Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space

Detalhes bibliográficos
Autor(a) principal: Fonseca, Fabio
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/20564
Resumo: The present text aims to explain how the use of geometrical shapes, that occurred in the works of Gilvan Samico, has interfered with the construction of the images’ space, seeking to understand some of the meanings that the woodcuts can take from that transformation onwards. To that end, the images are comparatively analyzed, considering their relationship with words and memory, their cultural traits and their temporality. Conceiving the power of the image as an object that awakens stories and memories, what is inherent to the engravings is placed in parallel with the construction of a rational mathematical thought in art. Samico’s work is marked by the survival of memory images, that is transversal in techniques, themes and form.
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spelling Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic spaceLa geometría en el grabado de Gilvan Samico: entre la técnica y la narrativa, la racionalización del espacio míticoA geometria na gravura de Gilvan Samico: entre a técnica e a narrativa, a racionalização do espaço míticoGilvan Samicoxilogravurahistória das imagensarte da memóriagravuraGilvan SamicoXilografíaGrabadoHistoria de las imágenesArte de la memoriaGilvan Samico.Woodcut.Engraving.History of images.Art of memory.The present text aims to explain how the use of geometrical shapes, that occurred in the works of Gilvan Samico, has interfered with the construction of the images’ space, seeking to understand some of the meanings that the woodcuts can take from that transformation onwards. To that end, the images are comparatively analyzed, considering their relationship with words and memory, their cultural traits and their temporality. Conceiving the power of the image as an object that awakens stories and memories, what is inherent to the engravings is placed in parallel with the construction of a rational mathematical thought in art. Samico’s work is marked by the survival of memory images, that is transversal in techniques, themes and form.El presente texto tiene el objetivo de explicar cómo el proceso de incorporación de formas geométricas, que ha ocurrido en la obra de Gilvan Samico, interfirió en la construcción del espacio de las imágenes, buscando comprender algunos de los significados que las xilografías pueden asumir a partir de esa transformación. Para eso, se analizan las imágenes comparativamente, considerando sus relaciones con la palabra y la memoria, sus rasgos culturales y su dimensión temporal. Al concebir el poder de las imágenes, como un objeto que despierta historias y recuerdos, lo que es inherente a los grabados se coloca en paralelo con la construcción de un pensamiento matemático y racional del arte. La obra de Samico está marcada por la supervivencia de las imágenes de la memoria, y presenta una naturaleza transversal en la técnica, en los temas y en la forma.O presente texto tem como objetivo explicar como o processo de geometrização, que ocorreu na obra de Gilvan Samico, interferiu na construção do espaço das imagens, procurando compreender alguns significados que elas podem assumir a partir dessa transformação. Para isso as gravuras são analisadas comparativamente, considerando suas relações com a palavra e a memória, seus traços culturais e sua dimensão temporal. Concebendo a potência da imagem, enquanto objeto que desperta histórias e lembranças, o que é inerente às gravuras é colocado em paralelo com a construção de um pensamento matemático racional na arte. A obra de Samico é marcada por sobrevivências das imagens da memória, que apresentam uma transversalidade na técnica, nos temas e na forma.Universidade Federal de Minas Gerais2021-01-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2056410.35699/2237-5864.2021.20564PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 21: jan.2021 - apr.2021; 276 - 307PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 21: jan.2021 - abr.2021; 276 - 307PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 21: jan.2021 - abr.2021; 276 - 3072238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/20564/23013Copyright (c) 2021 Fabio Fonsecahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFonseca, Fabio2022-07-20T14:44:27Zoai:periodicos.ufmg.br:article/20564Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2022-07-20T14:44:27Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
La geometría en el grabado de Gilvan Samico: entre la técnica y la narrativa, la racionalización del espacio mítico
A geometria na gravura de Gilvan Samico: entre a técnica e a narrativa, a racionalização do espaço mítico
title Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
spellingShingle Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
Fonseca, Fabio
Gilvan Samico
xilogravura
história das imagens
arte da memória
gravura
Gilvan Samico
Xilografía
Grabado
Historia de las imágenes
Arte de la memoria
Gilvan Samico.
Woodcut.
Engraving.
History of images.
Art of memory.
title_short Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
title_full Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
title_fullStr Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
title_full_unstemmed Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
title_sort Geometry in Gilvan Samico’s engravings: between technique and narrative, the rationalization of the mythic space
author Fonseca, Fabio
author_facet Fonseca, Fabio
author_role author
dc.contributor.author.fl_str_mv Fonseca, Fabio
dc.subject.por.fl_str_mv Gilvan Samico
xilogravura
história das imagens
arte da memória
gravura
Gilvan Samico
Xilografía
Grabado
Historia de las imágenes
Arte de la memoria
Gilvan Samico.
Woodcut.
Engraving.
History of images.
Art of memory.
topic Gilvan Samico
xilogravura
história das imagens
arte da memória
gravura
Gilvan Samico
Xilografía
Grabado
Historia de las imágenes
Arte de la memoria
Gilvan Samico.
Woodcut.
Engraving.
History of images.
Art of memory.
description The present text aims to explain how the use of geometrical shapes, that occurred in the works of Gilvan Samico, has interfered with the construction of the images’ space, seeking to understand some of the meanings that the woodcuts can take from that transformation onwards. To that end, the images are comparatively analyzed, considering their relationship with words and memory, their cultural traits and their temporality. Conceiving the power of the image as an object that awakens stories and memories, what is inherent to the engravings is placed in parallel with the construction of a rational mathematical thought in art. Samico’s work is marked by the survival of memory images, that is transversal in techniques, themes and form.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/20564
10.35699/2237-5864.2021.20564
url https://periodicos.ufmg.br/index.php/revistapos/article/view/20564
identifier_str_mv 10.35699/2237-5864.2021.20564
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/20564/23013
dc.rights.driver.fl_str_mv Copyright (c) 2021 Fabio Fonseca
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Fabio Fonseca
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 21: jan.2021 - apr.2021; 276 - 307
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 21: jan.2021 - abr.2021; 276 - 307
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 21: jan.2021 - abr.2021; 276 - 307
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
_version_ 1797049081653100544

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