Cello Natural Harmonics Performed with the Double-Node Technique

Detalhes bibliográficos
Autor(a) principal: Cardoso , Cláudio Urgel Pires
Data de Publicação: 2000
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38353
Resumo: The article is a study on a performance technique of the cello natural harmonics in which two adjacent nodes, of the same mode of vibration and on the samestring are touched simultaneously. The technique has three special utilities: first, it increases the number of nodes for the performance of some natural harmonics; second, it makes easier to perform musical passages in which harmonic tones are involved; third, it reinforces and assures the performance of any natural harmonic. Three examples of the application of the double-node technique to musical passages of the cello repertoire are presented.
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spelling Cello Natural Harmonics Performed with the Double-Node TechniqueInterpretación de los armónicos naturales con la técnica del doble nudo aplicada al violoncheloPerformance de harmônicos naturais com a técnica de nodo duplo aplicada ao violonceloMusical PerformanceCelloHarmonic Tones Performance MusicalViolonceloSons HarmônicosInterpretación musicalVioloncheloSonidos armónicosThe article is a study on a performance technique of the cello natural harmonics in which two adjacent nodes, of the same mode of vibration and on the samestring are touched simultaneously. The technique has three special utilities: first, it increases the number of nodes for the performance of some natural harmonics; second, it makes easier to perform musical passages in which harmonic tones are involved; third, it reinforces and assures the performance of any natural harmonic. Three examples of the application of the double-node technique to musical passages of the cello repertoire are presented.El artículo es un estudio sobre la técnica de interpretación de los armónicos naturales del violonchelo, en el que se tocan simultáneamente dos nodos adyacentes del mismo modo de vibración y en la misma cuerda. La técnica tiene tres usos principales: en primer lugar, aumenta el número de nodos disponibles para la ejecución de algunos armónicos naturales; en segundo lugar, facilita la ejecución de pasajes musicales que implican sonidos armónicos; en tercer lugar, refuerza y asegura la ejecución de cualquier armónico natural. Se presentan tres ejemplos de aplicación de la técnica del doble nodo a pasajes musicales del repertorio para violonchelo.O artigo é um estudo sobre a técnica de performance dos harmônicos naturais do violoncelo, na qual dois nodos adjacentes, de um mesmo modo de vibração e em uma mesma corda são tocados simultaneamente. A técnica tem três utilidades principais: primeiro, ela aumenta o número de nodos disponíveis para a performance de alguns harmônicos naturais; segundo, ela facilita a performance de passagens musicais que envolvem sons harmônicos; terceiro, ela reforça e assegura a performance de qualquer harmônico natural. São apresentados três exemplos da aplicação da Técnica de Nodo Duplo a passagens musicais do repertório do violoncelo.Universidade Federal de Minas Gerais (UFMG)2000-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38353Per Musi; No. 01 (2000): General Topics ; 1-23Per Musi; Núm. 01 (2000): General Topics ; 1-23Per Musi; n. 01 (2000): General Topics ; 1-232317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38353/29875Copyright (c) 2000 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCardoso , Cláudio Urgel Pires 2022-04-07T22:47:51Zoai:periodicos.ufmg.br:article/38353Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-04-07T22:47:51Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Cello Natural Harmonics Performed with the Double-Node Technique
Interpretación de los armónicos naturales con la técnica del doble nudo aplicada al violonchelo
Performance de harmônicos naturais com a técnica de nodo duplo aplicada ao violoncelo
title Cello Natural Harmonics Performed with the Double-Node Technique
spellingShingle Cello Natural Harmonics Performed with the Double-Node Technique
Cardoso , Cláudio Urgel Pires
Musical Performance
Cello
Harmonic Tones
Performance Musical
Violoncelo
Sons Harmônicos
Interpretación musical
Violonchelo
Sonidos armónicos
title_short Cello Natural Harmonics Performed with the Double-Node Technique
title_full Cello Natural Harmonics Performed with the Double-Node Technique
title_fullStr Cello Natural Harmonics Performed with the Double-Node Technique
title_full_unstemmed Cello Natural Harmonics Performed with the Double-Node Technique
title_sort Cello Natural Harmonics Performed with the Double-Node Technique
author Cardoso , Cláudio Urgel Pires
author_facet Cardoso , Cláudio Urgel Pires
author_role author
dc.contributor.author.fl_str_mv Cardoso , Cláudio Urgel Pires
dc.subject.por.fl_str_mv Musical Performance
Cello
Harmonic Tones
Performance Musical
Violoncelo
Sons Harmônicos
Interpretación musical
Violonchelo
Sonidos armónicos
topic Musical Performance
Cello
Harmonic Tones
Performance Musical
Violoncelo
Sons Harmônicos
Interpretación musical
Violonchelo
Sonidos armónicos
description The article is a study on a performance technique of the cello natural harmonics in which two adjacent nodes, of the same mode of vibration and on the samestring are touched simultaneously. The technique has three special utilities: first, it increases the number of nodes for the performance of some natural harmonics; second, it makes easier to perform musical passages in which harmonic tones are involved; third, it reinforces and assures the performance of any natural harmonic. Three examples of the application of the double-node technique to musical passages of the cello repertoire are presented.
publishDate 2000
dc.date.none.fl_str_mv 2000-06-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38353
url https://periodicos.ufmg.br/index.php/permusi/article/view/38353
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38353/29875
dc.rights.driver.fl_str_mv Copyright (c) 2000 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2000 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 01 (2000): General Topics ; 1-23
Per Musi; Núm. 01 (2000): General Topics ; 1-23
Per Musi; n. 01 (2000): General Topics ; 1-23
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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