Sound and Movement in Performance Studies and Practices: propositions for an atavistic body

Detalhes bibliográficos
Autor(a) principal: Odier, Felipe Saldanha
Data de Publicação: 2021
Outros Autores: Fonseca , Mario Geraldo Rocha da
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/20661
Resumo: In this paper we present experience reports in Teaching/Learning Performance Art processes, comparing reports of expressive sound and movement practices, carried out in creative processes (hybrid practices – interarts) arranged by professors who work in visual arts courses, in renowned Brazilian public universities. Our main goal is to corroborate with lecturing in the field of visual arts, suggesting some approaches that take the body as a basis, in the work of configuring images, sounds, movements and their records, activating the atavistic body qualities that inhabits us. Concept that can help us to appoint the “wild” atavisms powerfully established that were dormant in the colonized and westernized corporealities of our contemporaneity.
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spelling Sound and Movement in Performance Studies and Practices: propositions for an atavistic bodySonido y movimiento en los estudios y prácticas de la performance: proposiciones para un cuerpo atávicoSom e Movimento nos Estudos e Práticas da Performance: proposições para um Corpo AtávicoArte da PerformanceCorporeidadeInterartesPerformance ArtCorporealityInterartsArte de la PerformanceCorporeidadInterartesArt de la performance; Corporéité; Interartes.Performance Art; Corporeità; Interartes.In this paper we present experience reports in Teaching/Learning Performance Art processes, comparing reports of expressive sound and movement practices, carried out in creative processes (hybrid practices – interarts) arranged by professors who work in visual arts courses, in renowned Brazilian public universities. Our main goal is to corroborate with lecturing in the field of visual arts, suggesting some approaches that take the body as a basis, in the work of configuring images, sounds, movements and their records, activating the atavistic body qualities that inhabits us. Concept that can help us to appoint the “wild” atavisms powerfully established that were dormant in the colonized and westernized corporealities of our contemporaneity.Presentamos relatos de experiencia en procesos de Enseñanza/Aprendizaje de Performance Art, comparando con relatos de prácticas expresivas de sonido y movimiento, llevados a cabo en procesos creativos (prácticas híbridas – interartes) operados por profesores universitarios que trabajan en cursos de artes visuales, en diferentes Universidades públicas brasileñas: nuestro principal objetivo es corroborar la enseñanza en el campo de las artes visuales, sugiriendo algunos enfoques que toman como base el cuerpo, en el trabajo de configuración de imágenes, sonidos, movimientos y sus registros, activando las cualidades atávicas del cuerpo em que habitamos. Concepto que puede ayudarnos a designar las poderosas instalaciones de atavismos “salvajes” que estaban letentes en las corporealidades colonizadas y occidentalizadas de nuestra contemporaneidad.Apresentamos relatos de experiência em processos de ensino-aprendizagem da arte da performance, cotejando relatos de práticas expressivas de som e movimento, realizadas em processos de criação (práticas híbridas – interartes) operados por professores universitários que atuam em cursos de artes visuaisem distintas universidades públicas brasileiras. Nosso objetivo principal é corroborar com a docência no campo das artes visuais, sugerindo algumas abordagens que tomem o corpo como fundamento, no trabalho da configuração de imagens, sons, movimentos e seus registros, ativando qualidades do corpo atávico que nos habita. Conceito que pode nos ajudar a designar as instaurações potentes de atavismos “selvagens” que foram adormecidos nas corporeidades colonizadas e ocidentalizadas da nossa contemporaneidade.Universidade Federal de Minas Gerais2021-01-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2066110.35699/2237-5864.2021.20661PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 21: jan.2021 - apr.2021; 128 - 153PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 21: jan.2021 - abr.2021; 128 - 153PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 21: jan.2021 - abr.2021; 128 - 1532238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/20661/23007Copyright (c) 2021 Mamutte, Mario Geraldo da Fonsecahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessOdier, Felipe SaldanhaFonseca , Mario Geraldo Rocha da2022-07-20T14:38:16Zoai:periodicos.ufmg.br:article/20661Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2022-07-20T14:38:16Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
Sonido y movimiento en los estudios y prácticas de la performance: proposiciones para un cuerpo atávico
Som e Movimento nos Estudos e Práticas da Performance: proposições para um Corpo Atávico
title Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
spellingShingle Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
Odier, Felipe Saldanha
Arte da Performance
Corporeidade
Interartes
Performance Art
Corporeality
Interarts
Arte de la Performance
Corporeidad
Interartes
Art de la performance; Corporéité; Interartes.
Performance Art; Corporeità; Interartes.
title_short Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
title_full Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
title_fullStr Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
title_full_unstemmed Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
title_sort Sound and Movement in Performance Studies and Practices: propositions for an atavistic body
author Odier, Felipe Saldanha
author_facet Odier, Felipe Saldanha
Fonseca , Mario Geraldo Rocha da
author_role author
author2 Fonseca , Mario Geraldo Rocha da
author2_role author
dc.contributor.author.fl_str_mv Odier, Felipe Saldanha
Fonseca , Mario Geraldo Rocha da
dc.subject.por.fl_str_mv Arte da Performance
Corporeidade
Interartes
Performance Art
Corporeality
Interarts
Arte de la Performance
Corporeidad
Interartes
Art de la performance; Corporéité; Interartes.
Performance Art; Corporeità; Interartes.
topic Arte da Performance
Corporeidade
Interartes
Performance Art
Corporeality
Interarts
Arte de la Performance
Corporeidad
Interartes
Art de la performance; Corporéité; Interartes.
Performance Art; Corporeità; Interartes.
description In this paper we present experience reports in Teaching/Learning Performance Art processes, comparing reports of expressive sound and movement practices, carried out in creative processes (hybrid practices – interarts) arranged by professors who work in visual arts courses, in renowned Brazilian public universities. Our main goal is to corroborate with lecturing in the field of visual arts, suggesting some approaches that take the body as a basis, in the work of configuring images, sounds, movements and their records, activating the atavistic body qualities that inhabits us. Concept that can help us to appoint the “wild” atavisms powerfully established that were dormant in the colonized and westernized corporealities of our contemporaneity.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/20661
10.35699/2237-5864.2021.20661
url https://periodicos.ufmg.br/index.php/revistapos/article/view/20661
identifier_str_mv 10.35699/2237-5864.2021.20661
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/20661/23007
dc.rights.driver.fl_str_mv Copyright (c) 2021 Mamutte, Mario Geraldo da Fonseca
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Mamutte, Mario Geraldo da Fonseca
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 21: jan.2021 - apr.2021; 128 - 153
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 21: jan.2021 - abr.2021; 128 - 153
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 21: jan.2021 - abr.2021; 128 - 153
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
_version_ 1797049081662537728

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