Lawrence of Arabia and the representation of Arab nationalism
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Temporalidades |
Texto Completo: | https://periodicos.ufmg.br/index.php/temporalidades/article/view/5788 |
Resumo: | This article intends analyze the representation of Arab nationalism in the movie Lawrence of Arabia (1962), directed by David Lean, having as theoretical basis the political aspect of representation presented by Edward Said in his book Culture and Imperialism (1993), and its association with the expansion of British and American imperialism. Based on the book Seven Pillars of Wisdom (1922) written by British explorer T.E. Lawrence, the film shows his experiences in the Arab Revolt (1916-1918) against the Turks amidst the First World War (1914-1918), making alliances with the Bedouins from the Arab Peninsula, and his participation on the attacks on Aqaba and Damascus as well as his involvement in the formation of the National Arab Council. The movie also explores Lawrence‟s intern emotional battles regarding his own identity, torn between his native Great Britain and the desert Arabs. |
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Lawrence of Arabia and the representation of Arab nationalismLawrence da Arábia e a representação do nacionalismo árabeLawrence da Arábianacionalismo áraberepresentaçãoLawrence of ArabiaArab nationalismRepresentationThis article intends analyze the representation of Arab nationalism in the movie Lawrence of Arabia (1962), directed by David Lean, having as theoretical basis the political aspect of representation presented by Edward Said in his book Culture and Imperialism (1993), and its association with the expansion of British and American imperialism. Based on the book Seven Pillars of Wisdom (1922) written by British explorer T.E. Lawrence, the film shows his experiences in the Arab Revolt (1916-1918) against the Turks amidst the First World War (1914-1918), making alliances with the Bedouins from the Arab Peninsula, and his participation on the attacks on Aqaba and Damascus as well as his involvement in the formation of the National Arab Council. The movie also explores Lawrence‟s intern emotional battles regarding his own identity, torn between his native Great Britain and the desert Arabs.Este artigo propõe-se a fazer uma reflexão sobre a representação do nacionalismo árabe no filme Lawrence da Arábia (1962), dirigido por David Lean, tendo no horizonte o aspecto político da representação apontado por Edward Said em Cultura e Imperialismo (1993), e sua ligação com a expansão do imperialismo britânico e estadunidense. Baseado na obra do explorador e oficial britânico T. E. Lawrence, Seven Pillars of Wisdom (1922), o filme mostra as suas experiências na Revolta Árabe (1916-1918) contra os turcos em meio à Primeira Guerra Mundial (1914-1918), formando alianças com os beduínos da Península Arábica, sua participação nos ataques a Aqaba e Damasco e seu envolvimento no Conselho Nacional Árabe; ao mesmo tempo, apresenta as suas lutas emocionais internas em relação à sua própria identidade, dividida entre a sua Grã-Bretanha natal e os árabes do deserto.Programa de Pós Graduação em História - UFMG2017-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/temporalidades/article/view/5788Temporalidades; Vol. 8 No. 3 (2016): Edição 22 - Temporalidades, Belo Horizonte, Vol. 8, n.3 (set./dez. 2016); 406-424Temporalidades; v. 8 n. 3 (2016): Edição 22 - Temporalidades, Belo Horizonte, Vol. 8, n.3 (set./dez. 2016); 406-4241984-6150reponame:Temporalidadesinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/temporalidades/article/view/5788/pdfCopyright (c) 2017 Paula Carolina de Andrade Carvalhoinfo:eu-repo/semantics/openAccessCarvalho, Paula Carolina de Andrade2019-02-01T19:44:08Zoai:periodicos.ufmg.br:article/5788Revistahttps://periodicos.ufmg.br/index.php/temporalidadesPUBhttps://periodicos.ufmg.br/index.php/temporalidades/oai||temporalidades@gmail.com1984-61501984-6150opendoar:2019-02-01T19:44:08Temporalidades - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Lawrence of Arabia and the representation of Arab nationalism Lawrence da Arábia e a representação do nacionalismo árabe |
title |
Lawrence of Arabia and the representation of Arab nationalism |
spellingShingle |
Lawrence of Arabia and the representation of Arab nationalism Carvalho, Paula Carolina de Andrade Lawrence da Arábia nacionalismo árabe representação Lawrence of Arabia Arab nationalism Representation |
title_short |
Lawrence of Arabia and the representation of Arab nationalism |
title_full |
Lawrence of Arabia and the representation of Arab nationalism |
title_fullStr |
Lawrence of Arabia and the representation of Arab nationalism |
title_full_unstemmed |
Lawrence of Arabia and the representation of Arab nationalism |
title_sort |
Lawrence of Arabia and the representation of Arab nationalism |
author |
Carvalho, Paula Carolina de Andrade |
author_facet |
Carvalho, Paula Carolina de Andrade |
author_role |
author |
dc.contributor.author.fl_str_mv |
Carvalho, Paula Carolina de Andrade |
dc.subject.por.fl_str_mv |
Lawrence da Arábia nacionalismo árabe representação Lawrence of Arabia Arab nationalism Representation |
topic |
Lawrence da Arábia nacionalismo árabe representação Lawrence of Arabia Arab nationalism Representation |
description |
This article intends analyze the representation of Arab nationalism in the movie Lawrence of Arabia (1962), directed by David Lean, having as theoretical basis the political aspect of representation presented by Edward Said in his book Culture and Imperialism (1993), and its association with the expansion of British and American imperialism. Based on the book Seven Pillars of Wisdom (1922) written by British explorer T.E. Lawrence, the film shows his experiences in the Arab Revolt (1916-1918) against the Turks amidst the First World War (1914-1918), making alliances with the Bedouins from the Arab Peninsula, and his participation on the attacks on Aqaba and Damascus as well as his involvement in the formation of the National Arab Council. The movie also explores Lawrence‟s intern emotional battles regarding his own identity, torn between his native Great Britain and the desert Arabs. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-01-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/temporalidades/article/view/5788 |
url |
https://periodicos.ufmg.br/index.php/temporalidades/article/view/5788 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/temporalidades/article/view/5788/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Paula Carolina de Andrade Carvalho info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Paula Carolina de Andrade Carvalho |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós Graduação em História - UFMG |
publisher.none.fl_str_mv |
Programa de Pós Graduação em História - UFMG |
dc.source.none.fl_str_mv |
Temporalidades; Vol. 8 No. 3 (2016): Edição 22 - Temporalidades, Belo Horizonte, Vol. 8, n.3 (set./dez. 2016); 406-424 Temporalidades; v. 8 n. 3 (2016): Edição 22 - Temporalidades, Belo Horizonte, Vol. 8, n.3 (set./dez. 2016); 406-424 1984-6150 reponame:Temporalidades instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Temporalidades |
collection |
Temporalidades |
repository.name.fl_str_mv |
Temporalidades - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
||temporalidades@gmail.com |
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1798675381169946624 |