Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution

Detalhes bibliográficos
Autor(a) principal: Nikolenko, Roksana
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/47697
Resumo: The article is devoted to consideration of the compositional, dramaturgical and stylistic features of two cycles of C. Schumann’s piano miniatures: Quatre Pièces characteristicistiques op.5 and Quatre Pièces fugitives op.15, which show the evolution of the composer’s style. An example of a concert-virtuoso interpretation is the cycle op.5. It is characterized by a variety of strokes and a wealth of dynamic nuances, as well as an emphasized brightness of musical images. Another cycle, op.15, is an intimate composition and demonstrates a departure from the brilliant virtuosity that was characteristic of the first period of the composer’s work. These opuses differ in the principles of the dramaturgical solution and the implementation of programmatic in them. However, they have certain stylistic constants: contrasting combinations of different textures and themes, whimsical rhythms.
id UFMG-3_11201abb96fe92ce925fedffc59d1b18
oai_identifier_str oai:periodicos.ufmg.br:article/47697
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolutionQuatre Pièces caractéristiques, op.5 y Quatre Pièces fugitives, op.15 de Clara Schumann en el contexto de la evolución del estilo de la compositoraQuatre Pièces caractéristiques, op.5 e Quatre Pièces fugitives, op.15 de Clara Schumann sobre o contexto da evolução do estilo da compositoracyclepiano miniaturesevolution of styleC. Schumanndramaturgical featuresciclominiaturas para pianoevolução do estiloC. Schumanncaracterísticas dramatúrgicasciclominiaturas para pianoevolución del estiloC. Schumannrasgos dramatúrgicosThe article is devoted to consideration of the compositional, dramaturgical and stylistic features of two cycles of C. Schumann’s piano miniatures: Quatre Pièces characteristicistiques op.5 and Quatre Pièces fugitives op.15, which show the evolution of the composer’s style. An example of a concert-virtuoso interpretation is the cycle op.5. It is characterized by a variety of strokes and a wealth of dynamic nuances, as well as an emphasized brightness of musical images. Another cycle, op.15, is an intimate composition and demonstrates a departure from the brilliant virtuosity that was characteristic of the first period of the composer’s work. These opuses differ in the principles of the dramaturgical solution and the implementation of programmatic in them. However, they have certain stylistic constants: contrasting combinations of different textures and themes, whimsical rhythms.El artículo está dedicado a la consideración de las características compositivas, dramatúrgicas y estilísticas de dos ciclos de miniaturas para piano de C. Schumann: Quatre Pièces characteristicistiques op.5 y Quatre Pièces fugitives op.15, que muestran la evolución del estilo del compositor. Un ejemplo de interpretación concertante-virtuosa es el ciclo op.5. Se caracteriza por una variedad de golpes y una riqueza de matices dinámicos, así como una acentuada brillantez de las imágenes musicales. Otro ciclo, el op.15, es una composición intimista y demuestra un alejamiento del virtuosismo brillante característico del primer periodo de la obra del compositor. Estos opus difieren en los principios de la solución dramatúrgica y la implementación de la programática en ellos. Sin embargo, presentan ciertas constantes estilísticas: combinaciones contrastadas de diferentes texturas y temas, ritmos caprichosos.O artigo é dedicado à consideração das características composicionais, dramatúrgicas e estilísticas de dois ciclos de miniaturas para piano de C. Schumann: Quatre Pièces characteristicistiques op.5 e Quatre Pièces fugitives op.15, que mostram a evolução do estilo do compositor. Um exemplo de interpretação de concerto-virtuoso é o ciclo op.5. Ele é caracterizado por uma variedade de pinceladas e uma riqueza de nuances dinâmicas, bem como um brilho enfatizado de imagens musicais. Outro ciclo, op.15, é uma composição íntima e demonstra um afastamento do virtuosismo brilhante que era característico do primeiro período da obra do compositor. Essas obras diferem nos princípios da solução dramatúrgica e na implementação da programação nelas. Entretanto, elas têm certas constantes estilísticas: combinações contrastantes de diferentes texturas e temas, ritmos caprichosos.Universidade Federal de Minas Gerais (UFMG)2023-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4769710.35699/2317-6377.2023.47697Per Musi; Vol. 24 (2023): General Topics; 1-11Per Musi; Vol. 24 (2023): General Topics; 1-11Per Musi; v. 24 (2023): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/47697/38819https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38820https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38818Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNikolenko, Roksana2024-02-06T00:28:11Zoai:periodicos.ufmg.br:article/47697Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-06T00:28:11Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
Quatre Pièces caractéristiques, op.5 y Quatre Pièces fugitives, op.15 de Clara Schumann en el contexto de la evolución del estilo de la compositora
Quatre Pièces caractéristiques, op.5 e Quatre Pièces fugitives, op.15 de Clara Schumann sobre o contexto da evolução do estilo da compositora
title Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
spellingShingle Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
Nikolenko, Roksana
cycle
piano miniatures
evolution of style
C. Schumann
dramaturgical features
ciclo
miniaturas para piano
evolução do estilo
C. Schumann
características dramatúrgicas
ciclo
miniaturas para piano
evolución del estilo
C. Schumann
rasgos dramatúrgicos
title_short Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
title_full Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
title_fullStr Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
title_full_unstemmed Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
title_sort Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
author Nikolenko, Roksana
author_facet Nikolenko, Roksana
author_role author
dc.contributor.author.fl_str_mv Nikolenko, Roksana
dc.subject.por.fl_str_mv cycle
piano miniatures
evolution of style
C. Schumann
dramaturgical features
ciclo
miniaturas para piano
evolução do estilo
C. Schumann
características dramatúrgicas
ciclo
miniaturas para piano
evolución del estilo
C. Schumann
rasgos dramatúrgicos
topic cycle
piano miniatures
evolution of style
C. Schumann
dramaturgical features
ciclo
miniaturas para piano
evolução do estilo
C. Schumann
características dramatúrgicas
ciclo
miniaturas para piano
evolución del estilo
C. Schumann
rasgos dramatúrgicos
description The article is devoted to consideration of the compositional, dramaturgical and stylistic features of two cycles of C. Schumann’s piano miniatures: Quatre Pièces characteristicistiques op.5 and Quatre Pièces fugitives op.15, which show the evolution of the composer’s style. An example of a concert-virtuoso interpretation is the cycle op.5. It is characterized by a variety of strokes and a wealth of dynamic nuances, as well as an emphasized brightness of musical images. Another cycle, op.15, is an intimate composition and demonstrates a departure from the brilliant virtuosity that was characteristic of the first period of the composer’s work. These opuses differ in the principles of the dramaturgical solution and the implementation of programmatic in them. However, they have certain stylistic constants: contrasting combinations of different textures and themes, whimsical rhythms.
publishDate 2023
dc.date.none.fl_str_mv 2023-08-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/47697
10.35699/2317-6377.2023.47697
url https://periodicos.ufmg.br/index.php/permusi/article/view/47697
identifier_str_mv 10.35699/2317-6377.2023.47697
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38819
https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38820
https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38818
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 24 (2023): General Topics; 1-11
Per Musi; Vol. 24 (2023): General Topics; 1-11
Per Musi; v. 24 (2023): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237480644608

Registros relacionados