Graffiti as a cultural memory:: a public identity file to be explored

Detalhes bibliográficos
Autor(a) principal: Paschoal Baldin, Vitoria
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Temporalidades
Texto Completo: https://periodicos.ufmg.br/index.php/temporalidades/article/view/25942
Resumo: The city is a great image archive of the memories and identities that occupy and transform this space. In addition to an immutable and eternal archive, it is a space of communication in constant change. However, its power to speak visually about feelings, perceptions and social, economic and cultural events lies in the fact that, despite its ephemerality, it is directly inserted in the daily life of its viewers. Graphite is directly related to this logic. It is not only a form of expression, but also a socio-cultural practice that engages its producers and its audience to think about urban space in new ways. In this sense, this work proposes an exploration of graphite as a source of knowledge about the subjects that produce and observe it, based on the understanding of the cultural signs that are mobilized in this expression.
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spelling Graffiti as a cultural memory:: a public identity file to be exploredEl graffiti como memoria cultural:: un archivo de identidad pública por explorarGrafite enquanto memória cultural:: um arquivo público identitário a ser exploradoThe city is a great image archive of the memories and identities that occupy and transform this space. In addition to an immutable and eternal archive, it is a space of communication in constant change. However, its power to speak visually about feelings, perceptions and social, economic and cultural events lies in the fact that, despite its ephemerality, it is directly inserted in the daily life of its viewers. Graphite is directly related to this logic. It is not only a form of expression, but also a socio-cultural practice that engages its producers and its audience to think about urban space in new ways. In this sense, this work proposes an exploration of graphite as a source of knowledge about the subjects that produce and observe it, based on the understanding of the cultural signs that are mobilized in this expression.A cidade é um grande arquivo imagético das memórias e identidades que ocupam e transformam esse espaço. Para além de um arquivo imutável e eterno, é um espaço de comunicação em constante mutação. Entretanto, sua potência em falar visualmente sobre sentimentos, percepções e acontecimentos sociais, econômicos e culturais está no fato de que, apesar de sua efemeridade, insere-se diretamente na vida cotidiana de seus espectadores. O grafite está diretamente relacionado a essa lógica. Ele é não apenas uma forma de expressão, mas também uma prática sociocultural que engaja seus produtores e seu público a pensar o espaço urbano de novas formas. Nesse sentido, esse trabalho propõe uma exploração do grafite enquanto fonte de conhecimento acerca dos sujeitos que o produzem e o observam, a partir do entendimento dos signos culturais que são mobilizados nessa expressão. Programa de Pós Graduação em História - UFMG2021-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/temporalidades/article/view/25942Temporalidades; Vol. 12 No. 3 (2020): Edição 34 - Temporalidades, Belo Horizonte (set./dez. 2020); 742-757Temporalidades; v. 12 n. 3 (2020): Edição 34 - Temporalidades, Belo Horizonte (set./dez. 2020); 742-7571984-6150reponame:Temporalidadesinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/temporalidades/article/view/25942/23100Copyright (c) 2021 Vitoria Paschoal Baldinhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPaschoal Baldin, Vitoria2021-02-01T18:36:32Zoai:periodicos.ufmg.br:article/25942Revistahttps://periodicos.ufmg.br/index.php/temporalidadesPUBhttps://periodicos.ufmg.br/index.php/temporalidades/oai||temporalidades@gmail.com1984-61501984-6150opendoar:2021-02-01T18:36:32Temporalidades - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Graffiti as a cultural memory:: a public identity file to be explored
El graffiti como memoria cultural:: un archivo de identidad pública por explorar
Grafite enquanto memória cultural:: um arquivo público identitário a ser explorado
title Graffiti as a cultural memory:: a public identity file to be explored
spellingShingle Graffiti as a cultural memory:: a public identity file to be explored
Paschoal Baldin, Vitoria
title_short Graffiti as a cultural memory:: a public identity file to be explored
title_full Graffiti as a cultural memory:: a public identity file to be explored
title_fullStr Graffiti as a cultural memory:: a public identity file to be explored
title_full_unstemmed Graffiti as a cultural memory:: a public identity file to be explored
title_sort Graffiti as a cultural memory:: a public identity file to be explored
author Paschoal Baldin, Vitoria
author_facet Paschoal Baldin, Vitoria
author_role author
dc.contributor.author.fl_str_mv Paschoal Baldin, Vitoria
description The city is a great image archive of the memories and identities that occupy and transform this space. In addition to an immutable and eternal archive, it is a space of communication in constant change. However, its power to speak visually about feelings, perceptions and social, economic and cultural events lies in the fact that, despite its ephemerality, it is directly inserted in the daily life of its viewers. Graphite is directly related to this logic. It is not only a form of expression, but also a socio-cultural practice that engages its producers and its audience to think about urban space in new ways. In this sense, this work proposes an exploration of graphite as a source of knowledge about the subjects that produce and observe it, based on the understanding of the cultural signs that are mobilized in this expression.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/temporalidades/article/view/25942
url https://periodicos.ufmg.br/index.php/temporalidades/article/view/25942
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/temporalidades/article/view/25942/23100
dc.rights.driver.fl_str_mv Copyright (c) 2021 Vitoria Paschoal Baldin
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Vitoria Paschoal Baldin
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós Graduação em História - UFMG
publisher.none.fl_str_mv Programa de Pós Graduação em História - UFMG
dc.source.none.fl_str_mv Temporalidades; Vol. 12 No. 3 (2020): Edição 34 - Temporalidades, Belo Horizonte (set./dez. 2020); 742-757
Temporalidades; v. 12 n. 3 (2020): Edição 34 - Temporalidades, Belo Horizonte (set./dez. 2020); 742-757
1984-6150
reponame:Temporalidades
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Temporalidades
collection Temporalidades
repository.name.fl_str_mv Temporalidades - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv ||temporalidades@gmail.com
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