Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition

Detalhes bibliográficos
Autor(a) principal: Morais, Ronan Gil de
Data de Publicação: 2021
Outros Autores: Chaib, Fernando Martins de Castro, Oliveira, Fabio Fonseca de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5296
Resumo: This paper catalogues and discusses the repertoire composed between 1978 and 2017 for Sixxen, an instrument created by Iannis Xenakis. Extensive literature and documentary research was conducted to achieve the results. The results demonstrate a repertoire consisting of at least 46 works, by 43 composers from 11 countries. The decades of 2000-2009 and 2010-2017 present the largest quantity of works (82% of the total). The creation between the years of 2010-2015 in particular, with about 70% of the total number of compositions, exceeds the entire output from previous decades added together, and presents a five times greater increase than the quantitative between 2000-2009. The largest number of compositions originates in the USA, France, and Brazil. The article also analyzes information about the notation for Sixxen, the relationship of groups with composers to elaborate new works and the conceptual and practical resizing generated by the application of the instrument in different contexts.
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spelling Repertoire for Sixxen: the (Re)Definition of a New Instrument Through CompositionRepertorio para Sixxen: la (re)definición de un nuevo instrumento a través de la composiciónRepertório para Sixxen: a (re)definição de um novo instrumento através da composiçãoIannis XenakisPléïades SixxenContemporary RepertoireIannis XenakisPléïadesSixxenRepertório ContemporâneoIannis XenakisPléïadesSixxenRepertorio ContemporaneoThis paper catalogues and discusses the repertoire composed between 1978 and 2017 for Sixxen, an instrument created by Iannis Xenakis. Extensive literature and documentary research was conducted to achieve the results. The results demonstrate a repertoire consisting of at least 46 works, by 43 composers from 11 countries. The decades of 2000-2009 and 2010-2017 present the largest quantity of works (82% of the total). The creation between the years of 2010-2015 in particular, with about 70% of the total number of compositions, exceeds the entire output from previous decades added together, and presents a five times greater increase than the quantitative between 2000-2009. The largest number of compositions originates in the USA, France, and Brazil. The article also analyzes information about the notation for Sixxen, the relationship of groups with composers to elaborate new works and the conceptual and practical resizing generated by the application of the instrument in different contexts.El presente trabajo cataloga y discute el repertorio escrito entre 1978 y 2017 para Sixxen, instrumento creado por Iannis Xenakis. Para llegar a los resultados, se realizó una amplia investigación bibliográfica y documental. Los resultados demuestran un repertorio compuesto por al menos 46 obras, de 43 compositores de 11 países. Las décadas 2000-2009 y 2010-2017 presentan la mayor cantidad de obras (82% del total). En concreto, la creación entre los años 2010-2015, con cerca del 70% del total de composiciones, supera el total de las décadas anteriores sumadas y presenta un incremento cinco veces mayor que el cuantitativo entre 2000-2009. La mayor cantidad de composiciones procede de Estados Unidos, Francia y Brasil. El artículo también analiza la información sobre la notación del Sixxen, la relación de los grupos con los compositores para la elaboración de nuevas obras y el redimensionamiento conceptual y práctico que genera la aplicación del instrumento en diferentes contextos.O presente trabalho cataloga e discute o repertório composto entre 1978 e 2017 para Sixxen, instrumento criado por Iannis Xenakis. Para alcance dos resultados foi realizada ampla pesquisa bibliográfica e documental. Os resultados demonstram um repertório constituído por no mínimo 46 obras, de 43 compositores de 11 países. As décadas de 2000-2009 e 2010-2017 apresentam o maior quantitativo de obras (82% do total). A criação entre os anos de 2010-2015 em particular, com cerca de 70% do total de composições, supera o número total das décadas anteriores somadas e apresenta um incremento cinco vezes maior do que o quantitativo entre 2000-2009. A maior quantidade de composições é originária dos EUA, França e Brasil. O artigo também analisa informações sobre a notação para Sixxen, a relação de grupos com compositores para elaboração de novas obras e o redimensionamento conceitual e prático gerado pela aplicação do instrumento em diferentes contextos.Universidade Federal de Minas Gerais (UFMG)2021-05-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/529610.35699/2317-6377.2020.5296Per Musi; No. 40 (2020): General Topics; 1-22Per Musi; Núm. 40 (2020): General Topics; 1-22Per Musi; n. 40 (2020): General Topics; 1-222317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5296/27097Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMorais, Ronan Gil deChaib, Fernando Martins de CastroOliveira, Fabio Fonseca de2021-07-09T22:36:08Zoai:periodicos.ufmg.br:article/5296Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2021-07-09T22:36:08Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
Repertorio para Sixxen: la (re)definición de un nuevo instrumento a través de la composición
Repertório para Sixxen: a (re)definição de um novo instrumento através da composição
title Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
spellingShingle Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
Morais, Ronan Gil de
Iannis Xenakis
Pléïades
Sixxen
Contemporary Repertoire
Iannis Xenakis
Pléïades
Sixxen
Repertório Contemporâneo
Iannis Xenakis
Pléïades
Sixxen
Repertorio Contemporaneo
title_short Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
title_full Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
title_fullStr Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
title_full_unstemmed Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
title_sort Repertoire for Sixxen: the (Re)Definition of a New Instrument Through Composition
author Morais, Ronan Gil de
author_facet Morais, Ronan Gil de
Chaib, Fernando Martins de Castro
Oliveira, Fabio Fonseca de
author_role author
author2 Chaib, Fernando Martins de Castro
Oliveira, Fabio Fonseca de
author2_role author
author
dc.contributor.author.fl_str_mv Morais, Ronan Gil de
Chaib, Fernando Martins de Castro
Oliveira, Fabio Fonseca de
dc.subject.por.fl_str_mv Iannis Xenakis
Pléïades
Sixxen
Contemporary Repertoire
Iannis Xenakis
Pléïades
Sixxen
Repertório Contemporâneo
Iannis Xenakis
Pléïades
Sixxen
Repertorio Contemporaneo
topic Iannis Xenakis
Pléïades
Sixxen
Contemporary Repertoire
Iannis Xenakis
Pléïades
Sixxen
Repertório Contemporâneo
Iannis Xenakis
Pléïades
Sixxen
Repertorio Contemporaneo
description This paper catalogues and discusses the repertoire composed between 1978 and 2017 for Sixxen, an instrument created by Iannis Xenakis. Extensive literature and documentary research was conducted to achieve the results. The results demonstrate a repertoire consisting of at least 46 works, by 43 composers from 11 countries. The decades of 2000-2009 and 2010-2017 present the largest quantity of works (82% of the total). The creation between the years of 2010-2015 in particular, with about 70% of the total number of compositions, exceeds the entire output from previous decades added together, and presents a five times greater increase than the quantitative between 2000-2009. The largest number of compositions originates in the USA, France, and Brazil. The article also analyzes information about the notation for Sixxen, the relationship of groups with composers to elaborate new works and the conceptual and practical resizing generated by the application of the instrument in different contexts.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5296
10.35699/2317-6377.2020.5296
url https://periodicos.ufmg.br/index.php/permusi/article/view/5296
identifier_str_mv 10.35699/2317-6377.2020.5296
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5296/27097
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): General Topics; 1-22
Per Musi; Núm. 40 (2020): General Topics; 1-22
Per Musi; n. 40 (2020): General Topics; 1-22
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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