Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
Texto Completo: | https://periodicos.ufmg.br/index.php/maaravi/article/view/25601 |
Resumo: | This article seeks to analyze the 1983’s film Yentl - starring and directed by Barbra Streisand - inspired by the tale of the same name by Isaac Bashevis Singer, while breaking the paradigm, by placing a woman in a position of power and owner of her own destiny in a religious environment where the position of women is restricted, connecting with the work of Barbra Streisand herself, as the protagonist and director of the film, in addition to seeing how Streisand's role as a director made room for others that came later, leaving - even more so - her name in the history of cinema. |
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Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
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Papa, Watch me Fly: the Journey of Yentl and Barbra StreisandPapa, Watch Me Fly: a jornada de Yentl e de Barbra StreisandBarbra StreisandYentlCinema JudaicoBarbra StreisandYentlJewish CinemaThis article seeks to analyze the 1983’s film Yentl - starring and directed by Barbra Streisand - inspired by the tale of the same name by Isaac Bashevis Singer, while breaking the paradigm, by placing a woman in a position of power and owner of her own destiny in a religious environment where the position of women is restricted, connecting with the work of Barbra Streisand herself, as the protagonist and director of the film, in addition to seeing how Streisand's role as a director made room for others that came later, leaving - even more so - her name in the history of cinema.Este artigo analisa o filme Yentl, de 1983 – protagonizado e dirigido por Barbra Streisand – inspirado no conto de mesmo nome de Isaac Bashevis Singer, enquanto quebra de paradigma, ao colocar uma mulher em posição de poder e de dona de seu próprio destino num ambiente religioso onde a posição da mulher é restrita, conectando com o trabalho da própria Barbra Streisand, enquanto protagonista e diretora do filme, além de observar como o papel de Streisand enquanto diretora abriu espaço para outras que vieram posteriormente, deixando – ainda mais – seu nome marcado na história do cinema.Universidade Federal de Minas Gerais2020-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/maaravi/article/view/2560110.35699/1982-3053.2020.25601Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 14 n. 27 (2020): O cinema judaico; 51-621982-3053reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/maaravi/article/view/25601/20297Copyright (c) 2020 Heloiza Montenegro Barbosahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBarbosa, Heloiza MontenegroOliveira, Karine da Rocha2021-07-14T23:35:30Zoai:periodicos.ufmg.br:article/25601Revistahttp://www.periodicos.letras.ufmg.br/index.php/maaravi/indexPUBhttp://www.periodicos.letras.ufmg.br/index.php/maaravi/oai||lyslei@ufmg.br1982-30531982-3053opendoar:2021-07-14T23:35:30Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand Papa, Watch Me Fly: a jornada de Yentl e de Barbra Streisand |
title |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand |
spellingShingle |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand Barbosa, Heloiza Montenegro Barbra Streisand Yentl Cinema Judaico Barbra Streisand Yentl Jewish Cinema |
title_short |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand |
title_full |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand |
title_fullStr |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand |
title_full_unstemmed |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand |
title_sort |
Papa, Watch me Fly: the Journey of Yentl and Barbra Streisand |
author |
Barbosa, Heloiza Montenegro |
author_facet |
Barbosa, Heloiza Montenegro Oliveira, Karine da Rocha |
author_role |
author |
author2 |
Oliveira, Karine da Rocha |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Barbosa, Heloiza Montenegro Oliveira, Karine da Rocha |
dc.subject.por.fl_str_mv |
Barbra Streisand Yentl Cinema Judaico Barbra Streisand Yentl Jewish Cinema |
topic |
Barbra Streisand Yentl Cinema Judaico Barbra Streisand Yentl Jewish Cinema |
description |
This article seeks to analyze the 1983’s film Yentl - starring and directed by Barbra Streisand - inspired by the tale of the same name by Isaac Bashevis Singer, while breaking the paradigm, by placing a woman in a position of power and owner of her own destiny in a religious environment where the position of women is restricted, connecting with the work of Barbra Streisand herself, as the protagonist and director of the film, in addition to seeing how Streisand's role as a director made room for others that came later, leaving - even more so - her name in the history of cinema. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-11-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/maaravi/article/view/25601 10.35699/1982-3053.2020.25601 |
url |
https://periodicos.ufmg.br/index.php/maaravi/article/view/25601 |
identifier_str_mv |
10.35699/1982-3053.2020.25601 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/maaravi/article/view/25601/20297 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Heloiza Montenegro Barbosa https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Heloiza Montenegro Barbosa https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 14 n. 27 (2020): O cinema judaico; 51-62 1982-3053 reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
collection |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
repository.name.fl_str_mv |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
||lyslei@ufmg.br |
_version_ |
1798321288449622016 |