DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO

Detalhes bibliográficos
Autor(a) principal: Reis, Fabíola do Socorro Figueiredo dos
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Darandina Revisteletrônica
Texto Completo: https://periodicos.ufjf.br/index.php/darandina/article/view/42393
Resumo: This article aims to discuss the process of publishing fanfictions in “original” stories by independent publishers in Brazil. We will discuss the work of appropriating characters by ficwriters in the creation of fanfictions on the Internet and how, subsequently, these new authors remove the stories from online websites, rewrite them for the second time and publish them as if it were an unpublished story in physical book. This action involves a participatory culture between fans, publishers, authors and the fan community, explaining the success of best-selling sagas such as Fifty Shades of Grey, by E. L. James (2011) or The Mortal Instruments, by Classandra Clare (books published between 2007 and 2014), previously known as fan productions for Twilight and Harry Potter, respectively. Pull to Publish (P2P) shows that this type of publication aims to “test” the public before going to market, a practice that increasingly extends from the virtual to the real world. In Brazil, independent publishers are beginning to adopt this practice, releasing books that were previously fan stories. The main references used in this work are Agamben (2015), Lefevere (2007), Reis (2017, 2018), Miranda (2009) and Vargas (2005).  
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spelling DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIROFanfictionsEditoras IndependentesPull to PublishReescritaFanfictionsindependent publisherspull to publishrewritingThis article aims to discuss the process of publishing fanfictions in “original” stories by independent publishers in Brazil. We will discuss the work of appropriating characters by ficwriters in the creation of fanfictions on the Internet and how, subsequently, these new authors remove the stories from online websites, rewrite them for the second time and publish them as if it were an unpublished story in physical book. This action involves a participatory culture between fans, publishers, authors and the fan community, explaining the success of best-selling sagas such as Fifty Shades of Grey, by E. L. James (2011) or The Mortal Instruments, by Classandra Clare (books published between 2007 and 2014), previously known as fan productions for Twilight and Harry Potter, respectively. Pull to Publish (P2P) shows that this type of publication aims to “test” the public before going to market, a practice that increasingly extends from the virtual to the real world. In Brazil, independent publishers are beginning to adopt this practice, releasing books that were previously fan stories. The main references used in this work are Agamben (2015), Lefevere (2007), Reis (2017, 2018), Miranda (2009) and Vargas (2005).  Este artigo reflete sobre o processo de publicação de histórias de fãs, os fanfictions, em histórias “originais” por editoras independentes no Brasil. Abordaremos o trabalho de apropriação de personagens por ficwriters na criação de fanfictions na Internet e como, posteriormente, estes novos autores retiram as histórias do ar, reescrevem-na pela segunda vez e as publicam como se fosse uma história inédita em livro físico. Esta ação envolve uma cultura participativa entre fãs, editoras, autores e comunidade de fãs, explicando o sucesso de sagas de best seller como Cinquenta Tons de Cinza, de E. L. James (2011) ou Os Instrumentos Mortais, de Classandra Clare (livros publicados entre 2007 e 2014), antes conhecidos como produção de fãs de Crepúsculo e Harry Potter, respectivamente. O Pull to Publish (P2P) mostra que este tipo de publicação tem como intenção “testar” o público antes de sair para o mercado, uma prática que se estende cada vez mais do meio virtual para o real. No Brasil, editoras independentes começam a aderir a esta prática, lançando livros que antes eram histórias de fãs. As principais referências usadas neste trabalho são Agamben (2015), Lefevere (2007), Reis (2017, 2018), Miranda (2009) e Vargas (2005).Universidade Federal de Juiz de Fora2023-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://periodicos.ufjf.br/index.php/darandina/article/view/4239310.34019/1983-8379.2023.v16.42393DARANDINA REVISTELETRÔNICA; v. 16 n. 2 (2023): LITERATURA E CULTURA DIGITAL; 103 - 1191983-8379reponame:Darandina Revisteletrônicainstname:Universidade Federal de Juiz de Fora (UFJF)instacron:UFJFporhttps://periodicos.ufjf.br/index.php/darandina/article/view/42393/27001Copyright (c) 2023 Fabíola do Socorro Figueiredo dos Reishttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessReis, Fabíola do Socorro Figueiredo dos2023-12-31T00:01:02Zoai:periodicos.ufjf.br:article/42393Revistahttps://periodicos.ufjf.br/index.php/darandinaPUBhttps://periodicos.ufjf.br/index.php/darandina/oaidarandina.revista@ufjf.edu.br1983-83791983-8379opendoar:2023-12-31T00:01:02Darandina Revisteletrônica - Universidade Federal de Juiz de Fora (UFJF)false
dc.title.none.fl_str_mv DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
title DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
spellingShingle DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
Reis, Fabíola do Socorro Figueiredo dos
Fanfictions
Editoras Independentes
Pull to Publish
Reescrita
Fanfictions
independent publishers
pull to publish
rewriting
title_short DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
title_full DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
title_fullStr DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
title_full_unstemmed DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
title_sort DA TELA AO LIVRO: A REESCRITA E PUBLICAÇÃO DE FANFICTIONS E O MERCADO BRASILEIRO
author Reis, Fabíola do Socorro Figueiredo dos
author_facet Reis, Fabíola do Socorro Figueiredo dos
author_role author
dc.contributor.author.fl_str_mv Reis, Fabíola do Socorro Figueiredo dos
dc.subject.por.fl_str_mv Fanfictions
Editoras Independentes
Pull to Publish
Reescrita
Fanfictions
independent publishers
pull to publish
rewriting
topic Fanfictions
Editoras Independentes
Pull to Publish
Reescrita
Fanfictions
independent publishers
pull to publish
rewriting
description This article aims to discuss the process of publishing fanfictions in “original” stories by independent publishers in Brazil. We will discuss the work of appropriating characters by ficwriters in the creation of fanfictions on the Internet and how, subsequently, these new authors remove the stories from online websites, rewrite them for the second time and publish them as if it were an unpublished story in physical book. This action involves a participatory culture between fans, publishers, authors and the fan community, explaining the success of best-selling sagas such as Fifty Shades of Grey, by E. L. James (2011) or The Mortal Instruments, by Classandra Clare (books published between 2007 and 2014), previously known as fan productions for Twilight and Harry Potter, respectively. Pull to Publish (P2P) shows that this type of publication aims to “test” the public before going to market, a practice that increasingly extends from the virtual to the real world. In Brazil, independent publishers are beginning to adopt this practice, releasing books that were previously fan stories. The main references used in this work are Agamben (2015), Lefevere (2007), Reis (2017, 2018), Miranda (2009) and Vargas (2005).  
publishDate 2023
dc.date.none.fl_str_mv 2023-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufjf.br/index.php/darandina/article/view/42393
10.34019/1983-8379.2023.v16.42393
url https://periodicos.ufjf.br/index.php/darandina/article/view/42393
identifier_str_mv 10.34019/1983-8379.2023.v16.42393
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufjf.br/index.php/darandina/article/view/42393/27001
dc.rights.driver.fl_str_mv Copyright (c) 2023 Fabíola do Socorro Figueiredo dos Reis
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Fabíola do Socorro Figueiredo dos Reis
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Juiz de Fora
publisher.none.fl_str_mv Universidade Federal de Juiz de Fora
dc.source.none.fl_str_mv DARANDINA REVISTELETRÔNICA; v. 16 n. 2 (2023): LITERATURA E CULTURA DIGITAL; 103 - 119
1983-8379
reponame:Darandina Revisteletrônica
instname:Universidade Federal de Juiz de Fora (UFJF)
instacron:UFJF
instname_str Universidade Federal de Juiz de Fora (UFJF)
instacron_str UFJF
institution UFJF
reponame_str Darandina Revisteletrônica
collection Darandina Revisteletrônica
repository.name.fl_str_mv Darandina Revisteletrônica - Universidade Federal de Juiz de Fora (UFJF)
repository.mail.fl_str_mv darandina.revista@ufjf.edu.br
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