The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky

Detalhes bibliográficos
Autor(a) principal: Fonseca, Eduardo Dias
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/35560
Resumo: This paper aims to carry out an analysis of the Argentinian film Nueve Reinas (2000), directed by Fabián Bielinsky, relating elements of the narrative construction and the filmic space with possible ways of national construction. Based on Bordwell's (1995, 1996) theoretical and analytical assumptions for the observance of narrative processes, and the contribution of theorists and researchers, both in the field of social sciences and in the field of cinema, the productivity of the binomial civilization /barbarism for the cultural, social and political field of Argentina is observed. The result of the analysis is the identification of a series of strategies used by the director to expose his worldview regarding the imagined community of Argentina.
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spelling The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián BielinskyLo nacional y el juego de la narrativa: civilización y barbarie en la película Nueve Reinas (Argentina, 2000), dirigida por Fabián BielinskyO nacional e o jogo da narrativa: civilização e barbárie no filme Nueve Reinas (Argentina, 2000), dirigido por Fabián Bielinsky.Cinema ArgentinoNarraçãoAnálise FílmicaNacionalCine ArgentinoNarraciónNacionalAnálisis FílmicoArgentinian CinemaNarrationFilm analysisNationalThis paper aims to carry out an analysis of the Argentinian film Nueve Reinas (2000), directed by Fabián Bielinsky, relating elements of the narrative construction and the filmic space with possible ways of national construction. Based on Bordwell's (1995, 1996) theoretical and analytical assumptions for the observance of narrative processes, and the contribution of theorists and researchers, both in the field of social sciences and in the field of cinema, the productivity of the binomial civilization /barbarism for the cultural, social and political field of Argentina is observed. The result of the analysis is the identification of a series of strategies used by the director to expose his worldview regarding the imagined community of Argentina.Este artículo tiene como objetivo realizar un análisis del texto fílmico Argentino Nueve Reinas (2000), dirigido por Fabián Bielinsky, relacionando elementos de la construcción de la narrativa y la puesta en escena con posibles formas de construcción de lo nacional. A partir de los postulados teóricos y analíticos de Bordwell (1995, 1996) para la observación de los procedimientos narrativos, y el aporte de teóricos e investigadores tanto en el campo de las ciencias sociales como en el campo del cine, se observa la productividad del binomio la civilización /barbarie para el campo cultural, social y político de Argentina. El resultado del análisis es la identificación de una serie de estrategias que utiliza el director para exponer su cosmovisión respecto a la comunidad imaginada de Argentina.O presente artigo visa realizar uma análise do texto fílmico Argentino Nueve Reinas (2000), dirigido por Fabián Bielinsky, relacionando elementos da construção da narrativa e da posta em cena com possíveis formas de construção do nacional. A partir dos pressupostos teóricos e analíticos de Bordwell (1995, 1996), para a observância de processos narrativos, e do aporte de teóricos e pesquisados tanto do campo das ciências sociais, como do campo do cinema, observa-se a produtividade do binômio civilização/barbárie para o campo cultural, social e político da Argentina. O resultado da análise é a identificação de uma série de estratégias usadas pelo diretor para expor sua visão de mundo no que tange a comunidade imaginada Argentina.Universidade Federal de Minas Gerais2022-04-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/3556010.35699/2237-5864.2022.35560PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 24 (2022): Film Analysis; 142-161PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 24 (2022): Análisis de películas; 142-161PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 24 (2022): Jan-Abril - Análise Fílmica; 142-1612238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/35560/30342Copyright (c) 2022 Eduardo Dias Fonsecahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFonseca, Eduardo Dias2022-07-19T21:09:55Zoai:periodicos.ufmg.br:article/35560Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2022-07-19T21:09:55Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
Lo nacional y el juego de la narrativa: civilización y barbarie en la película Nueve Reinas (Argentina, 2000), dirigida por Fabián Bielinsky
O nacional e o jogo da narrativa: civilização e barbárie no filme Nueve Reinas (Argentina, 2000), dirigido por Fabián Bielinsky.
title The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
spellingShingle The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
Fonseca, Eduardo Dias
Cinema Argentino
Narração
Análise Fílmica
Nacional
Cine Argentino
Narración
Nacional
Análisis Fílmico
Argentinian Cinema
Narration
Film analysis
National
title_short The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
title_full The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
title_fullStr The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
title_full_unstemmed The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
title_sort The national and the narrative game: civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
author Fonseca, Eduardo Dias
author_facet Fonseca, Eduardo Dias
author_role author
dc.contributor.author.fl_str_mv Fonseca, Eduardo Dias
dc.subject.por.fl_str_mv Cinema Argentino
Narração
Análise Fílmica
Nacional
Cine Argentino
Narración
Nacional
Análisis Fílmico
Argentinian Cinema
Narration
Film analysis
National
topic Cinema Argentino
Narração
Análise Fílmica
Nacional
Cine Argentino
Narración
Nacional
Análisis Fílmico
Argentinian Cinema
Narration
Film analysis
National
description This paper aims to carry out an analysis of the Argentinian film Nueve Reinas (2000), directed by Fabián Bielinsky, relating elements of the narrative construction and the filmic space with possible ways of national construction. Based on Bordwell's (1995, 1996) theoretical and analytical assumptions for the observance of narrative processes, and the contribution of theorists and researchers, both in the field of social sciences and in the field of cinema, the productivity of the binomial civilization /barbarism for the cultural, social and political field of Argentina is observed. The result of the analysis is the identification of a series of strategies used by the director to expose his worldview regarding the imagined community of Argentina.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/35560
10.35699/2237-5864.2022.35560
url https://periodicos.ufmg.br/index.php/revistapos/article/view/35560
identifier_str_mv 10.35699/2237-5864.2022.35560
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/35560/30342
dc.rights.driver.fl_str_mv Copyright (c) 2022 Eduardo Dias Fonseca
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Eduardo Dias Fonseca
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 24 (2022): Film Analysis; 142-161
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 24 (2022): Análisis de películas; 142-161
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 24 (2022): Jan-Abril - Análise Fílmica; 142-161
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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