The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)

Detalhes bibliográficos
Autor(a) principal: Porto, Delphim Rezende
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5214
Resumo: Fundamental part of the professional keyboardist practice in the Renaissance, musical improvisation is the relevant subject of Book II of the treatise Il Transilvano (1610). Published by Girolamo Diruta (? 1554 ‐1610), the Transylvanian exposes in 'Dialogue' the precepts of the art of music of his time and is Monumentum of its masters – Adriano Willaert, Gioseffo Zarlino and Claudio Merulo – active composers in the Most Serene Republic of Venice in sixteenth‐century. Priest of the Franciscan order and renowned organist of the cathedral churches of Chioggia and Gobbio, Diruta writes down the fortune of the Fantasia on the keyboard as the higher development of the study of Counterpoint. Based on the exposition of these principles, this article aims to contextualize the free ‐ but "right" ‐ manipulation of sounds according to that historical technique and offer an overview of Renaissance’s musical techniques.
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spelling The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)A Arte da improvisação musical ao teclado no Renascimento italiano: a didática do contraponto segundo Girolamo Diruta (1610)Renaissance counterpointimprovisation on early keyboardsGirolamo Dirutacontraponto renascimentistaimprovisação em teclados antigosGirolamo DirutaFundamental part of the professional keyboardist practice in the Renaissance, musical improvisation is the relevant subject of Book II of the treatise Il Transilvano (1610). Published by Girolamo Diruta (? 1554 ‐1610), the Transylvanian exposes in 'Dialogue' the precepts of the art of music of his time and is Monumentum of its masters – Adriano Willaert, Gioseffo Zarlino and Claudio Merulo – active composers in the Most Serene Republic of Venice in sixteenth‐century. Priest of the Franciscan order and renowned organist of the cathedral churches of Chioggia and Gobbio, Diruta writes down the fortune of the Fantasia on the keyboard as the higher development of the study of Counterpoint. Based on the exposition of these principles, this article aims to contextualize the free ‐ but "right" ‐ manipulation of sounds according to that historical technique and offer an overview of Renaissance’s musical techniques.Parte fundamental do exercício profissional do tecladista no Renascimento, a improvisação musical é o relevante tema do livro II da segunda parte do tratado Il Transilvano (1610). Única obra publicada pelo organista Girolamo Diruta (1554? ‐ 1610?), o Transilvano expõe em ‘Diálogo’ as preceptivas da arte da música de seu tempo e é Monumentum da memória dos principais mestres atuantes na Sereníssima República de Veneza no século XVI – Adriano Willaert, Gioseffo Zarlino e Claudio Merulo. Padre da ordem franciscana e reconhecido organista das igrejas catedrais de Chioggia e Gobbio, Diruta registra por extenso a fortuna do ensino da Fantasia ao teclado como ápice e fim de um profundo estudo do Contraponto e seus artifícios. A partir da exposição desses preceitos, o presente artigo pretende contextualizar a livre – mas “correta” – manipulação dos sons segundo aquela técnica histórica e oferecer ao seu leitor um panorama da didática da música renascentista.Universidade Federal de Minas Gerais (UFMG)2018-05-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/521410.1590/permusi20163304Per Musi; No. 33 (2016): General TopicsPer Musi; Núm. 33 (2016): General TopicsPer Musi; n. 33 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5214/3238Porto, Delphim Rezendeinfo:eu-repo/semantics/openAccess2020-01-23T19:14:08Zoai:periodicos.ufmg.br:article/5214Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T19:14:08Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
A Arte da improvisação musical ao teclado no Renascimento italiano: a didática do contraponto segundo Girolamo Diruta (1610)
title The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
spellingShingle The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
Porto, Delphim Rezende
Renaissance counterpoint
improvisation on early keyboards
Girolamo Diruta
contraponto renascimentista
improvisação em teclados antigos
Girolamo Diruta
title_short The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
title_full The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
title_fullStr The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
title_full_unstemmed The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
title_sort The Art of Musical Improvisation on The Keyboard during the Italian Renaissance: Counterpoint Teaching According to Girolamo Diruta (1610)
author Porto, Delphim Rezende
author_facet Porto, Delphim Rezende
author_role author
dc.contributor.author.fl_str_mv Porto, Delphim Rezende
dc.subject.por.fl_str_mv Renaissance counterpoint
improvisation on early keyboards
Girolamo Diruta
contraponto renascimentista
improvisação em teclados antigos
Girolamo Diruta
topic Renaissance counterpoint
improvisation on early keyboards
Girolamo Diruta
contraponto renascimentista
improvisação em teclados antigos
Girolamo Diruta
description Fundamental part of the professional keyboardist practice in the Renaissance, musical improvisation is the relevant subject of Book II of the treatise Il Transilvano (1610). Published by Girolamo Diruta (? 1554 ‐1610), the Transylvanian exposes in 'Dialogue' the precepts of the art of music of his time and is Monumentum of its masters – Adriano Willaert, Gioseffo Zarlino and Claudio Merulo – active composers in the Most Serene Republic of Venice in sixteenth‐century. Priest of the Franciscan order and renowned organist of the cathedral churches of Chioggia and Gobbio, Diruta writes down the fortune of the Fantasia on the keyboard as the higher development of the study of Counterpoint. Based on the exposition of these principles, this article aims to contextualize the free ‐ but "right" ‐ manipulation of sounds according to that historical technique and offer an overview of Renaissance’s musical techniques.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5214
10.1590/permusi20163304
url https://periodicos.ufmg.br/index.php/permusi/article/view/5214
identifier_str_mv 10.1590/permusi20163304
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5214/3238
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 33 (2016): General Topics
Per Musi; Núm. 33 (2016): General Topics
Per Musi; n. 33 (2016): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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