ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.

Detalhes bibliográficos
Autor(a) principal: MENDES, Danielle Gomes
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFMA
Texto Completo: https://tedebc.ufma.br/jspui/handle/tede/tede/2281
Resumo: The present study deals with an analysis of the identity fragmentation of American Negros discussed in two important African-American works, namely, The Bluest Eye, by Toni Morrison, and The Color Purple, by Alice Walker. This analysis intend to demonstrate how segregationist ideologies, inherited from colonialism and imperialism were responsible for the identity conflicts faced by black people, especially African-Americans, and how the sequels left by successive traumatic events that marked the history of Afrodescendants interferes directly on how they relate interpersonally and with the environment in which they live. Therefore, this research is based on the assumptions of postcolonial literary criticism and on studies about Identity, specifically regarding diasporic identity, especially, under the consideration of authors such as Frantz Fanon, Edward Said, Homi Bhabha, Bell Hooks, Kabengele Munanga, among others. Initially, a brief historical and literary contextualization regarding the postcolonial period will be presented, starting with the colonizing action of Europeans that led Europe to become a great power. Then the colonization of the North American territory will be discussed. The last topic of this moment will address European segregationist ideologies, and the new literature from ex-colonized peoples that emerged during this period. The following chapter will explain the identity fragmentation of the Black- American and its conflicts with the homeland, the origins, as well as the conflicts related to ethnic issues and their affective relations. Then, an overview on African-American literature will be drawn, highlighting the social movements in favor of the valorization of the black culture. Finally, will be presented an analysis of the literary works, which intend to show the neglectfulness and prejudice context that Black-Americans faced and how the experiences in this oppressive scenario were responsible for their identity conflicts. From the analysis, it is possible to perceive that the oppression context experienced by the black community influenced the way it perceives itself in the world, where the white supremacy reigns, interfered in its sense of belonging in respect to the homeland, as well as its capacity to love, and in how African- American literature is marked by such resentments.
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spelling SANTOS, Naiara Sales Araújo750.308.883-49http://lattes.cnpq.br/6546941294458117SANTOS, Naiara Sales Araújo750.308.883-49http://lattes.cnpq.br/6546941294458117FEITOSA, Márcia Manir Miguelhttp://lattes.cnpq.br/0938601542329006SANTOS, Silvana Pantoja doshttp://lattes.cnpq.br/7780498844139228038.056.243-01http://lattes.cnpq.br/9591089807026185MENDES, Danielle Gomes2018-06-13T13:11:01Z2018-04-25MENDES, Danielle Gomes. Rompendo o silêncio: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.. 2018.90 folhas. Dissertação( Programa de Pós-graduação em Letras/CCH) - Universidade Federal do Maranhão, São Luís.https://tedebc.ufma.br/jspui/handle/tede/tede/2281The present study deals with an analysis of the identity fragmentation of American Negros discussed in two important African-American works, namely, The Bluest Eye, by Toni Morrison, and The Color Purple, by Alice Walker. This analysis intend to demonstrate how segregationist ideologies, inherited from colonialism and imperialism were responsible for the identity conflicts faced by black people, especially African-Americans, and how the sequels left by successive traumatic events that marked the history of Afrodescendants interferes directly on how they relate interpersonally and with the environment in which they live. Therefore, this research is based on the assumptions of postcolonial literary criticism and on studies about Identity, specifically regarding diasporic identity, especially, under the consideration of authors such as Frantz Fanon, Edward Said, Homi Bhabha, Bell Hooks, Kabengele Munanga, among others. Initially, a brief historical and literary contextualization regarding the postcolonial period will be presented, starting with the colonizing action of Europeans that led Europe to become a great power. Then the colonization of the North American territory will be discussed. The last topic of this moment will address European segregationist ideologies, and the new literature from ex-colonized peoples that emerged during this period. The following chapter will explain the identity fragmentation of the Black- American and its conflicts with the homeland, the origins, as well as the conflicts related to ethnic issues and their affective relations. Then, an overview on African-American literature will be drawn, highlighting the social movements in favor of the valorization of the black culture. Finally, will be presented an analysis of the literary works, which intend to show the neglectfulness and prejudice context that Black-Americans faced and how the experiences in this oppressive scenario were responsible for their identity conflicts. From the analysis, it is possible to perceive that the oppression context experienced by the black community influenced the way it perceives itself in the world, where the white supremacy reigns, interfered in its sense of belonging in respect to the homeland, as well as its capacity to love, and in how African- American literature is marked by such resentments.O seguinte trabalho trata de uma análise acerca da fragmentação identitária do negro americano abordada em duas importantes obras afro-americanas, quais sejam, O olho mais azul, da autora Toni Morrison, e A cor púrpura, de Alice Walker. Esta análise se preocupará em mostrar como as ideologias segregacionistas herdadas do pensamento colonialista e imperialista foram responsáveis pelos conflitos identitários enfrentados pelos negros, em especial, o afroamericano, e como as sequelas deixadas pelos sucessivos eventos traumáticos que marcaram a história dos afrodescendentes interferem diretamente na forma como esses se relacionam com o meio em que vivem e interpessoalmente. Desse modo, essa pesquisa se fundamenta nos pressupostos da crítica literária pós-colonial e nos estudos acerca da Identidade, especificamente, no que concerne à identidade diaspórica, sobretudo, nas considerações de autores como, Frantz Fanon, Edward Said, Homi Bhabha, Bell Hooks, Kabengele Munanga, entre outros. A princípio será feito um breve percurso histórico e literário sobre o período póscolonial, iniciando em uma abordagem acerca da ação colonizadora dos europeus que levaram a Europa a se tornar uma grande potência. Em seguida será tratado sobre a colonização no território norte-americano. O último tópico desse momento abordará acerca das ideologias segregacionistas europeias, e a nova literatura oriunda de povos ex-colonizados que surgiu durante esse período. O capítulo seguinte explanará sobre a fragmentação identitária do negro americano e seus conflitos com a pátria, com as origens, assim como os conflitos relacionados às questões étnicas e as suas relações afetivas. Depois, será traçado um panorama acerca da literatura afro-americana, ressaltando também os movimentos sociais em prol da valorização da cultura negra. Por fim, será apresentada a análise das obras, que busca mostrar o contexto de descaso e preconceito que os negros americanos enfrentaram e como as vivências nesse cenário opressor foram responsáveis por seus conflitos identitários. A partir da análise, é possível perceber que o contexto de opressão vivenciado pelo negro influenciou na forma que ele se percebe no mundo, onde a supremacia branca impera, bem como interferiu em seu sentimento de pertença em relação a pátria e em sua capacidade de amar e como a literatura afro-americana é marcada por esses ressentimentos.Submitted by Maria Aparecida (cidazen@gmail.com) on 2018-06-13T13:11:01Z No. of bitstreams: 1 Danielle Gomes Mendes.pdf: 867006 bytes, checksum: b585ca8513500bd4c72a3c92c2eb766f (MD5)Made available in DSpace on 2018-06-13T13:11:01Z (GMT). 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dc.title.por.fl_str_mv ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
dc.title.alternative.eng.fl_str_mv BREAKING SILENCE: the identity fragmentation of the american negro portrayed in the works The most blue eye and the blue color.
title ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
spellingShingle ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
MENDES, Danielle Gomes
Pós-colonialismo; Identidade; O olho mais azul; A cor púrpura
Postcolonialism; Identity; The Bluest eye; The Color Purple
Teoria e Análise Lingüística.
title_short ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
title_full ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
title_fullStr ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
title_full_unstemmed ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
title_sort ROMPENDO O SILÊNCIO: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.
author MENDES, Danielle Gomes
author_facet MENDES, Danielle Gomes
author_role author
dc.contributor.advisor1.fl_str_mv SANTOS, Naiara Sales Araújo
dc.contributor.advisor1ID.fl_str_mv 750.308.883-49
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6546941294458117
dc.contributor.referee1.fl_str_mv SANTOS, Naiara Sales Araújo
dc.contributor.referee1ID.fl_str_mv 750.308.883-49
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/6546941294458117
dc.contributor.referee2.fl_str_mv FEITOSA, Márcia Manir Miguel
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/0938601542329006
dc.contributor.referee3.fl_str_mv SANTOS, Silvana Pantoja dos
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/7780498844139228
dc.contributor.authorID.fl_str_mv 038.056.243-01
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9591089807026185
dc.contributor.author.fl_str_mv MENDES, Danielle Gomes
contributor_str_mv SANTOS, Naiara Sales Araújo
SANTOS, Naiara Sales Araújo
FEITOSA, Márcia Manir Miguel
SANTOS, Silvana Pantoja dos
dc.subject.por.fl_str_mv Pós-colonialismo; Identidade; O olho mais azul; A cor púrpura
topic Pós-colonialismo; Identidade; O olho mais azul; A cor púrpura
Postcolonialism; Identity; The Bluest eye; The Color Purple
Teoria e Análise Lingüística.
dc.subject.eng.fl_str_mv Postcolonialism; Identity; The Bluest eye; The Color Purple
dc.subject.cnpq.fl_str_mv Teoria e Análise Lingüística.
description The present study deals with an analysis of the identity fragmentation of American Negros discussed in two important African-American works, namely, The Bluest Eye, by Toni Morrison, and The Color Purple, by Alice Walker. This analysis intend to demonstrate how segregationist ideologies, inherited from colonialism and imperialism were responsible for the identity conflicts faced by black people, especially African-Americans, and how the sequels left by successive traumatic events that marked the history of Afrodescendants interferes directly on how they relate interpersonally and with the environment in which they live. Therefore, this research is based on the assumptions of postcolonial literary criticism and on studies about Identity, specifically regarding diasporic identity, especially, under the consideration of authors such as Frantz Fanon, Edward Said, Homi Bhabha, Bell Hooks, Kabengele Munanga, among others. Initially, a brief historical and literary contextualization regarding the postcolonial period will be presented, starting with the colonizing action of Europeans that led Europe to become a great power. Then the colonization of the North American territory will be discussed. The last topic of this moment will address European segregationist ideologies, and the new literature from ex-colonized peoples that emerged during this period. The following chapter will explain the identity fragmentation of the Black- American and its conflicts with the homeland, the origins, as well as the conflicts related to ethnic issues and their affective relations. Then, an overview on African-American literature will be drawn, highlighting the social movements in favor of the valorization of the black culture. Finally, will be presented an analysis of the literary works, which intend to show the neglectfulness and prejudice context that Black-Americans faced and how the experiences in this oppressive scenario were responsible for their identity conflicts. From the analysis, it is possible to perceive that the oppression context experienced by the black community influenced the way it perceives itself in the world, where the white supremacy reigns, interfered in its sense of belonging in respect to the homeland, as well as its capacity to love, and in how African- American literature is marked by such resentments.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-06-13T13:11:01Z
dc.date.issued.fl_str_mv 2018-04-25
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dc.identifier.citation.fl_str_mv MENDES, Danielle Gomes. Rompendo o silêncio: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.. 2018.90 folhas. Dissertação( Programa de Pós-graduação em Letras/CCH) - Universidade Federal do Maranhão, São Luís.
dc.identifier.uri.fl_str_mv https://tedebc.ufma.br/jspui/handle/tede/tede/2281
identifier_str_mv MENDES, Danielle Gomes. Rompendo o silêncio: a fragmentação identitária do negro americano retratada nas obras O olho mais azul e A cor púrpura.. 2018.90 folhas. Dissertação( Programa de Pós-graduação em Letras/CCH) - Universidade Federal do Maranhão, São Luís.
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