The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
Texto Completo: | https://periodicos.ufmg.br/index.php/maaravi/article/view/14383 |
Resumo: | “Disenchantment is a fundamental part of Etgar Kéret’s work because it accounts for the lack of meaning of the facts and for what the Israeli critics call a return to the ordinary meaning of everyday life” (BERCITO, 2014, 4), said the journalist Brazilian Diogo Bercito about the tales of one of the most popular Israeli authors he interviewed. Kéret’s mini-narratives are compact stories, postmodern texts in video clip form, describing an episode, portraying a particular situation, thus opening a window to a surreal world and strange inner lives. The unexpected often arises from what appears to be ordinary and everyday. Kéret’s short stories leave much unexplained, flirt with magical realism, with surrealism, end with a gesture or an unfinished idea. In the spirit of postmodernism, there is no dichotomy between low and high, pop and classical culture, real and imaginary; Comic moments merge with those of melancholy, sentimental episodes are preceded by serious and grotesque reflections. Kéret’s short stories are part of a wide range of cultural creation based on his fiction and extrapolation, an activity in which he collaborates with his wife, illustrators, filmmakers, in Israel and in several countries with which he has edited books , Published HQ, dealt with cinematography, made presentations on radio and public stations, created a ballet. In this communication I intend to approach the literary work of Keter and its great scope that extends through the varied fields of cinema, theater, ballet and HQ. |
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The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and BookO universo literário de Etkar Kéret em HQ, cinema, teatro, balé e livroEtgar KéretLiteratura hebraicaLiteratura israelenseEtgar KéretHebrew LiteratureIsraeli Literature“Disenchantment is a fundamental part of Etgar Kéret’s work because it accounts for the lack of meaning of the facts and for what the Israeli critics call a return to the ordinary meaning of everyday life” (BERCITO, 2014, 4), said the journalist Brazilian Diogo Bercito about the tales of one of the most popular Israeli authors he interviewed. Kéret’s mini-narratives are compact stories, postmodern texts in video clip form, describing an episode, portraying a particular situation, thus opening a window to a surreal world and strange inner lives. The unexpected often arises from what appears to be ordinary and everyday. Kéret’s short stories leave much unexplained, flirt with magical realism, with surrealism, end with a gesture or an unfinished idea. In the spirit of postmodernism, there is no dichotomy between low and high, pop and classical culture, real and imaginary; Comic moments merge with those of melancholy, sentimental episodes are preceded by serious and grotesque reflections. Kéret’s short stories are part of a wide range of cultural creation based on his fiction and extrapolation, an activity in which he collaborates with his wife, illustrators, filmmakers, in Israel and in several countries with which he has edited books , Published HQ, dealt with cinematography, made presentations on radio and public stations, created a ballet. In this communication I intend to approach the literary work of Keter and its great scope that extends through the varied fields of cinema, theater, ballet and HQ.Os contos de Kéret fazem parte de uma ampla gama de criação cultural que se assenta sobre sua ficção e a extrapola, atividade em que conta com a colaboração da esposa, de ilustradores, cineastas, em Israel e em vários países, com os quais editou livros, publicou HQ, lidou com cinematografia, fez apresentações em estações de rádio e públicas, criação de um balé. Neste artigo, pretendo abordar a obra literária de Kéret e a sua grande abrangência que se estende pelos campos variados de cinema, teatro, balé e HQ.Universidade Federal de Minas Gerais2017-06-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/maaravi/article/view/1438310.17851/1982-3053.11.20.261-275Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 11 n. 20 (2017): Textualidades judaicas contemporâneas; 261-2751982-3053reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/maaravi/article/view/14383/pdfRozenchan, Nancyinfo:eu-repo/semantics/openAccess2020-07-20T14:22:26Zoai:periodicos.ufmg.br:article/14383Revistahttp://www.periodicos.letras.ufmg.br/index.php/maaravi/indexPUBhttp://www.periodicos.letras.ufmg.br/index.php/maaravi/oai||lyslei@ufmg.br1982-30531982-3053opendoar:2020-07-20T14:22:26Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book O universo literário de Etkar Kéret em HQ, cinema, teatro, balé e livro |
title |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book |
spellingShingle |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book Rozenchan, Nancy Etgar Kéret Literatura hebraica Literatura israelense Etgar Kéret Hebrew Literature Israeli Literature |
title_short |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book |
title_full |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book |
title_fullStr |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book |
title_full_unstemmed |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book |
title_sort |
The Literary Universe Of Etkar Kéret in HQ, Cinema, Theater, Ballet and Book |
author |
Rozenchan, Nancy |
author_facet |
Rozenchan, Nancy |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rozenchan, Nancy |
dc.subject.por.fl_str_mv |
Etgar Kéret Literatura hebraica Literatura israelense Etgar Kéret Hebrew Literature Israeli Literature |
topic |
Etgar Kéret Literatura hebraica Literatura israelense Etgar Kéret Hebrew Literature Israeli Literature |
description |
“Disenchantment is a fundamental part of Etgar Kéret’s work because it accounts for the lack of meaning of the facts and for what the Israeli critics call a return to the ordinary meaning of everyday life” (BERCITO, 2014, 4), said the journalist Brazilian Diogo Bercito about the tales of one of the most popular Israeli authors he interviewed. Kéret’s mini-narratives are compact stories, postmodern texts in video clip form, describing an episode, portraying a particular situation, thus opening a window to a surreal world and strange inner lives. The unexpected often arises from what appears to be ordinary and everyday. Kéret’s short stories leave much unexplained, flirt with magical realism, with surrealism, end with a gesture or an unfinished idea. In the spirit of postmodernism, there is no dichotomy between low and high, pop and classical culture, real and imaginary; Comic moments merge with those of melancholy, sentimental episodes are preceded by serious and grotesque reflections. Kéret’s short stories are part of a wide range of cultural creation based on his fiction and extrapolation, an activity in which he collaborates with his wife, illustrators, filmmakers, in Israel and in several countries with which he has edited books , Published HQ, dealt with cinematography, made presentations on radio and public stations, created a ballet. In this communication I intend to approach the literary work of Keter and its great scope that extends through the varied fields of cinema, theater, ballet and HQ. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-06-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/maaravi/article/view/14383 10.17851/1982-3053.11.20.261-275 |
url |
https://periodicos.ufmg.br/index.php/maaravi/article/view/14383 |
identifier_str_mv |
10.17851/1982-3053.11.20.261-275 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/maaravi/article/view/14383/pdf |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 11 n. 20 (2017): Textualidades judaicas contemporâneas; 261-275 1982-3053 reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
collection |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
repository.name.fl_str_mv |
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
||lyslei@ufmg.br |
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1798321287550992384 |