The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the

Detalhes bibliográficos
Autor(a) principal: Barbosa, Maria Lúcia
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
Texto Completo: https://periodicos.ufmg.br/index.php/maaravi/article/view/14261
Resumo: David Grossman, from the lists and enumerations, especially of names to symbolize the contact with the “other”, let glimpse in Ver: Amor, an attempt to contact with otherness. Although not deconstruct the concept of identity, the writer puts in jeopardy the process of designing a full identity, assigning it a principle that, before being social and historical is, primarily, discursive and fragmentary.
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spelling The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the Uma leitura do romance Ver: Amor de David GrossmanAlteridadeShoahDavid GrossmanOthernessShoahDavid GrossmanDavid Grossman, from the lists and enumerations, especially of names to symbolize the contact with the “other”, let glimpse in Ver: Amor, an attempt to contact with otherness. Although not deconstruct the concept of identity, the writer puts in jeopardy the process of designing a full identity, assigning it a principle that, before being social and historical is, primarily, discursive and fragmentary.David Grossman, a partir das listas e enumerações, em especial a dos nomes para simbolizar o contato com o “outro”, deixa vislumbrar em Ver: Amor uma tentativa de contato com a alteridade. Embora não desconstrua o conceito de identidade, o escritor coloca em xeque os processos de concepção de uma identidade plena, atribuindo-lhe um princípio que, antes de ser social e histórico é, primordialmente, discursivo e fragmentário.Universidade Federal de Minas Gerais2015-05-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/maaravi/article/view/1426110.17851/1982-3053.9.16.140-149Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 9 n. 16 (2015): Coleções, listas e arquivos judaicos; 140-1491982-3053reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/maaravi/article/view/14261/11443Barbosa, Maria Lúciainfo:eu-repo/semantics/openAccess2020-07-20T14:37:51Zoai:periodicos.ufmg.br:article/14261Revistahttp://www.periodicos.letras.ufmg.br/index.php/maaravi/indexPUBhttp://www.periodicos.letras.ufmg.br/index.php/maaravi/oai||lyslei@ufmg.br1982-30531982-3053opendoar:2020-07-20T14:37:51Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
Uma leitura do romance Ver: Amor de David Grossman
title The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
spellingShingle The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
Barbosa, Maria Lúcia
Alteridade
Shoah
David Grossman
Otherness
Shoah
David Grossman
title_short The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
title_full The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
title_fullStr The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
title_full_unstemmed The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
title_sort The Shoah in a fictional novel calls into question some of the boundaries between the literary and the fictional. This article analyzes the novel Tudo se ilumina, by Jonathan Safran Foer, 2005, checking the use of narrative features, such as list and the
author Barbosa, Maria Lúcia
author_facet Barbosa, Maria Lúcia
author_role author
dc.contributor.author.fl_str_mv Barbosa, Maria Lúcia
dc.subject.por.fl_str_mv Alteridade
Shoah
David Grossman
Otherness
Shoah
David Grossman
topic Alteridade
Shoah
David Grossman
Otherness
Shoah
David Grossman
description David Grossman, from the lists and enumerations, especially of names to symbolize the contact with the “other”, let glimpse in Ver: Amor, an attempt to contact with otherness. Although not deconstruct the concept of identity, the writer puts in jeopardy the process of designing a full identity, assigning it a principle that, before being social and historical is, primarily, discursive and fragmentary.
publishDate 2015
dc.date.none.fl_str_mv 2015-05-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/14261
10.17851/1982-3053.9.16.140-149
url https://periodicos.ufmg.br/index.php/maaravi/article/view/14261
identifier_str_mv 10.17851/1982-3053.9.16.140-149
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/14261/11443
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 9 n. 16 (2015): Coleções, listas e arquivos judaicos; 140-149
1982-3053
reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
collection Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
repository.name.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv ||lyslei@ufmg.br
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