Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFLA |
Texto Completo: | http://repositorio.ufla.br/jspui/handle/1/55739 |
Resumo: | Bakhtin Circle theoretical-epistemological bias highlights the constitution of subjects as an alteritarian process [self-other], which supports reflections on the specificities of cultural, temporal and ideological constitution that takes place in formation and recognition of the self, the world and the others. In line with these considerations, the present research aims to discuss, essentially, how the narratives of (and about) the mad-subject are (re)told in documentary films using narrative-evaluative strategies constituted in and by verbivocovisual language (PAULA, 2017), from the alteritarian gaze of the other co-constructor [authorial team]. The focus of the intended discussions is not to reflect on madness as a biological condition, that is, as a mental disorder, but, above all, as a socially constituted place that has, over time, been re-signified. Therefore, the main objective of this study is divided into two major specific objectives: i) investigate how the aesthetic strategies of filmmaking are articulated with the ethical component, as the author team's speech plan is constituted; ii) verify how verbivocovisual utterances participate in the process of narrative alterity in the constitution of these subjects, also bringing together processes of silences – in categories of silence. To do so, the documentary film “Holocausto Brasileiro” (2016) was chosen as the corpus in order to show how the narrative-evaluative choices materialized verbivocovisually in the documentary architect the speech plan of the authorial team and participate in the construction of the documentary's meanings. The theoretical foundation of the research was based, above all, on the works of scholars from Bakhtin Circle (BAKHTIN, 2010; 2017 [1919]; 2017 [1979]; 2019 & VOLÓCHINOV, 2017 [1929]; 2019 [ 1926; 1930]), with the aim of proposing discussions on the concept of utterance, aesthetic architecture and responsible act. Regarding the concepts of cinematographic narrative and the specifics of documentary, Ismail Xavier (2019 [1977]), Fernão Ramos (2008), Robert Stam (2013 [1941]) were chosen, in order to show that representing the past and collectively reconstruct it in a documentary narrative is marked as an ethical/aesthetic positioning of the authorial team. So, it was observed the dialogical and dialectical constitution of the subjects in the madness process and of how certain silences (as signs) constitute this other-place and, consequently, the other-my-place. Therefore, silence assumes, in the present work, four categories proposed and problematized by Villarta-Neder (2019): silence for excess, silence for absence, silence for non-appearance and silence for monument. In summary, it is expected that the analyzes took on in the present work provoke reflections on the constitution of the mad-subject in and through language, demonstrating the discursive ethical character of Bakhtinian philosophy. |
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Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto BrasileiroA verbivocovisuality analysis of the speech plan about the mad-subject in the documentary Holocausto BrasileiroEnunciadoVerbivocovisualidadeProjetos de dizerSilêncioSujeito-loucoUtteranceVerbivocovisualitySpeech planSilenceMadman-subjectLetrasBakhtin Circle theoretical-epistemological bias highlights the constitution of subjects as an alteritarian process [self-other], which supports reflections on the specificities of cultural, temporal and ideological constitution that takes place in formation and recognition of the self, the world and the others. In line with these considerations, the present research aims to discuss, essentially, how the narratives of (and about) the mad-subject are (re)told in documentary films using narrative-evaluative strategies constituted in and by verbivocovisual language (PAULA, 2017), from the alteritarian gaze of the other co-constructor [authorial team]. The focus of the intended discussions is not to reflect on madness as a biological condition, that is, as a mental disorder, but, above all, as a socially constituted place that has, over time, been re-signified. Therefore, the main objective of this study is divided into two major specific objectives: i) investigate how the aesthetic strategies of filmmaking are articulated with the ethical component, as the author team's speech plan is constituted; ii) verify how verbivocovisual utterances participate in the process of narrative alterity in the constitution of these subjects, also bringing together processes of silences – in categories of silence. To do so, the documentary film “Holocausto Brasileiro” (2016) was chosen as the corpus in order to show how the narrative-evaluative choices materialized verbivocovisually in the documentary architect the speech plan of the authorial team and participate in the construction of the documentary's meanings. The theoretical foundation of the research was based, above all, on the works of scholars from Bakhtin Circle (BAKHTIN, 2010; 2017 [1919]; 2017 [1979]; 2019 & VOLÓCHINOV, 2017 [1929]; 2019 [ 1926; 1930]), with the aim of proposing discussions on the concept of utterance, aesthetic architecture and responsible act. Regarding the concepts of cinematographic narrative and the specifics of documentary, Ismail Xavier (2019 [1977]), Fernão Ramos (2008), Robert Stam (2013 [1941]) were chosen, in order to show that representing the past and collectively reconstruct it in a documentary narrative is marked as an ethical/aesthetic positioning of the authorial team. So, it was observed the dialogical and dialectical constitution of the subjects in the madness process and of how certain silences (as signs) constitute this other-place and, consequently, the other-my-place. Therefore, silence assumes, in the present work, four categories proposed and problematized by Villarta-Neder (2019): silence for excess, silence for absence, silence for non-appearance and silence for monument. In summary, it is expected that the analyzes took on in the present work provoke reflections on the constitution of the mad-subject in and through language, demonstrating the discursive ethical character of Bakhtinian philosophy.Fundação de Amparo à Pesquisa do Estado de Minas Gerais (FAPEMIG)O viés teórico-epistemológico do Círculo de Bakhtin lança luz sobre a constituição dos sujeitos como um processo alteritário [eu-outro], que mobiliza reflexões sobre as especificidades da constituição cultural, temporal e ideológica implicadas na formação e reconhecimento de si, do mundo e de seus outros. Ao compasso dessas ponderações, a presente pesquisa visa discorrer, essencialmente, sobre como as narrativas de (sobre) o sujeito-louco são (re)contadas em filmes documentais valendo-se de estratégias narrativo-valorativas constituídas na e pela linguagem verbivocovisual (PAULA, 2017), a partir do olhar alteritáriococonstrutor [equipe autoral]. Nesse sentido, vale ressaltar que o foco das discussões pretendidas não é refletir sobre a loucura enquanto condição biológica, ou seja, como um transtorno mental, mas, sobretudo, como um lugar socialmente constituído que vem, ao longo do tempo, sendo ressignificado. O objetivo principal do estudo divide-se em dois grandes objetivos específicos: i) investigar como as estratégias estéticas do fazer cinematográfico se articulam com o agir ético, à medida que se constituem os projetos de dizer da equipe autoral; ii) verificar como os enunciados verbivocovisuais participam do processo de alteridade narrativa na constituição desses sujeitos congregando, também, processos de silenci(ament)os – em categorias do silêncio.Para tanto, elegeu-se como corpus o documentário “Holocausto brasileiro” (2016), para evidenciar como as escolhas narrativo-valorativas materializadas verbivocovisualmente no documentário arquitetam o(s) projeto(s) de dizer da equipe autoral e constroem os sentidos do documentário. A fundamentação teórica da pesquisa pautou-se, sobretudo, nas obras dos estudiosos do Círculo de Bakhtin (BAKHTIN, 2010; 2017 [1919]; 2017 [1979]; 2019 & VOLÓCHINOV, 2017 [1929]; 2019 [1926; 1930]), com o intuito de propor discussões sobre o conceito de enunciado, arquitetônica estética e ato responsável. No que compete aos conceitos de narrativa cinematográfica e as especificidades do documentário, elegeu-se, principalmente, Ismail Xavier (2019 [1977]), Fernão Ramos (2008), Robert Stam (2013 [1941]), a fim de evidenciar que representar o passado e reconstruí-locoletivamente em uma narrativa documental marca-se como posicionamentoético/estético da equipe autoral. Nessa direção, observou-se a constituição dialógica e dialética dos sujeitos no processo de loucura e de como determinados silêncios (enquanto signos) constituem esse lugar-outro e, consequentemente, o lugar-meu-outro. Sendo assim, o silêncio assume, no presente trabalho, quatro categorias propostas e problematizadas por Villarta-Neder (2019), silêncio por excesso, silêncio por ausência, silêncio por não aparição e silêncio por monumento. Em síntese, espera-se que as análises empreendidas nopresente trabalho suscitem reflexões acerca da constituição do sujeito-louco na e pelalinguagem, demonstrando o caráter ético discursivo da filosofia bakhtiniana.Universidade Federal de LavrasPrograma de Pós-graduação em LetrasUFLAbrasilDepartamento de Estudos da LinguagemVillarta-Neder, Marco AntonioPaula, Luciane deTakayama, Luiz RobertoFerreira, Helena MariaTeixeira, Gislaine Aparecida2023-01-06T12:13:33Z2023-01-06T12:13:33Z2023-01-052022-09-27info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfTEIXEIRA, G. A. da. Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário holocausto brasileiro. 2022. 193 p. Dissertação (Mestrado em Letras)–Universidade Federal de Lavras, Lavras, 2022.http://repositorio.ufla.br/jspui/handle/1/55739porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFLAinstname:Universidade Federal de Lavras (UFLA)instacron:UFLA2023-04-10T12:32:06Zoai:localhost:1/55739Repositório InstitucionalPUBhttp://repositorio.ufla.br/oai/requestnivaldo@ufla.br || repositorio.biblioteca@ufla.bropendoar:2023-04-10T12:32:06Repositório Institucional da UFLA - Universidade Federal de Lavras (UFLA)false |
dc.title.none.fl_str_mv |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro A verbivocovisuality analysis of the speech plan about the mad-subject in the documentary Holocausto Brasileiro |
title |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro |
spellingShingle |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro Teixeira, Gislaine Aparecida Enunciado Verbivocovisualidade Projetos de dizer Silêncio Sujeito-louco Utterance Verbivocovisuality Speech plan Silence Madman-subject Letras |
title_short |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro |
title_full |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro |
title_fullStr |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro |
title_full_unstemmed |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro |
title_sort |
Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário Holocausto Brasileiro |
author |
Teixeira, Gislaine Aparecida |
author_facet |
Teixeira, Gislaine Aparecida |
author_role |
author |
dc.contributor.none.fl_str_mv |
Villarta-Neder, Marco Antonio Paula, Luciane de Takayama, Luiz Roberto Ferreira, Helena Maria |
dc.contributor.author.fl_str_mv |
Teixeira, Gislaine Aparecida |
dc.subject.por.fl_str_mv |
Enunciado Verbivocovisualidade Projetos de dizer Silêncio Sujeito-louco Utterance Verbivocovisuality Speech plan Silence Madman-subject Letras |
topic |
Enunciado Verbivocovisualidade Projetos de dizer Silêncio Sujeito-louco Utterance Verbivocovisuality Speech plan Silence Madman-subject Letras |
description |
Bakhtin Circle theoretical-epistemological bias highlights the constitution of subjects as an alteritarian process [self-other], which supports reflections on the specificities of cultural, temporal and ideological constitution that takes place in formation and recognition of the self, the world and the others. In line with these considerations, the present research aims to discuss, essentially, how the narratives of (and about) the mad-subject are (re)told in documentary films using narrative-evaluative strategies constituted in and by verbivocovisual language (PAULA, 2017), from the alteritarian gaze of the other co-constructor [authorial team]. The focus of the intended discussions is not to reflect on madness as a biological condition, that is, as a mental disorder, but, above all, as a socially constituted place that has, over time, been re-signified. Therefore, the main objective of this study is divided into two major specific objectives: i) investigate how the aesthetic strategies of filmmaking are articulated with the ethical component, as the author team's speech plan is constituted; ii) verify how verbivocovisual utterances participate in the process of narrative alterity in the constitution of these subjects, also bringing together processes of silences – in categories of silence. To do so, the documentary film “Holocausto Brasileiro” (2016) was chosen as the corpus in order to show how the narrative-evaluative choices materialized verbivocovisually in the documentary architect the speech plan of the authorial team and participate in the construction of the documentary's meanings. The theoretical foundation of the research was based, above all, on the works of scholars from Bakhtin Circle (BAKHTIN, 2010; 2017 [1919]; 2017 [1979]; 2019 & VOLÓCHINOV, 2017 [1929]; 2019 [ 1926; 1930]), with the aim of proposing discussions on the concept of utterance, aesthetic architecture and responsible act. Regarding the concepts of cinematographic narrative and the specifics of documentary, Ismail Xavier (2019 [1977]), Fernão Ramos (2008), Robert Stam (2013 [1941]) were chosen, in order to show that representing the past and collectively reconstruct it in a documentary narrative is marked as an ethical/aesthetic positioning of the authorial team. So, it was observed the dialogical and dialectical constitution of the subjects in the madness process and of how certain silences (as signs) constitute this other-place and, consequently, the other-my-place. Therefore, silence assumes, in the present work, four categories proposed and problematized by Villarta-Neder (2019): silence for excess, silence for absence, silence for non-appearance and silence for monument. In summary, it is expected that the analyzes took on in the present work provoke reflections on the constitution of the mad-subject in and through language, demonstrating the discursive ethical character of Bakhtinian philosophy. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-27 2023-01-06T12:13:33Z 2023-01-06T12:13:33Z 2023-01-05 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
TEIXEIRA, G. A. da. Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário holocausto brasileiro. 2022. 193 p. Dissertação (Mestrado em Letras)–Universidade Federal de Lavras, Lavras, 2022. http://repositorio.ufla.br/jspui/handle/1/55739 |
identifier_str_mv |
TEIXEIRA, G. A. da. Uma análise verbivocovisual dos projetos de dizer sobre o sujeito-louco no documentário holocausto brasileiro. 2022. 193 p. Dissertação (Mestrado em Letras)–Universidade Federal de Lavras, Lavras, 2022. |
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http://repositorio.ufla.br/jspui/handle/1/55739 |
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Universidade Federal de Lavras Programa de Pós-graduação em Letras UFLA brasil Departamento de Estudos da Linguagem |
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Universidade Federal de Lavras Programa de Pós-graduação em Letras UFLA brasil Departamento de Estudos da Linguagem |
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reponame:Repositório Institucional da UFLA instname:Universidade Federal de Lavras (UFLA) instacron:UFLA |
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Universidade Federal de Lavras (UFLA) |
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Repositório Institucional da UFLA - Universidade Federal de Lavras (UFLA) |
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