The ENDS OF ART ACCORDING TO BEUYS

Detalhes bibliográficos
Autor(a) principal: Michaud, Eric
Data de Publicação: 2018
Outros Autores: Lopes, Almerinda da Silva, Chagas, Tamara Silva
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/15607
Resumo: In this article, Michaud discusses the thought of Joseph Beuys, which is associated with the romantic concepts of myth, ritual and the unshakeable belief in art as an instrument of Freedom, regeneration of self-consciousness, spiritual values and social restructuring. It marks the artist’s indignation at the post-war crisis of European civilization and the loss of German cultural unity and hegemony with the establishment of Nazism. According to Beuys, the artists must be involved in the reconstruction of the mythical homeland, which will be free of social and ideological conflicts, through political engagement, through the power of ideas and through actions strictly connected with German and European life and history.
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spelling The ENDS OF ART ACCORDING TO BEUYSO FIM DA ARTE SEGUNDO BEUYSJoseph Beuysarte e políticaarte do século XX.Joseph Beuysart and politicsart from the XX centuryIn this article, Michaud discusses the thought of Joseph Beuys, which is associated with the romantic concepts of myth, ritual and the unshakeable belief in art as an instrument of Freedom, regeneration of self-consciousness, spiritual values and social restructuring. It marks the artist’s indignation at the post-war crisis of European civilization and the loss of German cultural unity and hegemony with the establishment of Nazism. According to Beuys, the artists must be involved in the reconstruction of the mythical homeland, which will be free of social and ideological conflicts, through political engagement, through the power of ideas and through actions strictly connected with German and European life and history.No texto, Michaud discorre sobre o pensamento do alemão Joseph Beuys, o qual é perpassado por conceitos românticos de mito, rito e pela crença inabalável na arte como instrumento de Liberdade, de regeneração da autoconsciência, dos valores espirituais e de reestruturação social. Pontua a indignação do artista diante do estado de crise da civilização européia, no pós-guerra, e da perda da unidade e da hegemonia cultural alemã, com a instauração do nazismo. Por meio do engajamento político, do poder das ideias e de ações estritamente conectadas com a vida e com a história alemã e europeia, caberia aos artistas, conforme Beuys, se envolverem na reconstrução da pátria mítica, livre de conflitos sociais e ideológicos.Universidade Federal de Minas Gerais2018-05-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/jpegapplication/vnd.openxmlformats-officedocument.wordprocessingml.documentapplication/vnd.openxmlformats-officedocument.wordprocessingml.documentapplication/mswordhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15607PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 156-166PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 156-166PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 156-1662238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15607/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12481https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12482https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12483https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12484Michaud, EricLopes, Almerinda da SilvaChagas, Tamara Silvainfo:eu-repo/semantics/openAccess2020-07-23T18:48:25Zoai:periodicos.ufmg.br:article/15607Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-07-23T18:48:25Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The ENDS OF ART ACCORDING TO BEUYS
O FIM DA ARTE SEGUNDO BEUYS
title The ENDS OF ART ACCORDING TO BEUYS
spellingShingle The ENDS OF ART ACCORDING TO BEUYS
Michaud, Eric
Joseph Beuys
arte e política
arte do século XX.
Joseph Beuys
art and politics
art from the XX century
title_short The ENDS OF ART ACCORDING TO BEUYS
title_full The ENDS OF ART ACCORDING TO BEUYS
title_fullStr The ENDS OF ART ACCORDING TO BEUYS
title_full_unstemmed The ENDS OF ART ACCORDING TO BEUYS
title_sort The ENDS OF ART ACCORDING TO BEUYS
author Michaud, Eric
author_facet Michaud, Eric
Lopes, Almerinda da Silva
Chagas, Tamara Silva
author_role author
author2 Lopes, Almerinda da Silva
Chagas, Tamara Silva
author2_role author
author
dc.contributor.author.fl_str_mv Michaud, Eric
Lopes, Almerinda da Silva
Chagas, Tamara Silva
dc.subject.por.fl_str_mv Joseph Beuys
arte e política
arte do século XX.
Joseph Beuys
art and politics
art from the XX century
topic Joseph Beuys
arte e política
arte do século XX.
Joseph Beuys
art and politics
art from the XX century
description In this article, Michaud discusses the thought of Joseph Beuys, which is associated with the romantic concepts of myth, ritual and the unshakeable belief in art as an instrument of Freedom, regeneration of self-consciousness, spiritual values and social restructuring. It marks the artist’s indignation at the post-war crisis of European civilization and the loss of German cultural unity and hegemony with the establishment of Nazism. According to Beuys, the artists must be involved in the reconstruction of the mythical homeland, which will be free of social and ideological conflicts, through political engagement, through the power of ideas and through actions strictly connected with German and European life and history.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/15607
url https://periodicos.ufmg.br/index.php/revistapos/article/view/15607
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/pdf
https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12481
https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12482
https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12483
https://periodicos.ufmg.br/index.php/revistapos/article/view/15607/12484
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
image/jpeg
application/vnd.openxmlformats-officedocument.wordprocessingml.document
application/vnd.openxmlformats-officedocument.wordprocessingml.document
application/msword
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 156-166
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 156-166
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 156-166
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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