Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/44758 |
Resumo: | Daguerreotypes (1975) is a documentary or film essay by Agnès Varda (1928-2019) which features portraits of her neighbors, the small merchants on Daguerre Street, in Paris. These portraits can be understood as figurations of intimacy which reflect the limits between them and the approximations resulted from the care with which the filmmaker addresses her interviewees. This text constitutes an interpretative analysis which proposes to characterize these figurations of intimacy through Varda’s curious and warm look transposed to the film in silence, long duration and delicacy. It also delineates a political dimension articulated to the way Varda approaches her interviewees, as a mode of living, and brings their meaning to the spectators through her poetic cine-writing. |
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Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacyDaguerréotypes d’Agnès Varda: esthétique et politique dans les figurations de l'intimitéDaguerreótipos de Agnès Varda: estética e política nas figurações da intimidadeestéticapolíticaAgnès VardaDaguerreótiposfigurações da intimidadeAestheticsPoliticsAgnès VardaDaguerreotypesfigurations of intimacyesthétiquepolitiqueAgnès VardaDaguerréotypesfigurations de l’intimité Daguerreotypes (1975) is a documentary or film essay by Agnès Varda (1928-2019) which features portraits of her neighbors, the small merchants on Daguerre Street, in Paris. These portraits can be understood as figurations of intimacy which reflect the limits between them and the approximations resulted from the care with which the filmmaker addresses her interviewees. This text constitutes an interpretative analysis which proposes to characterize these figurations of intimacy through Varda’s curious and warm look transposed to the film in silence, long duration and delicacy. It also delineates a political dimension articulated to the way Varda approaches her interviewees, as a mode of living, and brings their meaning to the spectators through her poetic cine-writing. Daguerréotypes (1975) est un documentaire d’Agnès Varda (1928-2019), qui met en scène les portraits de ses voisins, les petits commerçants de la rue Daguerre (Paris). Ces portraits peuvent être compris comme des figurations d’intimité qui reflètent les limites entre eux et les approximations résultant du soin avec lequel la cinéaste s’adresse à ses interviewés. Le texte développe une analyse interprétative qui vise à caractériser ces figurations de l’intimité à travers le regard curieux et chaleureux de Varda transposé au film dans le silence, la durée et la délicatesse. Il aussi délimite une dimension politique articulée à la façon dont Varda aborde ses interviewés, comme un mode de vie, et apporte son sens aux spectateurs à travers de son cinécriture poétique. Daguerreótipos (1975) é um documentário ou filme-ensaio de Agnès Varda (1928-2019), que apresenta retratos de seus vizinhos, os pequenos comerciantes da Rua Daguerre, em Paris. Esses retratos podem ser compreendidos como figurações da intimidade que refletem os limites entre eles e as aproximações decorrentes do cuidado com o qual a cineasta se endereça aos seus entrevistados. O texto desenvolve uma análise interpretativa que visa caracterizar essas figurações da intimidade através do olhar curioso e caloroso de Varda transposto para o filme em silêncio, longa duração e delicadeza. Também delineia uma dimensão política articulada à forma que Varda se aproxima de seus entrevistados, como um modo de vida, e traz sua significação aos espectadores, por meio de sua cinescrita poética. Universidade Federal de Minas Gerais2023-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/4475810.35699/2238-2046.2023.44758PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 13 No. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas; 267-287PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 13 Núm. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas; 267-287PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 13 n. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas; 267-2872238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/44758/38647Copyright (c) 2023 Fernanda Albuquerque de Almeidahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAlmeida, Fernanda Albuquerque de2023-10-24T17:49:04Zoai:periodicos.ufmg.br:article/44758Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-10-24T17:49:04Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy Daguerréotypes d’Agnès Varda: esthétique et politique dans les figurations de l'intimité Daguerreótipos de Agnès Varda: estética e política nas figurações da intimidade |
title |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy |
spellingShingle |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy Almeida, Fernanda Albuquerque de estética política Agnès Varda Daguerreótipos figurações da intimidade Aesthetics Politics Agnès Varda Daguerreotypes figurations of intimacy esthétique politique Agnès Varda Daguerréotypes figurations de l’intimité |
title_short |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy |
title_full |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy |
title_fullStr |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy |
title_full_unstemmed |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy |
title_sort |
Daguerreotypes by Agnès Varda: aesthetics and politics in the figurations of intimacy |
author |
Almeida, Fernanda Albuquerque de |
author_facet |
Almeida, Fernanda Albuquerque de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almeida, Fernanda Albuquerque de |
dc.subject.por.fl_str_mv |
estética política Agnès Varda Daguerreótipos figurações da intimidade Aesthetics Politics Agnès Varda Daguerreotypes figurations of intimacy esthétique politique Agnès Varda Daguerréotypes figurations de l’intimité |
topic |
estética política Agnès Varda Daguerreótipos figurações da intimidade Aesthetics Politics Agnès Varda Daguerreotypes figurations of intimacy esthétique politique Agnès Varda Daguerréotypes figurations de l’intimité |
description |
Daguerreotypes (1975) is a documentary or film essay by Agnès Varda (1928-2019) which features portraits of her neighbors, the small merchants on Daguerre Street, in Paris. These portraits can be understood as figurations of intimacy which reflect the limits between them and the approximations resulted from the care with which the filmmaker addresses her interviewees. This text constitutes an interpretative analysis which proposes to characterize these figurations of intimacy through Varda’s curious and warm look transposed to the film in silence, long duration and delicacy. It also delineates a political dimension articulated to the way Varda approaches her interviewees, as a mode of living, and brings their meaning to the spectators through her poetic cine-writing. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/44758 10.35699/2238-2046.2023.44758 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/44758 |
identifier_str_mv |
10.35699/2238-2046.2023.44758 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/44758/38647 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Fernanda Albuquerque de Almeida https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Fernanda Albuquerque de Almeida https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 13 No. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas; 267-287 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 13 Núm. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas; 267-287 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 13 n. 28 (2023): Maio-Ago: Arte pública e suas encruzilhadas; 267-287 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
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1797049080000544768 |