Horizontal and Collaborative Practices with Kaingang Indigenous Communities: Art as a Ground to Carry Out Actions

• Autor(a) principal: Mallmann, Kalinka Lorenci
• Data de Publicação: 2023
• Outros Autores: Oliveira, Andreia Machado de
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
• Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/45499
• topic: Arte e vida; Arte Colaborativa; Comunidade Indígena; Cultura Kaingang; Arte y vida; Arte colaborativo; Comunidad indígena; Cultura Kaingang; Art and life; Kaingang culture; Indigenous Community; Collaborative Art

The artistic practices presented in this text are actions developed collectively, in the relationship between artists, non-artists, communities and indigenous individuals and are carried out both in public and private spaces, in local territories and in a global network. By describing the actions proposed by the Kame and Kanhru Affective DNA Project, we seek to legitimize art as a field of realization and transformation by generating meaning, subversion and reflection. In this way, we bring Allan Kaprow's concept of art and life, in dialogue with other theorists in the artistic field, to discuss collaboration in art, since collaborative artistic practices, from the 1980s/1990s onwards, were gaining the shape of an artistic category and creating specificities when working directly with communities and their urgencies.