Lights on Music departing from the Philosophy of Language

Detalhes bibliográficos
Autor(a) principal: Barbeitas, Flavio
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5159
Resumo: It has been said that one of the main goals of musicology could be the discovery of what "musical language" teaches us about the human being that is different from what is taught by spoken language and other manifestations and institutions. In these terms, it seems obvious that this task depends on what one means by "language." Despite the fact that the paradigm of language has turned into a catchphrase in Western musical conception, this comparison tended to emphasize more certain "deficiencies" and "gaps" of music, presenting it unequivocally as inferior and more limited as far as a possible cognitive function goes. This paper aims at revisiting this issue in the light of contemporary contributions of thinking about language, especially in the works of some Italian philosophers such as Giorgio Agamben, Paolo Virno and Adriana Cavarero.
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spelling Lights on Music departing from the Philosophy of LanguageLuzes sobre a música a partir da filosofia da linguagemmusic and language relationshiplogocentrism and performativityvoice and philosophy of languagerelação música‐linguagemlogocentrismo e performatividadevoz e filosofia da linguagemIt has been said that one of the main goals of musicology could be the discovery of what "musical language" teaches us about the human being that is different from what is taught by spoken language and other manifestations and institutions. In these terms, it seems obvious that this task depends on what one means by "language." Despite the fact that the paradigm of language has turned into a catchphrase in Western musical conception, this comparison tended to emphasize more certain "deficiencies" and "gaps" of music, presenting it unequivocally as inferior and more limited as far as a possible cognitive function goes. This paper aims at revisiting this issue in the light of contemporary contributions of thinking about language, especially in the works of some Italian philosophers such as Giorgio Agamben, Paolo Virno and Adriana Cavarero.Já se falou que a finalidade da musicologia compreenderia a descoberta do que a "linguagem musical" nos ensina do ser humano que seja diferente daquilo que a linguagem falada e outras manifestações e instituições primordiais dele nos ensinam. Nesses termos, parece óbvio que tal tarefa depende muito do que se entende por “linguagem". Não obstante o paradigma da linguagem ter sido um bordão na concepção musical ocidental, a comparação tendeu mais a enfatizar certas "carências" e "lacunas" da música, apresentando‐a inequivocamente como inferior e mais limitada quanto, por exemplo, a uma eventual função cognitiva. O presente artigo pretende rediscutir essa questão à luz de contribuições contemporâneas do pensamento sobre a linguagem, notadamente na obra de alguns filósofos italianos, como Giorgio Agamben, Paolo Virno e Adriana Cavarero.Universidade Federal de Minas Gerais (UFMG)2017-01-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/515910.1590/permusi20163507Per Musi; No. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; Núm. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; n. 35 (2016): Estética e Filosofia da Música2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5159/3202Barbeitas, Flavioinfo:eu-repo/semantics/openAccess2020-01-23T17:08:52Zoai:periodicos.ufmg.br:article/5159Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:08:52Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Lights on Music departing from the Philosophy of Language
Luzes sobre a música a partir da filosofia da linguagem
title Lights on Music departing from the Philosophy of Language
spellingShingle Lights on Music departing from the Philosophy of Language
Barbeitas, Flavio
music and language relationship
logocentrism and performativity
voice and philosophy of language
relação música‐linguagem
logocentrismo e performatividade
voz e filosofia da linguagem
title_short Lights on Music departing from the Philosophy of Language
title_full Lights on Music departing from the Philosophy of Language
title_fullStr Lights on Music departing from the Philosophy of Language
title_full_unstemmed Lights on Music departing from the Philosophy of Language
title_sort Lights on Music departing from the Philosophy of Language
author Barbeitas, Flavio
author_facet Barbeitas, Flavio
author_role author
dc.contributor.author.fl_str_mv Barbeitas, Flavio
dc.subject.por.fl_str_mv music and language relationship
logocentrism and performativity
voice and philosophy of language
relação música‐linguagem
logocentrismo e performatividade
voz e filosofia da linguagem
topic music and language relationship
logocentrism and performativity
voice and philosophy of language
relação música‐linguagem
logocentrismo e performatividade
voz e filosofia da linguagem
description It has been said that one of the main goals of musicology could be the discovery of what "musical language" teaches us about the human being that is different from what is taught by spoken language and other manifestations and institutions. In these terms, it seems obvious that this task depends on what one means by "language." Despite the fact that the paradigm of language has turned into a catchphrase in Western musical conception, this comparison tended to emphasize more certain "deficiencies" and "gaps" of music, presenting it unequivocally as inferior and more limited as far as a possible cognitive function goes. This paper aims at revisiting this issue in the light of contemporary contributions of thinking about language, especially in the works of some Italian philosophers such as Giorgio Agamben, Paolo Virno and Adriana Cavarero.
publishDate 2017
dc.date.none.fl_str_mv 2017-01-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5159
10.1590/permusi20163507
url https://periodicos.ufmg.br/index.php/permusi/article/view/5159
identifier_str_mv 10.1590/permusi20163507
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5159/3202
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 35 (2016): Aesthetics and Philosophy of Music
Per Musi; Núm. 35 (2016): Aesthetics and Philosophy of Music
Per Musi; n. 35 (2016): Estética e Filosofia da Música
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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