Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)

Detalhes bibliográficos
Autor(a) principal: Morais, Ronan Gil de
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/44450
Resumo: The movement Claviers was composed for percussion keyboards and is part of Pléïades (1978) for six percussionists. Based on evidence from different archives, direct correlations with elements of traditional Indonesian music are highlighted here. The evidence points to the insertion of materials with which Xenakis had contact in the 1950s and during his trip to Bali and Java in 1972-1973. The insertion of exogenous material is rare within his work, but in Claviers it is a substantial part of the creative process, bringing a particular meaning to the structural treatment and sequence of sections that characterizes the movement. In doing so, the composer creates an underlying discourse and a rather dynamic context within this movement, and it points to correlations not yet examined in a broader part of his work. This dynamic context has very profound implications with Xenakis’ compositional thought and practice, bringing new elements to understanding part of the creative process during a very prolific phase of his life.
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spelling Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)Referencias indonesias en Claviers de Iannis Xenakis : proceso creativo con material exógeno en Pléïades (1978)Referências indonésias em Claviers de Iannis Xenakis: processo criativo com material exógeno em Pléïades (1978)ClaviersIannis XenakisPléïadesIndonesian musicPercussionClaviersIannis XenakisPléïadesMúsica IndonésiaPercussãoClaviersIannis XenakisPléïadesMúsica indonesiaPercusiónThe movement Claviers was composed for percussion keyboards and is part of Pléïades (1978) for six percussionists. Based on evidence from different archives, direct correlations with elements of traditional Indonesian music are highlighted here. The evidence points to the insertion of materials with which Xenakis had contact in the 1950s and during his trip to Bali and Java in 1972-1973. The insertion of exogenous material is rare within his work, but in Claviers it is a substantial part of the creative process, bringing a particular meaning to the structural treatment and sequence of sections that characterizes the movement. In doing so, the composer creates an underlying discourse and a rather dynamic context within this movement, and it points to correlations not yet examined in a broader part of his work. This dynamic context has very profound implications with Xenakis’ compositional thought and practice, bringing new elements to understanding part of the creative process during a very prolific phase of his life.El movimiento Claviers fue compuesto para teclados de percusión y forma parte de Pléïades (1978) para seis percusionistas. Basándose en pruebas procedentes de distintos archivos, se destacan aquí las correlaciones directas con elementos de la música tradicional indonesia. Las pruebas apuntan a la inserción de materiales con los que Xenakis tuvo contacto en la década de 1950 y durante su viaje a Bali y Java en 1972-1973. La inserción de material exógeno es poco frecuente en su obra, pero en Claviers constituye una parte sustancial del proceso creativo, aportando un significado particular al tratamiento estructural y a la secuencia de secciones que caracteriza al movimiento. Al hacerlo, el compositor crea un discurso subyacente y un contexto bastante dinámico dentro de este movimiento, y apunta a correlaciones aún no examinadas en una parte más amplia de su obra. Este contexto dinámico tiene implicaciones muy profundas con el pensamiento y la práctica compositiva de Xenakis, aportando nuevos elementos para comprender parte del proceso creativo durante una fase muy prolífica de su vida.O movimento Claviers foi composto para teclados de percussão e faz parte da obra Pléïades (1978) para seis percussionistas. Baseado em evidências de diferentes arquivos, destaca-se aqui relações diretas com elementos da música tradicional da Indonésia. Estas apontam para a inserção de materiais com os quais Xenakis teve contato nos anos 1950 e durante sua viagem para Bali e Java em 1972-1973. A inserção de material exógeno é bastante rara dentro da sua produção, mas em Claviers esta é uma parte substancial do processo criativo, trazendo significações particulares ao tratamento estrutural e à sequência de seções que caracteriza o movimento. Ao fazê-lo, o compositor cria então um discurso subjacente e um contexto bastante dinâmico dentro deste movimento em particular e isto aponta para correlações ainda não analisadas em uma parte mais ampla de sua produção. Este contexto dinâmico possui ainda implicações muito profundas com o pensamento e a prática composicional de Xenakis, trazendo novos elementos para a compreensão de parte do processo criativo durante uma fase bastante prolífica de sua vida.Universidade Federal de Minas Gerais (UFMG)2023-09-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoTextotext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4445010.35699/2317-6377.2022.44450Per Musi; No. 42 (2022): General Topics; 1-24Per Musi; Núm. 42 (2022): General Topics; 1-24Per Musi; n. 42 (2022): General Topics; 1-242317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/44450/39038https://periodicos.ufmg.br/index.php/permusi/article/view/44450/39039https://periodicos.ufmg.br/index.php/permusi/article/view/44450/38952Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMorais, Ronan Gil de2023-12-27T15:37:32Zoai:periodicos.ufmg.br:article/44450Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-12-27T15:37:32Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
Referencias indonesias en Claviers de Iannis Xenakis : proceso creativo con material exógeno en Pléïades (1978)
Referências indonésias em Claviers de Iannis Xenakis: processo criativo com material exógeno em Pléïades (1978)
title Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
spellingShingle Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
Morais, Ronan Gil de
Claviers
Iannis Xenakis
Pléïades
Indonesian music
Percussion
Claviers
Iannis Xenakis
Pléïades
Música Indonésia
Percussão
Claviers
Iannis Xenakis
Pléïades
Música indonesia
Percusión
title_short Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
title_full Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
title_fullStr Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
title_full_unstemmed Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
title_sort Indonesian references in Iannis Xenakis' Claviers : creative process with exogenous material in Pléïades (1978)
author Morais, Ronan Gil de
author_facet Morais, Ronan Gil de
author_role author
dc.contributor.author.fl_str_mv Morais, Ronan Gil de
dc.subject.por.fl_str_mv Claviers
Iannis Xenakis
Pléïades
Indonesian music
Percussion
Claviers
Iannis Xenakis
Pléïades
Música Indonésia
Percussão
Claviers
Iannis Xenakis
Pléïades
Música indonesia
Percusión
topic Claviers
Iannis Xenakis
Pléïades
Indonesian music
Percussion
Claviers
Iannis Xenakis
Pléïades
Música Indonésia
Percussão
Claviers
Iannis Xenakis
Pléïades
Música indonesia
Percusión
description The movement Claviers was composed for percussion keyboards and is part of Pléïades (1978) for six percussionists. Based on evidence from different archives, direct correlations with elements of traditional Indonesian music are highlighted here. The evidence points to the insertion of materials with which Xenakis had contact in the 1950s and during his trip to Bali and Java in 1972-1973. The insertion of exogenous material is rare within his work, but in Claviers it is a substantial part of the creative process, bringing a particular meaning to the structural treatment and sequence of sections that characterizes the movement. In doing so, the composer creates an underlying discourse and a rather dynamic context within this movement, and it points to correlations not yet examined in a broader part of his work. This dynamic context has very profound implications with Xenakis’ compositional thought and practice, bringing new elements to understanding part of the creative process during a very prolific phase of his life.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44450
10.35699/2317-6377.2022.44450
url https://periodicos.ufmg.br/index.php/permusi/article/view/44450
identifier_str_mv 10.35699/2317-6377.2022.44450
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44450/39038
https://periodicos.ufmg.br/index.php/permusi/article/view/44450/39039
https://periodicos.ufmg.br/index.php/permusi/article/view/44450/38952
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Per Musi
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-24
Per Musi; Núm. 42 (2022): General Topics; 1-24
Per Musi; n. 42 (2022): General Topics; 1-24
2317-6377
1517-7599
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