Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking

Detalhes bibliográficos
Autor(a) principal: Mínguez-García, Hortensia
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/25812
Resumo: If we want to understand how the volumetric and creative possibilities of paper have been explored, it is important to study one of the artistic disciplines such as printmaking, since it was from this point of view that the artistic community began to break with the two- dimensionality of paper. Under this position, the present text aims to venture into the exercise of tracing how, through printmaking, artists experimented with paper, first using it as a medium for reproducing images, to gradually become a source of experimentation and finally, the piece of art per se. In this sense, we will start from the X century with blind embossing, to talk about the handling of paper pulp in contemporary printmaking.
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spelling Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmakingMás allá de la bidimensionalidad del papel: Del arte del gofrado al papel hecho a mano en el grabado contemporáneoAlém do papel bidimensional: Da arte de estampar papel ao papel feito à mão na gravura contemporâneaGrabadoPapel hecho a manoGofradoGravuraPapel feito à mãoGofragemPrintmakingPapermadeBlind EmbossingIf we want to understand how the volumetric and creative possibilities of paper have been explored, it is important to study one of the artistic disciplines such as printmaking, since it was from this point of view that the artistic community began to break with the two- dimensionality of paper. Under this position, the present text aims to venture into the exercise of tracing how, through printmaking, artists experimented with paper, first using it as a medium for reproducing images, to gradually become a source of experimentation and finally, the piece of art per se. In this sense, we will start from the X century with blind embossing, to talk about the handling of paper pulp in contemporary printmaking.Si queremos comprender cómo se han venido explorando las posibilidades volumétricas y creativas del papel, es importante estudiar disciplinas artísticas como el grabado, ya que fue a partir de ella desde dónde la comunidad artística comenzó a romper con la bidimensionalidad del papel. Bajo esta tesitura, el presente texto tiene como objetivo aventurarse en el ejercicio de rastrear cómo, a través del grabado, los artistas experimentaron con el papel, utilizándolo primero como soporte de reproducción de imágenes, para, gradualmente, pasar a ser una fuente de experimentación y, finalmente, la pieza de arte en sí. En este sentido, partiremos del siglo X, con el gofrado en seco, para hablar del manejo de la pulpa de papel en el grabado contemporáneo.Se quisermos entender como vêm sendo exploradas as possibilidades volumétricas e criativas do papel, é importante estudar disciplinas artísticas como a gravura, pois foi a partir dela que a comunidade artística começou a romper com a bidimensionalidade do papel. Partindo dessa premissa, este texto pretende aventurar-se no exercício de rastrear a forma pela qual, através da gravura, os artistas experimentaram com o papel, utilizando-o primeiro como suporte para a reprodução de imagens para, gradualmente, tornar-se uma fonte de experimentação e, por fim, a própria obra de arte. Nesse sentido, partiremos do século X, com a gofragem a seco, para falar do manuseio da pasta de papel na gravura contemporânea.Universidade Federal de Minas Gerais2021-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2581210.35699/2237-5864.2021.25812PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 221-239PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 221-239PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 221-2392238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGspahttps://periodicos.ufmg.br/index.php/revistapos/article/view/25812/27893Copyright (c) 2021 Hortensia Mínguez Garcíahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMínguez-García, Hortensia2021-08-18T23:12:42Zoai:periodicos.ufmg.br:article/25812Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2021-08-18T23:12:42Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
Más allá de la bidimensionalidad del papel: Del arte del gofrado al papel hecho a mano en el grabado contemporáneo
Além do papel bidimensional: Da arte de estampar papel ao papel feito à mão na gravura contemporânea
title Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
spellingShingle Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
Mínguez-García, Hortensia
Grabado
Papel hecho a mano
Gofrado
Gravura
Papel feito à mão
Gofragem
Printmaking
Papermade
Blind Embossing
title_short Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
title_full Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
title_fullStr Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
title_full_unstemmed Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
title_sort Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking
author Mínguez-García, Hortensia
author_facet Mínguez-García, Hortensia
author_role author
dc.contributor.author.fl_str_mv Mínguez-García, Hortensia
dc.subject.por.fl_str_mv Grabado
Papel hecho a mano
Gofrado
Gravura
Papel feito à mão
Gofragem
Printmaking
Papermade
Blind Embossing
topic Grabado
Papel hecho a mano
Gofrado
Gravura
Papel feito à mão
Gofragem
Printmaking
Papermade
Blind Embossing
description If we want to understand how the volumetric and creative possibilities of paper have been explored, it is important to study one of the artistic disciplines such as printmaking, since it was from this point of view that the artistic community began to break with the two- dimensionality of paper. Under this position, the present text aims to venture into the exercise of tracing how, through printmaking, artists experimented with paper, first using it as a medium for reproducing images, to gradually become a source of experimentation and finally, the piece of art per se. In this sense, we will start from the X century with blind embossing, to talk about the handling of paper pulp in contemporary printmaking.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/25812
10.35699/2237-5864.2021.25812
url https://periodicos.ufmg.br/index.php/revistapos/article/view/25812
identifier_str_mv 10.35699/2237-5864.2021.25812
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/25812/27893
dc.rights.driver.fl_str_mv Copyright (c) 2021 Hortensia Mínguez García
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Hortensia Mínguez García
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 221-239
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 221-239
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 221-239
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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