Ser gravado, ser impressionado: o suporte dos afetos

Detalhes bibliográficos
Autor(a) principal: Esquives, Veronica del Pilar Noriega
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/00130000060zq
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/4824
Resumo: This master’s thesis is a research in Art and Visual Culture in the field of visual poetics and creative processes. This work is divided in two sections; however, one is inseparable from the other. Appears at first, a photographic documentation of the artistic production developed in the master period. The second sections is a theoretical production in art with the main objective to validate the art as a provider instance of affective and cognitive knowledge, which is constantly looking for a transcendence experience. I will get deep into the matters of involving the body in the creation and production processes that offers a reconnection with our interiority and, strengthens the bonds of practical and theoretical reflection on research in art. Secondly, I will develop a vision of the printmaking as a discipline that provokes knowledge through its experimental and conceptual dimensions of ‘engraving’ and ‘reproduction’. Finally, I will analyzed the materiality of the artwork, emphasizing the issue of support, as an affections reverberation resource to an opening of thoughts in the production and image approach.
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spelling Clímaco, Jose César Teatini de Souzahttp://lattes.cnpq.br/4105136553667901Clímaco, Jose César Teatini de SouzaJesus, Samuel José Gilbert deLima, Nei Clara dehttp://lattes.cnpq.br/3948752189476504Esquives, Veronica del Pilar Noriega2015-10-29T10:13:30Z2015-02-20NORIEGA, V. Ser gravado, ser impressionado: o suporte dos afetos. 2015. 133 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/4824ark:/38995/00130000060zqThis master’s thesis is a research in Art and Visual Culture in the field of visual poetics and creative processes. This work is divided in two sections; however, one is inseparable from the other. Appears at first, a photographic documentation of the artistic production developed in the master period. The second sections is a theoretical production in art with the main objective to validate the art as a provider instance of affective and cognitive knowledge, which is constantly looking for a transcendence experience. I will get deep into the matters of involving the body in the creation and production processes that offers a reconnection with our interiority and, strengthens the bonds of practical and theoretical reflection on research in art. Secondly, I will develop a vision of the printmaking as a discipline that provokes knowledge through its experimental and conceptual dimensions of ‘engraving’ and ‘reproduction’. Finally, I will analyzed the materiality of the artwork, emphasizing the issue of support, as an affections reverberation resource to an opening of thoughts in the production and image approach.Esta disertación de maestría es una investigación en Arte y Cultura Visual en la línea de poéticas visuales y procesos de creación. Este trabajo se divide en dos secciones interconectadas. Exhibo en primer lugar, una documentación fotográfica de la producción artística realizada en el periodo de la maestría. La segunda sección, es una producción teórica en arte, con el objetivo principal de validar al arte como instancia proveedora de conocimiento afectivo e cognitivo, que busca constantemente una experiencia trascendente. Ahondo en el involucramiento del cuerpo en los procesos de creación y producción, que brinda una reconexión con nuestra interioridad e refuerza los vínculos de la reflexión práctica y teórica de las investigaciones en arte. En segundo lugar, desarrollo una apreciación del grabado como disciplina que provoca esa obtención de conocimiento a través de su dimensión experimental e conceptual de ‘grabar’ y ‘reproducir’. Finalmente, analizo la materialidad de la obra de arte, enfatizando el tema del soporte, como recurso de reverberación de afectos, para una abertura de pensamiento en la producción y lectura sobre imágenes.Esta dissertação de mestrado é uma pesquisa em Arte e Cultura Visual na linha de poéticas visuais e processos de criação. O trabalho divide-se em duas secções, porém, uma indissociável da outra. Apresento em primeiro lugar uma documentação fotográfica da produção artística desenvolvida no período do mestrado. A segunda secção, é uma produção teórica em arte com o objetivo principal de validar a arte como instância provedora de conhecimento afetivo e cognitivo que busca constantemente experiências transcendentes. Assim, aprofundo no envolvimento do corpo nos processos de criação e produção que brinda uma reconexão com a nossa interioridade e reforça os vínculos da reflexão prática e teórica nas pesquisas em arte. Em segundo lugar, desenvolvo uma apreciação da gravura como uma disciplina que provoca essa obtenção de saberes através da sua dimensão experimental e conceitual de ‘gravar’ e ‘reproduzir’. Finalmente, analisarei a materialidade da obra de arte, enfatizando a questão do suporte, como fonte de reverberação de afetos, para uma abertura de pensamento na produção e leituras sobre imagens.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2015-10-28T16:53:24Z No. of bitstreams: 2 Dissertação - Veronica del Pilar Noriega Esquives - 2015.pdf: 14278982 bytes, checksum: 902356b77a709b7bbc42a937878aed37 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-29T10:13:30Z (GMT) No. of bitstreams: 2 Dissertação - Veronica del Pilar Noriega Esquives - 2015.pdf: 14278982 bytes, checksum: 902356b77a709b7bbc42a937878aed37 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-10-29T10:13:30Z (GMT). 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dc.title.por.fl_str_mv Ser gravado, ser impressionado: o suporte dos afetos
dc.title.alternative.eng.fl_str_mv Being marked, being impressed: the affection's support
title Ser gravado, ser impressionado: o suporte dos afetos
spellingShingle Ser gravado, ser impressionado: o suporte dos afetos
Esquives, Veronica del Pilar Noriega
Gravura
Corpo
Afetos
Suporte
Imagem
Printmaking
Body
Support
Image
Grabado
Cuerpo
Afectos
Soporte
Imagen
ARTES::EDUCACAO ARTISTICA
title_short Ser gravado, ser impressionado: o suporte dos afetos
title_full Ser gravado, ser impressionado: o suporte dos afetos
title_fullStr Ser gravado, ser impressionado: o suporte dos afetos
title_full_unstemmed Ser gravado, ser impressionado: o suporte dos afetos
title_sort Ser gravado, ser impressionado: o suporte dos afetos
author Esquives, Veronica del Pilar Noriega
author_facet Esquives, Veronica del Pilar Noriega
author_role author
dc.contributor.advisor1.fl_str_mv Clímaco, Jose César Teatini de Souza
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4105136553667901
dc.contributor.referee1.fl_str_mv Clímaco, Jose César Teatini de Souza
dc.contributor.referee2.fl_str_mv Jesus, Samuel José Gilbert de
dc.contributor.referee3.fl_str_mv Lima, Nei Clara de
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3948752189476504
dc.contributor.author.fl_str_mv Esquives, Veronica del Pilar Noriega
contributor_str_mv Clímaco, Jose César Teatini de Souza
Clímaco, Jose César Teatini de Souza
Jesus, Samuel José Gilbert de
Lima, Nei Clara de
dc.subject.por.fl_str_mv Gravura
Corpo
Afetos
Suporte
Imagem
topic Gravura
Corpo
Afetos
Suporte
Imagem
Printmaking
Body
Support
Image
Grabado
Cuerpo
Afectos
Soporte
Imagen
ARTES::EDUCACAO ARTISTICA
dc.subject.eng.fl_str_mv Printmaking
Body
Support
Image
dc.subject.spa.fl_str_mv Grabado
Cuerpo
Afectos
Soporte
Imagen
dc.subject.cnpq.fl_str_mv ARTES::EDUCACAO ARTISTICA
description This master’s thesis is a research in Art and Visual Culture in the field of visual poetics and creative processes. This work is divided in two sections; however, one is inseparable from the other. Appears at first, a photographic documentation of the artistic production developed in the master period. The second sections is a theoretical production in art with the main objective to validate the art as a provider instance of affective and cognitive knowledge, which is constantly looking for a transcendence experience. I will get deep into the matters of involving the body in the creation and production processes that offers a reconnection with our interiority and, strengthens the bonds of practical and theoretical reflection on research in art. Secondly, I will develop a vision of the printmaking as a discipline that provokes knowledge through its experimental and conceptual dimensions of ‘engraving’ and ‘reproduction’. Finally, I will analyzed the materiality of the artwork, emphasizing the issue of support, as an affections reverberation resource to an opening of thoughts in the production and image approach.
publishDate 2015
dc.date.accessioned.fl_str_mv 2015-10-29T10:13:30Z
dc.date.issued.fl_str_mv 2015-02-20
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dc.identifier.citation.fl_str_mv NORIEGA, V. Ser gravado, ser impressionado: o suporte dos afetos. 2015. 133 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.
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identifier_str_mv NORIEGA, V. Ser gravado, ser impressionado: o suporte dos afetos. 2015. 133 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.
ark:/38995/00130000060zq
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