IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Kriterion (Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/kriterion/article/view/37452 |
Resumo: | The article analyzes the subject of musical listening of timein Vladimir Jankélévitch philosophy, seeking to assess what is the phenomenalproof alleged by Jankélévitch to support the thesis that musical listening of timecarries the same properties as Henri Bergson’s concept of durée. We concludethat (1) Jankélévitch’s temporal descriptions are not sufficient to sustain thatlistening to music is equivalent to listening to the properties of durée, and that(2) this fact implies a problem both for the maxim “music is the art of time” andfor the general capacity of Bergsonism, verified in other authors, to foundinga philosophy of music. |
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IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISMÉ POSSÍVEL OUVIR O TEMPO-DURÉE? UMA CRÍTICA AO BERGSONISMO MUSICALVladimir JankélévitchGabriel MarcelTempoInefávelDuréeGisèle BreletVladimir JankélévitchGabriel MarcelTimeIneffableDuréeGisèle BreletThe article analyzes the subject of musical listening of timein Vladimir Jankélévitch philosophy, seeking to assess what is the phenomenalproof alleged by Jankélévitch to support the thesis that musical listening of timecarries the same properties as Henri Bergson’s concept of durée. We concludethat (1) Jankélévitch’s temporal descriptions are not sufficient to sustain thatlistening to music is equivalent to listening to the properties of durée, and that(2) this fact implies a problem both for the maxim “music is the art of time” andfor the general capacity of Bergsonism, verified in other authors, to foundinga philosophy of music.O artigo analisa o tema da escuta musical do tempo na filosofiade Vladimir Jankélévitch, buscando avaliar qual seja a prova fenomênicaalegada por Jankélévitch para sustentar a tese de que a escuta musical dotempo carrega as mesmas propriedades do conceito de durée de Henri Bergson.Concluímos que (1) as descrições temporais de Jankélévitch não são suficientespara sustentar que a escuta musical equivale à escuta das propriedades dadurée, e que (2) esse fato implica um problema tanto para a máxima “a músicaé a arte do tempo” quanto para a capacidade geral do bergsonismo, verificadoem demais autores, em fundar uma filosofia da música.Revista KriterionRevista KriterionKriterion: Revista de FilosofiaKriterion: Revista de FilosofiaRevista Kriterion2024-02-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/kriterion/article/view/37452Revista Kriterion; Vol. 65 No. 156 (2023)Revista Kriterion; Vol. 65 Núm. 156 (2023)Kriterion: Revista de Filosofia; Vol. 65 No 156 (2023)Kriterion: Revista de Filosofia; V. 65 N. 156 (2023)Revista Kriterion; v. 65 n. 156 (2023)1981-53360100-512Xreponame:Kriterion (Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/kriterion/article/view/37452/43313Copyright (c) 2024 Revista Kriterionhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNachmanowicz, Ricardo2024-02-14T15:55:53Zoai:periodicos.ufmg.br:article/37452Revistahttps://periodicos.ufmg.br/index.php/kriterionPUBhttps://periodicos.ufmg.br/index.php/kriterion/oairevistakriterion@gmail.com1981-53360100-512Xopendoar:2024-02-14T15:55:53Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM É POSSÍVEL OUVIR O TEMPO-DURÉE? UMA CRÍTICA AO BERGSONISMO MUSICAL |
title |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM |
spellingShingle |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM Nachmanowicz, Ricardo Vladimir Jankélévitch Gabriel Marcel Tempo Inefável Durée Gisèle Brelet Vladimir Jankélévitch Gabriel Marcel Time Ineffable Durée Gisèle Brelet |
title_short |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM |
title_full |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM |
title_fullStr |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM |
title_full_unstemmed |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM |
title_sort |
IS IT POSSIBLE TO HEAR THE TIME-DURÉE? A CRITIQUE OF MUSICAL BERGSONISM |
author |
Nachmanowicz, Ricardo |
author_facet |
Nachmanowicz, Ricardo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nachmanowicz, Ricardo |
dc.subject.por.fl_str_mv |
Vladimir Jankélévitch Gabriel Marcel Tempo Inefável Durée Gisèle Brelet Vladimir Jankélévitch Gabriel Marcel Time Ineffable Durée Gisèle Brelet |
topic |
Vladimir Jankélévitch Gabriel Marcel Tempo Inefável Durée Gisèle Brelet Vladimir Jankélévitch Gabriel Marcel Time Ineffable Durée Gisèle Brelet |
description |
The article analyzes the subject of musical listening of timein Vladimir Jankélévitch philosophy, seeking to assess what is the phenomenalproof alleged by Jankélévitch to support the thesis that musical listening of timecarries the same properties as Henri Bergson’s concept of durée. We concludethat (1) Jankélévitch’s temporal descriptions are not sufficient to sustain thatlistening to music is equivalent to listening to the properties of durée, and that(2) this fact implies a problem both for the maxim “music is the art of time” andfor the general capacity of Bergsonism, verified in other authors, to foundinga philosophy of music. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-02-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/kriterion/article/view/37452 |
url |
https://periodicos.ufmg.br/index.php/kriterion/article/view/37452 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/kriterion/article/view/37452/43313 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Revista Kriterion https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Revista Kriterion https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revista Kriterion Revista Kriterion Kriterion: Revista de Filosofia Kriterion: Revista de Filosofia Revista Kriterion |
publisher.none.fl_str_mv |
Revista Kriterion Revista Kriterion Kriterion: Revista de Filosofia Kriterion: Revista de Filosofia Revista Kriterion |
dc.source.none.fl_str_mv |
Revista Kriterion; Vol. 65 No. 156 (2023) Revista Kriterion; Vol. 65 Núm. 156 (2023) Kriterion: Revista de Filosofia; Vol. 65 No 156 (2023) Kriterion: Revista de Filosofia; V. 65 N. 156 (2023) Revista Kriterion; v. 65 n. 156 (2023) 1981-5336 0100-512X reponame:Kriterion (Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Kriterion (Online) |
collection |
Kriterion (Online) |
repository.name.fl_str_mv |
Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistakriterion@gmail.com |
_version_ |
1799711182963081216 |