ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Kriterion (Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/kriterion/article/view/32809 |
Resumo: | The aim of the article is to characterize Martin Heidegger’sphilosophy of art, as accurately as possible, through what he wants to take distance from; and then we seek to outline a problem that seems structural. With the notion of enowning [Ereignis] Heidegger intends to distinguish hisperspective on art especially from two other ones, namely that of Neokantian tradition and Hegel’s. This allows us to have a dimension of Heidegger’s conceptual radicalism, insofar as the enowning aims to point to a poetic momentwhich is prior to language. This moment is conceived as a world disclosure. However, it escapes the reference relations foreseen in the notion of world, and becomes basically unspeakable. In addition, the work of art that opens up a world can also be identified as something innerworldly, thus entangling Heidegger’s own perspective in a series of seemingly unsurmountable difficulties. |
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ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ARTACONTECIMENTO, MUNDO E ENTE INTRAMUNDANO:: ALGUNS PROBLEMAS NA FILOSOFIA DA ARTE DE MARTIN HEIDEGGERArteHeideggerente intramundanoAcontecimentoMundoArtEnowningHeideggerWorldInnerworldlyThe aim of the article is to characterize Martin Heidegger’sphilosophy of art, as accurately as possible, through what he wants to take distance from; and then we seek to outline a problem that seems structural. With the notion of enowning [Ereignis] Heidegger intends to distinguish hisperspective on art especially from two other ones, namely that of Neokantian tradition and Hegel’s. This allows us to have a dimension of Heidegger’s conceptual radicalism, insofar as the enowning aims to point to a poetic momentwhich is prior to language. This moment is conceived as a world disclosure. However, it escapes the reference relations foreseen in the notion of world, and becomes basically unspeakable. In addition, the work of art that opens up a world can also be identified as something innerworldly, thus entangling Heidegger’s own perspective in a series of seemingly unsurmountable difficulties.O objetivo do artigo é caracterizar, tão precisamente quanto possível, a filosofia da arte de Martin Heidegger a partir de seus distanciamentos para, em seguida, delinear um problema que nos parece estrutural. Com a noção de acontecimento [Ereignis], Heidegger pretende distinguir sua perspectiva sobre arte principalmente de outras duas, a saber, a da tradição neokantianae a de Hegel. Isso nos permite ter uma dimensão da radicalidade conceitual de Heidegger, na medida em que o acontecimento pretende apontar um momento poético anterior ao linguístico, também compreendido como abertura de um mundo. Esse momento, contudo, escapa às relações de referência previstas na noção de mundo e se torna praticamente indizível. Além disso, a obra de arteque abre um mundo não deixa também de poder ser identificada como um ente intramundano, enredando, assim, a própria perspectiva de Heidegger em uma série de dificuldades aparentemente incontornáveis.Revista KriterionRevista KriterionKriterion: Revista de FilosofiaKriterion: Revista de FilosofiaRevista Kriterion2022-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/kriterion/article/view/32809Revista Kriterion; Vol. 63 No. 152 (2022)Revista Kriterion; Vol. 63 Núm. 152 (2022)Kriterion: Revista de Filosofia; Vol. 63 No 152 (2022)Kriterion: Revista de Filosofia; V. 63 N. 152 (2022)Revista Kriterion; v. 63 n. 152 (2022)1981-53360100-512Xreponame:Kriterion (Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/kriterion/article/view/32809/31138Copyright (c) 2022 Revista Kriterionhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGrupillo, Arthur2022-08-30T23:04:05Zoai:periodicos.ufmg.br:article/32809Revistahttps://periodicos.ufmg.br/index.php/kriterionPUBhttps://periodicos.ufmg.br/index.php/kriterion/oairevistakriterion@gmail.com1981-53360100-512Xopendoar:2024-01-24T12:41:27.857534Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART ACONTECIMENTO, MUNDO E ENTE INTRAMUNDANO:: ALGUNS PROBLEMAS NA FILOSOFIA DA ARTE DE MARTIN HEIDEGGER |
title |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART |
spellingShingle |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART Grupillo, Arthur Arte Heidegger ente intramundano Acontecimento Mundo Art Enowning Heidegger World Innerworldly |
title_short |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART |
title_full |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART |
title_fullStr |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART |
title_full_unstemmed |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART |
title_sort |
ENOWNING, WORLD AND INNERWORLDLY ENTITY:: SOME ISSUES IN MARTIN HEIDEGGER’S PHILOSOPHY OF ART |
author |
Grupillo, Arthur |
author_facet |
Grupillo, Arthur |
author_role |
author |
dc.contributor.author.fl_str_mv |
Grupillo, Arthur |
dc.subject.por.fl_str_mv |
Arte Heidegger ente intramundano Acontecimento Mundo Art Enowning Heidegger World Innerworldly |
topic |
Arte Heidegger ente intramundano Acontecimento Mundo Art Enowning Heidegger World Innerworldly |
description |
The aim of the article is to characterize Martin Heidegger’sphilosophy of art, as accurately as possible, through what he wants to take distance from; and then we seek to outline a problem that seems structural. With the notion of enowning [Ereignis] Heidegger intends to distinguish hisperspective on art especially from two other ones, namely that of Neokantian tradition and Hegel’s. This allows us to have a dimension of Heidegger’s conceptual radicalism, insofar as the enowning aims to point to a poetic momentwhich is prior to language. This moment is conceived as a world disclosure. However, it escapes the reference relations foreseen in the notion of world, and becomes basically unspeakable. In addition, the work of art that opens up a world can also be identified as something innerworldly, thus entangling Heidegger’s own perspective in a series of seemingly unsurmountable difficulties. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/kriterion/article/view/32809 |
url |
https://periodicos.ufmg.br/index.php/kriterion/article/view/32809 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/kriterion/article/view/32809/31138 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Kriterion https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Kriterion https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revista Kriterion Revista Kriterion Kriterion: Revista de Filosofia Kriterion: Revista de Filosofia Revista Kriterion |
publisher.none.fl_str_mv |
Revista Kriterion Revista Kriterion Kriterion: Revista de Filosofia Kriterion: Revista de Filosofia Revista Kriterion |
dc.source.none.fl_str_mv |
Revista Kriterion; Vol. 63 No. 152 (2022) Revista Kriterion; Vol. 63 Núm. 152 (2022) Kriterion: Revista de Filosofia; Vol. 63 No 152 (2022) Kriterion: Revista de Filosofia; V. 63 N. 152 (2022) Revista Kriterion; v. 63 n. 152 (2022) 1981-5336 0100-512X reponame:Kriterion (Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Kriterion (Online) |
collection |
Kriterion (Online) |
repository.name.fl_str_mv |
Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistakriterion@gmail.com |
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