Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5210 |
Resumo: | The main objective of this paper is to investigate the derivative relations between the constituent elements of the theme of Arnold Schoenberg’s Orchestral Variations Op.31 and its source of basic material or Grundgestalt, a theoretical principle elaborated by the composer. After a bibliographical revision concerned with the origins and motivations for the formulation of the concept, the paper discusses the problematic issue of the presence of thematic development in Schoenberg’s serial music, taking as reference analyzes by some authors (RUFER, 1954; BOSS, 1992; HAIMO, 1997; TARUSKIN, 2010). It is also proposed that the Grundgestalt of a twelvetone piece can be manifested according to two levels, abstract and concrete, which adjusts to the analytical methodology adopted in this study, described in a specific section of the paper. The results obtained reveal an extraordinarily organic and economic thematic construction. |
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Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31Análise derivativa e a música serial: O tema das Variações para Orquestra op.31 de Schoenbergderivative analysisGrundgestaltdeveloping variation in serial musicArnold Schoenberg’s serial musicanálise derivativaGrundgestaltvariação progressiva em música serialmúsica serial de Arnold SchoenbergThe main objective of this paper is to investigate the derivative relations between the constituent elements of the theme of Arnold Schoenberg’s Orchestral Variations Op.31 and its source of basic material or Grundgestalt, a theoretical principle elaborated by the composer. After a bibliographical revision concerned with the origins and motivations for the formulation of the concept, the paper discusses the problematic issue of the presence of thematic development in Schoenberg’s serial music, taking as reference analyzes by some authors (RUFER, 1954; BOSS, 1992; HAIMO, 1997; TARUSKIN, 2010). It is also proposed that the Grundgestalt of a twelvetone piece can be manifested according to two levels, abstract and concrete, which adjusts to the analytical methodology adopted in this study, described in a specific section of the paper. The results obtained reveal an extraordinarily organic and economic thematic construction.Este artigo tem como objetivo principal investigar as relações de derivação entre os elementos componentes do tema das Variações para Orquestra op.31 de Arnold Schoenberg) e sua fonte de material básico, ou Grundgestalt, conceito teórico elaborado pelo próprio compositor. A partir de uma revisão bibliográfica considerando as origens e motivações para a formulação do conceito, é discutida a questão sobre a presença de desenvolvimento temático em obras seriais de Schoenberg, tomando como referência análises realizadas por alguns autores (RUFER, 1954; BOSS, 1992; HAIMO, 1997; TARUSKIN, 2010). Propõe‐se ainda a que a Grundgestalt de uma obra serial possa se manifestar em dois níveis distintos, porém associados – abstrato e concreto, o que se ajusta à metodologia analítica adotada neste estudo, sumarizada em uma seção específica do artigo. Os resultados obtidos revelam uma construção temática extraordinariamente orgânica e econômica.Universidade Federal de Minas Gerais (UFMG)2018-05-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/521010.1590/permusi20163301Per Musi; No. 33 (2016): General TopicsPer Musi; Núm. 33 (2016): General TopicsPer Musi; n. 33 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/5210/3235Almada, Carlos Lemosinfo:eu-repo/semantics/openAccess2020-01-23T19:14:08Zoai:periodicos.ufmg.br:article/5210Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T19:14:08Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 Análise derivativa e a música serial: O tema das Variações para Orquestra op.31 de Schoenberg |
title |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 |
spellingShingle |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 Almada, Carlos Lemos derivative analysis Grundgestalt developing variation in serial music Arnold Schoenberg’s serial music análise derivativa Grundgestalt variação progressiva em música serial música serial de Arnold Schoenberg |
title_short |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 |
title_full |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 |
title_fullStr |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 |
title_full_unstemmed |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 |
title_sort |
Derivative Analysis and Serial Music: the Theme of Schoenberg’s Orchestral Variations Op.31 |
author |
Almada, Carlos Lemos |
author_facet |
Almada, Carlos Lemos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almada, Carlos Lemos |
dc.subject.por.fl_str_mv |
derivative analysis Grundgestalt developing variation in serial music Arnold Schoenberg’s serial music análise derivativa Grundgestalt variação progressiva em música serial música serial de Arnold Schoenberg |
topic |
derivative analysis Grundgestalt developing variation in serial music Arnold Schoenberg’s serial music análise derivativa Grundgestalt variação progressiva em música serial música serial de Arnold Schoenberg |
description |
The main objective of this paper is to investigate the derivative relations between the constituent elements of the theme of Arnold Schoenberg’s Orchestral Variations Op.31 and its source of basic material or Grundgestalt, a theoretical principle elaborated by the composer. After a bibliographical revision concerned with the origins and motivations for the formulation of the concept, the paper discusses the problematic issue of the presence of thematic development in Schoenberg’s serial music, taking as reference analyzes by some authors (RUFER, 1954; BOSS, 1992; HAIMO, 1997; TARUSKIN, 2010). It is also proposed that the Grundgestalt of a twelvetone piece can be manifested according to two levels, abstract and concrete, which adjusts to the analytical methodology adopted in this study, described in a specific section of the paper. The results obtained reveal an extraordinarily organic and economic thematic construction. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5210 10.1590/permusi20163301 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5210 |
identifier_str_mv |
10.1590/permusi20163301 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5210/3235 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 33 (2016): General Topics Per Musi; Núm. 33 (2016): General Topics Per Musi; n. 33 (2016): General Topics 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235623616512 |