Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo

Detalhes bibliográficos
Autor(a) principal: Soares, Márcio Ronei Cravo
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39654
Resumo: This article aims at performing an interpretive analysis of the song Sobre Todas as Coisas (About everything) by Brazilian Chico Buarque and Edu Lobo, originally recorded on the long play O Grande Circo Místico (1983). Departing from the idea of the song as a space that combines verbal text (the lyrics) and musical text (melody, harmony and rhythm) seen in mutual relation, I try to understand the correspondences between these two texts and contribute to the discursive construction of the feeling of love, that is the affection scenario in which an erotic narrator sings the sensual chant of his desire. Due to the relationship perceived between a Christian-based speech and some sensuality in the song Sobre Todas as Coisas, we also put in perspective the poem O Grande Circo Místico, published by Brazilian Jorge de Lima on A Túnica Inconsútil (1938), as well as references from the Holy Bible.
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spelling Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu LoboVerbo fálico: sobre el erotismo divino en la canción Sobre todas as coisas de Chico Buarque y Edu LoboVerbo fálico: sobre o erotismo divino na canção Sobre todas as coisas de Chico Buarque e Edu LoboMúsica popular brasileñaAnálisis verbo-musicalChico Buarque y Edu LoboMúsica popular brasileiraAnálise verbo-musicalChico Buarque e Edu LoboBrazilian popular musicVerbal-musical analysisChico Buarque and Edu LoboThis article aims at performing an interpretive analysis of the song Sobre Todas as Coisas (About everything) by Brazilian Chico Buarque and Edu Lobo, originally recorded on the long play O Grande Circo Místico (1983). Departing from the idea of the song as a space that combines verbal text (the lyrics) and musical text (melody, harmony and rhythm) seen in mutual relation, I try to understand the correspondences between these two texts and contribute to the discursive construction of the feeling of love, that is the affection scenario in which an erotic narrator sings the sensual chant of his desire. Due to the relationship perceived between a Christian-based speech and some sensuality in the song Sobre Todas as Coisas, we also put in perspective the poem O Grande Circo Místico, published by Brazilian Jorge de Lima on A Túnica Inconsútil (1938), as well as references from the Holy Bible.Este artículo pretende interpretar la canción Sobre todas as coisas, compuesta por Chico Buarque y Edu Lobo, grabado originalmente en el LP O grande circo místico (1983). Basado en la idea de la canción como espacio que conjuga textos verbales (letra) y musicales (melodía, armonía y ritmo), vistos en una relación de mutua correspondencia, Nos interesa tratar de entender de qué manera se corresponden aspectos de esos dos textos y contribuyen a la construcción discursiva del sentimiento amoroso, un escenario afectivo en el que un yo-lírico erótico entona el canto sensual de su lo hará. Debido a las relaciones percibidas entre un discurso de fondo religioso-cristiano y una cierta carga de sensualidad en Sobre todas las cosas, también mantendremos nuestra lectura del poema O grande circo místico, publicado por Jorge de Lima en A túnica inconsútil (1938), así como referencias al compendio Biblia Sagrada.Este artigo pretende realizar uma leitura interpretativa da canção Sobre todas as coisas, composta por Chico Buarque e Edu Lobo, gravada originalmente no LP O grande circo místico (1983). A partir da ideia de canção como espaço que conjuga os textos verbal (a letra) e musical (melodia, harmonia e ritmo), vistos em relação de mútua correspondência, interessa-nos tentar perceber de que modo aspectos daqueles dois textos estão correspondidos e contribuem para a construção discursiva do sentimento amoroso, cenário afetivo em que um erótico eu-lírico entoa o canto sensual de sua vontade. Devido às relações pressentidas entre um discurso de fundo religioso-cristão e certa carga de sensualidade em Sobre todas as coisas, guardaremos, também, nossa leitura do poema O grande circo místico, publicado por Jorge de Lima em A túnica inconsútil (1938), além de referências ao compêndio Bíblia Sagrada.Universidade Federal de Minas Gerais (UFMG)2014-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39654Per Musi; No. 29 (2014): General Topics; 1-7Per Musi; Núm. 29 (2014): General Topics; 1-7Per Musi; n. 29 (2014): General Topics; 1-72317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39654/30424http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSoares, Márcio Ronei Cravo 2022-06-03T19:05:30Zoai:periodicos.ufmg.br:article/39654Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:05:30Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
Verbo fálico: sobre el erotismo divino en la canción Sobre todas as coisas de Chico Buarque y Edu Lobo
Verbo fálico: sobre o erotismo divino na canção Sobre todas as coisas de Chico Buarque e Edu Lobo
title Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
spellingShingle Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
Soares, Márcio Ronei Cravo
Música popular brasileña
Análisis verbo-musical
Chico Buarque y Edu Lobo
Música popular brasileira
Análise verbo-musical
Chico Buarque e Edu Lobo
Brazilian popular music
Verbal-musical analysis
Chico Buarque and Edu Lobo
title_short Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
title_full Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
title_fullStr Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
title_full_unstemmed Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
title_sort Phallic word: on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo
author Soares, Márcio Ronei Cravo
author_facet Soares, Márcio Ronei Cravo
author_role author
dc.contributor.author.fl_str_mv Soares, Márcio Ronei Cravo
dc.subject.por.fl_str_mv Música popular brasileña
Análisis verbo-musical
Chico Buarque y Edu Lobo
Música popular brasileira
Análise verbo-musical
Chico Buarque e Edu Lobo
Brazilian popular music
Verbal-musical analysis
Chico Buarque and Edu Lobo
topic Música popular brasileña
Análisis verbo-musical
Chico Buarque y Edu Lobo
Música popular brasileira
Análise verbo-musical
Chico Buarque e Edu Lobo
Brazilian popular music
Verbal-musical analysis
Chico Buarque and Edu Lobo
description This article aims at performing an interpretive analysis of the song Sobre Todas as Coisas (About everything) by Brazilian Chico Buarque and Edu Lobo, originally recorded on the long play O Grande Circo Místico (1983). Departing from the idea of the song as a space that combines verbal text (the lyrics) and musical text (melody, harmony and rhythm) seen in mutual relation, I try to understand the correspondences between these two texts and contribute to the discursive construction of the feeling of love, that is the affection scenario in which an erotic narrator sings the sensual chant of his desire. Due to the relationship perceived between a Christian-based speech and some sensuality in the song Sobre Todas as Coisas, we also put in perspective the poem O Grande Circo Místico, published by Brazilian Jorge de Lima on A Túnica Inconsútil (1938), as well as references from the Holy Bible.
publishDate 2014
dc.date.none.fl_str_mv 2014-06-13
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text
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39654
url https://periodicos.ufmg.br/index.php/permusi/article/view/39654
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39654/30424
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 29 (2014): General Topics; 1-7
Per Musi; Núm. 29 (2014): General Topics; 1-7
Per Musi; n. 29 (2014): General Topics; 1-7
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
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