmed |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. |
title_sort |
From Formalism to Structuralism: through Fairies, Ogres and other Animals. |
author |
Pereira, Deise Quintiliano |
author_facet |
Pereira, Deise Quintiliano |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pereira, Deise Quintiliano |
dc.subject.por.fl_str_mv |
Formalism Structuralism Shrek Fairy Tale. Formalismo Estructuralismo Shrek Cuento de Hadas Formalismo Estruturalismo Shrek Conto de Fadas |
topic |
Formalism Structuralism Shrek Fairy Tale. Formalismo Estructuralismo Shrek Cuento de Hadas Formalismo Estruturalismo Shrek Conto de Fadas |
description |
After the structuralism period but also the boom of poststructuralist deconstruction, this study aims to explore the functionalityof the models of narrative organization proposed by Formalist andStructuralist theories, by taking contemporary themes as a basis. Thefavored corpora for demonstration: the film Snow White and the Huntsman(2017) – to which we apply the 31 functions developed by Russian folkloristVladimir Propp – and the computer animation Shrek (2012) – consideringthe model of predictability developed by Lithuanian linguist A.J. Greimas. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/sig/article/view/70031 10.5216/sig.v34.70031 |
url |
https://revistas.ufg.br/sig/article/view/70031 |
identifier_str_mv |
10.5216/sig.v34.70031 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/sig/article/view/70031/38474 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Signótica https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Signótica https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Signótica; Vol. 34 (2022); e70031 Signótica; v. 34 (2022); e70031 2316-3690 0103-7250 reponame:Signótica (Online) instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Signótica (Online) |
collection |
Signótica (Online) |
repository.name.fl_str_mv |
Signótica (Online) - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
signotica@gmail.com |
_version_ |
1799875046769950720 |