Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation

Detalhes bibliográficos
Autor(a) principal: Fricke Matte, Iara Regina
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5197
Resumo: The historiographical and secondary sources help us to better understand part of the vocal aesthetics of the end of Renaissance and early Baroque. The influence of literary text - its meaning and diction –, of mother tongue, and vocal ornamentation becomes clear in the construction of the ideal vocal sound of the period. We conclude that vocal homogenization was not part of this ideal sound, that vocal ornamentation was extremely valued, and that the mother tongue greatly influenced the sound and how the vocal apparatus itself was used in the singing voice.
id UFMG-3_29266c37514031d284db1298f81cba3d
oai_identifier_str oai:periodicos.ufmg.br:article/5197
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentationEstética vocal na transição da Renascença para o Barroco: revisão de fontes historiográficas sobre o treinamento vocal e ornamentaçãovoice treatisesvocal aesthetic in early musicvoice in the renaissance and early baroquevocal ornamentationtratados sobre vozestética vocal na música antigavoz na renascença e protobarrocoornamentação vocalThe historiographical and secondary sources help us to better understand part of the vocal aesthetics of the end of Renaissance and early Baroque. The influence of literary text - its meaning and diction –, of mother tongue, and vocal ornamentation becomes clear in the construction of the ideal vocal sound of the period. We conclude that vocal homogenization was not part of this ideal sound, that vocal ornamentation was extremely valued, and that the mother tongue greatly influenced the sound and how the vocal apparatus itself was used in the singing voice.As fontes historiográficas e secundárias nos ajudam a compreender melhor parte da estética vocal do final da Renascença e início do Barroco. Nelas fica claro a influência do texto literário – seu significado e dicção –, da impostação natural da língua materna e do uso de ornamentação na construção do ideal sonoro vocal do período. Após examinarmos algumas destas fontes, concluímos que a homogeneização de registros não fazia parte deste ideal sonoro, que a ornamentação vocal era extremamente valorizada no período e que a língua materna influenciava sobremaneira a sonoridade e a utilização do aparato vocal no canto.Universidade Federal de Minas Gerais (UFMG)2018-05-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/5197Per Musi; No. 36 (2017): Early MusicPer Musi; Núm. 36 (2017): Early MusicPer Musi; n. 36 (2017): Early Music2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5197/3223Fricke Matte, Iara Reginainfo:eu-repo/semantics/openAccess2019-08-12T00:14:08Zoai:periodicos.ufmg.br:article/5197Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2019-08-12T00:14:08Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
Estética vocal na transição da Renascença para o Barroco: revisão de fontes historiográficas sobre o treinamento vocal e ornamentação
title Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
spellingShingle Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
Fricke Matte, Iara Regina
voice treatises
vocal aesthetic in early music
voice in the renaissance and early baroque
vocal ornamentation
tratados sobre voz
estética vocal na música antiga
voz na renascença e protobarroco
ornamentação vocal
title_short Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
title_full Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
title_fullStr Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
title_full_unstemmed Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
title_sort Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation
author Fricke Matte, Iara Regina
author_facet Fricke Matte, Iara Regina
author_role author
dc.contributor.author.fl_str_mv Fricke Matte, Iara Regina
dc.subject.por.fl_str_mv voice treatises
vocal aesthetic in early music
voice in the renaissance and early baroque
vocal ornamentation
tratados sobre voz
estética vocal na música antiga
voz na renascença e protobarroco
ornamentação vocal
topic voice treatises
vocal aesthetic in early music
voice in the renaissance and early baroque
vocal ornamentation
tratados sobre voz
estética vocal na música antiga
voz na renascença e protobarroco
ornamentação vocal
description The historiographical and secondary sources help us to better understand part of the vocal aesthetics of the end of Renaissance and early Baroque. The influence of literary text - its meaning and diction –, of mother tongue, and vocal ornamentation becomes clear in the construction of the ideal vocal sound of the period. We conclude that vocal homogenization was not part of this ideal sound, that vocal ornamentation was extremely valued, and that the mother tongue greatly influenced the sound and how the vocal apparatus itself was used in the singing voice.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5197
url https://periodicos.ufmg.br/index.php/permusi/article/view/5197
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5197/3223
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 36 (2017): Early Music
Per Musi; Núm. 36 (2017): Early Music
Per Musi; n. 36 (2017): Early Music
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711235601596416

Registros relacionados