Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music

Detalhes bibliográficos
Autor(a) principal: Queiroga, Luanda do Carmo
Data de Publicação: 2019
Outros Autores: Nascimento, Adriano Roberto Afonso do
Tipo de documento: Artigo
Idioma: por
Título da fonte: Memorandum (Belo Horizonte)
Texto Completo: https://periodicos.ufmg.br/index.php/memorandum/article/view/6845
Resumo: Using Brazilian popular songs as its research basis, this paper intended to investigate how, throughout the history of the country’s music, the image and aspects of the Iemanjá orisha where taken from the ceremonial yards and incorporated as Brazilian cultural elements, becoming present in song lyrics as something common, usual. For this, we used the Thematic Content Analysis technique. A total of 193 songs were submitted to the analysis.  In general, it is possible to claim that the descriptions of Iemanjá in the analyzed songs were distanced from a religious and mythological cosmovision. The variation occurred between 1933 and 2014 contributed to the popularization of Iemanjá in the popular music and, at the same time, to her representation as an autonomous figure in relation to the Afro-Brazilian religions.
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spelling Lady of the waters and the song: Iemanja’s social representation in Brazilian popular musicSenhora das águas e da canção: representação social de Iemanjá na música popular brasileiraIemanjárepresentação socialmúsicaIemanjásocial representationmusicUsing Brazilian popular songs as its research basis, this paper intended to investigate how, throughout the history of the country’s music, the image and aspects of the Iemanjá orisha where taken from the ceremonial yards and incorporated as Brazilian cultural elements, becoming present in song lyrics as something common, usual. For this, we used the Thematic Content Analysis technique. A total of 193 songs were submitted to the analysis.  In general, it is possible to claim that the descriptions of Iemanjá in the analyzed songs were distanced from a religious and mythological cosmovision. The variation occurred between 1933 and 2014 contributed to the popularization of Iemanjá in the popular music and, at the same time, to her representation as an autonomous figure in relation to the Afro-Brazilian religions.Adotando como fonte de investigação o cancioneiro popular, este trabalho pretendeu investigar como, ao longo da história da música brasileira, a figura e aspectos da orixá Iemanjá foram transportados dos terreiros e incorporados como elementos da própria cultura brasileira, tornando-se presentes nas letras de canções como algo habitual, cotidiano. Para tanto, utilizamos a técnica da análise temática de conteúdo. Um total de 193 músicas foi submetido à análise. Em geral, é possível afirmar que as descrições de Iemanjá nas músicas analisadas se distanciaram da cosmovisão religiosa e da mitologia. As variações ocorridas entre 1933 e 2014 contribuíram para a popularização de Iemanjá na canção popular, e, ao mesmo tempo, para sua reapresentação enquanto figura autônoma em relação às religiões afro-brasileiras.Universidade Federal de Minas Gerais2019-06-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/memorandum/article/view/684510.35699/1676-1669.2019.6845Memorandum: Memory and History in Psychology ; Vol. 36 (2019); 1-21Memorandum: Memória e História em Psicologia; v. 36 (2019); 1-211676-1669reponame:Memorandum (Belo Horizonte)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/memorandum/article/view/6845/10744Copyright (c) 2019 Memorandum: Memória e História em Psicologiainfo:eu-repo/semantics/openAccessQueiroga, Luanda do CarmoNascimento, Adriano Roberto Afonso do2023-07-17T14:47:14Zoai:periodicos.ufmg.br:article/6845Revistahttps://periodicos.ufmg.br/index.php/memorandum/indexPUBhttps://periodicos.ufmg.br/index.php/memorandum/oaidecae@fae.ufmg.br1676-16691676-1669opendoar:2023-07-17T14:47:14Memorandum (Belo Horizonte) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
Senhora das águas e da canção: representação social de Iemanjá na música popular brasileira
title Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
spellingShingle Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
Queiroga, Luanda do Carmo
Iemanjá
representação social
música
Iemanjá
social representation
music
title_short Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
title_full Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
title_fullStr Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
title_full_unstemmed Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
title_sort Lady of the waters and the song: Iemanja’s social representation in Brazilian popular music
author Queiroga, Luanda do Carmo
author_facet Queiroga, Luanda do Carmo
Nascimento, Adriano Roberto Afonso do
author_role author
author2 Nascimento, Adriano Roberto Afonso do
author2_role author
dc.contributor.author.fl_str_mv Queiroga, Luanda do Carmo
Nascimento, Adriano Roberto Afonso do
dc.subject.por.fl_str_mv Iemanjá
representação social
música
Iemanjá
social representation
music
topic Iemanjá
representação social
música
Iemanjá
social representation
music
description Using Brazilian popular songs as its research basis, this paper intended to investigate how, throughout the history of the country’s music, the image and aspects of the Iemanjá orisha where taken from the ceremonial yards and incorporated as Brazilian cultural elements, becoming present in song lyrics as something common, usual. For this, we used the Thematic Content Analysis technique. A total of 193 songs were submitted to the analysis.  In general, it is possible to claim that the descriptions of Iemanjá in the analyzed songs were distanced from a religious and mythological cosmovision. The variation occurred between 1933 and 2014 contributed to the popularization of Iemanjá in the popular music and, at the same time, to her representation as an autonomous figure in relation to the Afro-Brazilian religions.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/memorandum/article/view/6845
10.35699/1676-1669.2019.6845
url https://periodicos.ufmg.br/index.php/memorandum/article/view/6845
identifier_str_mv 10.35699/1676-1669.2019.6845
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/memorandum/article/view/6845/10744
dc.rights.driver.fl_str_mv Copyright (c) 2019 Memorandum: Memória e História em Psicologia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Memorandum: Memória e História em Psicologia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv Memorandum: Memory and History in Psychology ; Vol. 36 (2019); 1-21
Memorandum: Memória e História em Psicologia; v. 36 (2019); 1-21
1676-1669
reponame:Memorandum (Belo Horizonte)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Memorandum (Belo Horizonte)
collection Memorandum (Belo Horizonte)
repository.name.fl_str_mv Memorandum (Belo Horizonte) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv decae@fae.ufmg.br
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