Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/47697 |
Resumo: | The article is devoted to consideration of the compositional, dramaturgical and stylistic features of two cycles of C. Schumann’s piano miniatures: Quatre Pièces characteristicistiques op.5 and Quatre Pièces fugitives op.15, which show the evolution of the composer’s style. An example of a concert-virtuoso interpretation is the cycle op.5. It is characterized by a variety of strokes and a wealth of dynamic nuances, as well as an emphasized brightness of musical images. Another cycle, op.15, is an intimate composition and demonstrates a departure from the brilliant virtuosity that was characteristic of the first period of the composer’s work. These opuses differ in the principles of the dramaturgical solution and the implementation of programmatic in them. However, they have certain stylistic constants: contrasting combinations of different textures and themes, whimsical rhythms. |
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Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolutionQuatre Pièces caractéristiques, op.5 y Quatre Pièces fugitives, op.15 de Clara Schumann en el contexto de la evolución del estilo de la compositoraQuatre Pièces caractéristiques, op.5 e Quatre Pièces fugitives, op.15 de Clara Schumann sobre o contexto da evolução do estilo da compositoracyclepiano miniaturesevolution of styleC. Schumanndramaturgical featuresciclominiaturas para pianoevolução do estiloC. Schumanncaracterísticas dramatúrgicasciclominiaturas para pianoevolución del estiloC. Schumannrasgos dramatúrgicosThe article is devoted to consideration of the compositional, dramaturgical and stylistic features of two cycles of C. Schumann’s piano miniatures: Quatre Pièces characteristicistiques op.5 and Quatre Pièces fugitives op.15, which show the evolution of the composer’s style. An example of a concert-virtuoso interpretation is the cycle op.5. It is characterized by a variety of strokes and a wealth of dynamic nuances, as well as an emphasized brightness of musical images. Another cycle, op.15, is an intimate composition and demonstrates a departure from the brilliant virtuosity that was characteristic of the first period of the composer’s work. These opuses differ in the principles of the dramaturgical solution and the implementation of programmatic in them. However, they have certain stylistic constants: contrasting combinations of different textures and themes, whimsical rhythms.El artículo está dedicado a la consideración de las características compositivas, dramatúrgicas y estilísticas de dos ciclos de miniaturas para piano de C. Schumann: Quatre Pièces characteristicistiques op.5 y Quatre Pièces fugitives op.15, que muestran la evolución del estilo del compositor. Un ejemplo de interpretación concertante-virtuosa es el ciclo op.5. Se caracteriza por una variedad de golpes y una riqueza de matices dinámicos, así como una acentuada brillantez de las imágenes musicales. Otro ciclo, el op.15, es una composición intimista y demuestra un alejamiento del virtuosismo brillante característico del primer periodo de la obra del compositor. Estos opus difieren en los principios de la solución dramatúrgica y la implementación de la programática en ellos. Sin embargo, presentan ciertas constantes estilísticas: combinaciones contrastadas de diferentes texturas y temas, ritmos caprichosos.O artigo é dedicado à consideração das características composicionais, dramatúrgicas e estilísticas de dois ciclos de miniaturas para piano de C. Schumann: Quatre Pièces characteristicistiques op.5 e Quatre Pièces fugitives op.15, que mostram a evolução do estilo do compositor. Um exemplo de interpretação de concerto-virtuoso é o ciclo op.5. Ele é caracterizado por uma variedade de pinceladas e uma riqueza de nuances dinâmicas, bem como um brilho enfatizado de imagens musicais. Outro ciclo, op.15, é uma composição íntima e demonstra um afastamento do virtuosismo brilhante que era característico do primeiro período da obra do compositor. Essas obras diferem nos princípios da solução dramatúrgica e na implementação da programação nelas. Entretanto, elas têm certas constantes estilísticas: combinações contrastantes de diferentes texturas e temas, ritmos caprichosos.Universidade Federal de Minas Gerais (UFMG)2023-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4769710.35699/2317-6377.2023.47697Per Musi; Vol. 24 (2023): General Topics; 1-11Per Musi; Vol. 24 (2023): General Topics; 1-11Per Musi; v. 24 (2023): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/47697/38819https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38820https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38818Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNikolenko, Roksana2024-02-06T00:28:11Zoai:periodicos.ufmg.br:article/47697Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-06T00:28:11Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution Quatre Pièces caractéristiques, op.5 y Quatre Pièces fugitives, op.15 de Clara Schumann en el contexto de la evolución del estilo de la compositora Quatre Pièces caractéristiques, op.5 e Quatre Pièces fugitives, op.15 de Clara Schumann sobre o contexto da evolução do estilo da compositora |
title |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution |
spellingShingle |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution Nikolenko, Roksana cycle piano miniatures evolution of style C. Schumann dramaturgical features ciclo miniaturas para piano evolução do estilo C. Schumann características dramatúrgicas ciclo miniaturas para piano evolución del estilo C. Schumann rasgos dramatúrgicos |
title_short |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution |
title_full |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution |
title_fullStr |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution |
title_full_unstemmed |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution |
title_sort |
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution |
author |
Nikolenko, Roksana |
author_facet |
Nikolenko, Roksana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nikolenko, Roksana |
dc.subject.por.fl_str_mv |
cycle piano miniatures evolution of style C. Schumann dramaturgical features ciclo miniaturas para piano evolução do estilo C. Schumann características dramatúrgicas ciclo miniaturas para piano evolución del estilo C. Schumann rasgos dramatúrgicos |
topic |
cycle piano miniatures evolution of style C. Schumann dramaturgical features ciclo miniaturas para piano evolução do estilo C. Schumann características dramatúrgicas ciclo miniaturas para piano evolución del estilo C. Schumann rasgos dramatúrgicos |
description |
The article is devoted to consideration of the compositional, dramaturgical and stylistic features of two cycles of C. Schumann’s piano miniatures: Quatre Pièces characteristicistiques op.5 and Quatre Pièces fugitives op.15, which show the evolution of the composer’s style. An example of a concert-virtuoso interpretation is the cycle op.5. It is characterized by a variety of strokes and a wealth of dynamic nuances, as well as an emphasized brightness of musical images. Another cycle, op.15, is an intimate composition and demonstrates a departure from the brilliant virtuosity that was characteristic of the first period of the composer’s work. These opuses differ in the principles of the dramaturgical solution and the implementation of programmatic in them. However, they have certain stylistic constants: contrasting combinations of different textures and themes, whimsical rhythms. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/47697 10.35699/2317-6377.2023.47697 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/47697 |
identifier_str_mv |
10.35699/2317-6377.2023.47697 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38819 https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38820 https://periodicos.ufmg.br/index.php/permusi/article/view/47697/38818 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; Vol. 24 (2023): General Topics; 1-11 Per Musi; Vol. 24 (2023): General Topics; 1-11 Per Musi; v. 24 (2023): General Topics; 1-11 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
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1799711237480644608 |