The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2019 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Revista de Ciências do Estado (Online) |
| Texto Completo: | https://periodicos.ufmg.br/index.php/revice/article/view/e15208 |
Resumo: | Two decisive moments of Brazilian culture legated us the ideas of our Nation: Romantism and Modernism. The paper accompanies the epic of our first try, still during the Brazilian Empire, to narrate the country and provide an effectively national meaning to the construction of our institutions, that is, the Romantic movement, with its first interpretations of the country, its indigenous romances and the intellectuals connected to the “saquarema” field of politics. To the fall of the Empire, follow some years of arid terrain to the construction of a singularly Brazilian narrative – marked by positivist and scientific hegemony in the symbolism of the Republic –, until the time when Brazilian culture produced the Modernist movement, which announces the novelty of future years and prepares the narrative of a modern country that would lead to the 1930 revolution. Modernism, in this sense, presents itself as the movement – with the particularities of São Paulo’s culture – that wishes to put an end to the old Brazil of the early years of our Old Republic and to recover the idea of a nation, but now with strong cosmopolitan contours. The paper accompanies both the esthetic and ideologic projects of each movement, in an effort to reveal the narratives that would construct the Brazilian State and which would be references to all cultural discussions about our past, present and future. |
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The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian cultureLas Tres carabelas o de Peri a través de Abapuru a los Mais Doces Bárbaros: contribuciones a una historia de la cultura brasileñaAs Três Caravelas ou de Peri pelo Abapuru aos Mais Doces Bárbaros: contribuições para uma história da Cultura brasileiraNationCultureBrasilRomanticismModernismCulturaNaçãoBrasilRomantismoModernismoCulturaNaciónBrasilRomantismoModernismoTwo decisive moments of Brazilian culture legated us the ideas of our Nation: Romantism and Modernism. The paper accompanies the epic of our first try, still during the Brazilian Empire, to narrate the country and provide an effectively national meaning to the construction of our institutions, that is, the Romantic movement, with its first interpretations of the country, its indigenous romances and the intellectuals connected to the “saquarema” field of politics. To the fall of the Empire, follow some years of arid terrain to the construction of a singularly Brazilian narrative – marked by positivist and scientific hegemony in the symbolism of the Republic –, until the time when Brazilian culture produced the Modernist movement, which announces the novelty of future years and prepares the narrative of a modern country that would lead to the 1930 revolution. Modernism, in this sense, presents itself as the movement – with the particularities of São Paulo’s culture – that wishes to put an end to the old Brazil of the early years of our Old Republic and to recover the idea of a nation, but now with strong cosmopolitan contours. The paper accompanies both the esthetic and ideologic projects of each movement, in an effort to reveal the narratives that would construct the Brazilian State and which would be references to all cultural discussions about our past, present and future.Dos momentos decisivos de la cultura brasileña nos legaron ideas de Nación: el Romanticismo y el Modernismo. El texto sigue la saga del primer intento, todavía en el Imperio brasileño, de narrar el país y dar un sentido efectivamente nacional a la construcción de nuestra institucionalidad, es decir, el Romanticismo, con sus primeras interpretaciones del país, sus novelas indigenistas y los intelectuales vinculados a la política de Saquarema. A la caída del Imperio siguieron años de aridez para la construcción de una narrativa brasileña singular -marcada por la hegemonía positivista y cientificista en la simbología de la República- hasta que la cultura brasileña produjo el movimiento modernista, que anunció la novedad de los años venideros y preparó la narrativa de un país moderno que terminaría en la Revolución de 1930. El modernismo, así, se presenta como el movimiento -con sus particularidades paulistas- que quiere acabar con el viejo Brasil de los primeros años de la República y recuperar la idea de nación, pero con fuertes trazos cosmopolitas. El texto sigue los proyectos estéticos e ideológicos de cada movimiento en un intento de revelar las narrativas que erigirán el Estado brasileño y que se convierten en referencias para todas las discusiones culturales sobre nuestro pasado, presente y futuro.Dois momentos decisivos da cultura brasileira nos legaram ideias de Nação: o Romantismo e o Modernismo. O texto acompanha a saga da primeira tentativa, ainda no Império brasileiro, de narrar o país e dar um sentido efetivamente nacional à construção de nossa institucionalidade, qual seja, o Romantismo, com suas primeiras interpretações do país, seus romances indigenistas e os intelectuais ligados à política saquarema. À queda do Império, seguem-se anos de terreno árido para a construção de uma narrativa singular brasileira – marcados pela hegemonia positivista e cientificista no simbolismo da República –, até que a cultura brasileira produz o movimento modernista, que anuncia a novidade dos anos vindouros e prepara a narrativa de um país moderno que desagua na Revolução de 30. O Modernismo, assim, apresenta-se como o movimento – com as particularidades paulistas – que quer dar fim ao Brasil velho dos anos iniciais da República e recuperar a ideia de nação, mas com fortes contornos cosmopolitas. O texto acompanha os projetos estéticos e os projetos ideológicos de cada movimento na tentativa de revelar as narrativas que irão erigir o Estado brasileiro e que passam a ser referenciais para todas as discussões culturais a respeito dos nossos passado, presente e futuro.Universidade Federal de Minas Gerais2019-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revice/article/view/e1520810.35699/2525-8036.2019.15208Revista de Ciências do Estado; Vol. 4 No. 2 (2019): Estado e (contra)cultura; 1-17Revista de Ciências do Estado; Vol. 4 Núm. 2 (2019): Estado e (contra)cultura; 1-17Revista de Ciências do Estado; v. 4 n. 2 (2019): Estado e (contra)cultura; 1-172525-80362595-6051reponame:Revista de Ciências do Estado (Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revice/article/view/e15208/12983Copyright (c) 2019 Vinícius Batelli de Souza Balestra, Hugo Rezende Henriqueshttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessBalestra, Vinícius Batelli de SouzaHenriques, Hugo Rezende2023-07-17T15:48:09Zoai:periodicos.ufmg.br:article/15208Revistahttps://periodicos.ufmg.br/index.php/revicePUBhttps://periodicos.ufmg.br/index.php/revice/oairevistadece@gmail.com || Gabriel.afns1@gmail.com2525-80362525-8036opendoar:2023-07-17T15:48:09Revista de Ciências do Estado (Online) - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture Las Tres carabelas o de Peri a través de Abapuru a los Mais Doces Bárbaros: contribuciones a una historia de la cultura brasileña As Três Caravelas ou de Peri pelo Abapuru aos Mais Doces Bárbaros: contribuições para uma história da Cultura brasileira |
| title |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture |
| spellingShingle |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture Balestra, Vinícius Batelli de Souza Nation Culture Brasil Romanticism Modernism Cultura Nação Brasil Romantismo Modernismo Cultura Nación Brasil Romantismo Modernismo |
| title_short |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture |
| title_full |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture |
| title_fullStr |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture |
| title_full_unstemmed |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture |
| title_sort |
The Three Caravels or from Peri through Abapuru to the Mais Doces Bárbaros: contributes to a history of the Brazilian culture |
| author |
Balestra, Vinícius Batelli de Souza |
| author_facet |
Balestra, Vinícius Batelli de Souza Henriques, Hugo Rezende |
| author_role |
author |
| author2 |
Henriques, Hugo Rezende |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Balestra, Vinícius Batelli de Souza Henriques, Hugo Rezende |
| dc.subject.por.fl_str_mv |
Nation Culture Brasil Romanticism Modernism Cultura Nação Brasil Romantismo Modernismo Cultura Nación Brasil Romantismo Modernismo |
| topic |
Nation Culture Brasil Romanticism Modernism Cultura Nação Brasil Romantismo Modernismo Cultura Nación Brasil Romantismo Modernismo |
| description |
Two decisive moments of Brazilian culture legated us the ideas of our Nation: Romantism and Modernism. The paper accompanies the epic of our first try, still during the Brazilian Empire, to narrate the country and provide an effectively national meaning to the construction of our institutions, that is, the Romantic movement, with its first interpretations of the country, its indigenous romances and the intellectuals connected to the “saquarema” field of politics. To the fall of the Empire, follow some years of arid terrain to the construction of a singularly Brazilian narrative – marked by positivist and scientific hegemony in the symbolism of the Republic –, until the time when Brazilian culture produced the Modernist movement, which announces the novelty of future years and prepares the narrative of a modern country that would lead to the 1930 revolution. Modernism, in this sense, presents itself as the movement – with the particularities of São Paulo’s culture – that wishes to put an end to the old Brazil of the early years of our Old Republic and to recover the idea of a nation, but now with strong cosmopolitan contours. The paper accompanies both the esthetic and ideologic projects of each movement, in an effort to reveal the narratives that would construct the Brazilian State and which would be references to all cultural discussions about our past, present and future. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-12-04 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://periodicos.ufmg.br/index.php/revice/article/view/e15208 10.35699/2525-8036.2019.15208 |
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https://periodicos.ufmg.br/index.php/revice/article/view/e15208 |
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10.35699/2525-8036.2019.15208 |
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por |
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por |
| dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revice/article/view/e15208/12983 |
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Copyright (c) 2019 Vinícius Batelli de Souza Balestra, Hugo Rezende Henriques http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2019 Vinícius Batelli de Souza Balestra, Hugo Rezende Henriques http://creativecommons.org/licenses/by-nc-sa/4.0 |
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openAccess |
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application/pdf |
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Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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Revista de Ciências do Estado; Vol. 4 No. 2 (2019): Estado e (contra)cultura; 1-17 Revista de Ciências do Estado; Vol. 4 Núm. 2 (2019): Estado e (contra)cultura; 1-17 Revista de Ciências do Estado; v. 4 n. 2 (2019): Estado e (contra)cultura; 1-17 2525-8036 2595-6051 reponame:Revista de Ciências do Estado (Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
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Revista de Ciências do Estado (Online) |
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Revista de Ciências do Estado (Online) |
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Revista de Ciências do Estado (Online) - Universidade Federal de Minas Gerais (UFMG) |
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revistadece@gmail.com || Gabriel.afns1@gmail.com |
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1796798281474375680 |