Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background

Detalhes bibliográficos
Autor(a) principal: Souza, Marcelo Ramos de
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5242
Resumo: This article investigates the historical circunstances that led to the composition of Symphony No. 2 Brasília, by César Guerra-Peixe, written for symphony orchestra, mixed choir and an optional narrator. The piece was originally composed for a competition organized by the Radio Station of Ministry of Education in 1960 to celebrate the inauguration of the new Brazilian capitol, originating substantial controversy, hence the first prize was not awarded and a tie was registered between three candidates in second place: Guerra-Peixe, Guerra-Vicente, and Claudio Santoro – all of them became renowned composers of Brazilian music. The Symphony Brasília by Guerra-Peixe was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts.
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spelling Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical backgroundSinfonía No. 2 Brasília de Guerra-Peixe (Parte 1): antecedentes históricosSinfonia No. 2 Brasília de Guerra-Peixe (Parte 1): antecedentes históricosGuerra-PeixeSymphony No. 2 BrasíliaBrazilian musicBrazilian NationalismGuerra-PeixeSinfonia No. 2 Brasíliamúsica brasileiranacionalismo brasileiroGuerra-PeixeSinfonía No.2 Brasíliamúsica brasileñanacionalismo brasileñoThis article investigates the historical circunstances that led to the composition of Symphony No. 2 Brasília, by César Guerra-Peixe, written for symphony orchestra, mixed choir and an optional narrator. The piece was originally composed for a competition organized by the Radio Station of Ministry of Education in 1960 to celebrate the inauguration of the new Brazilian capitol, originating substantial controversy, hence the first prize was not awarded and a tie was registered between three candidates in second place: Guerra-Peixe, Guerra-Vicente, and Claudio Santoro – all of them became renowned composers of Brazilian music. The Symphony Brasília by Guerra-Peixe was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts.Este artículo aborda las circunstancias históricas que culminaron en la composición de la Sinfonía No. 2 de César Guerra-Peixe, escrita para orquesta sinfónica, coro mixto y un narrador opcional. La obra fue compuesta originalmente para un concurso organizado por el MEC en 1960 para celebrar la inauguración de la nueva capital de Brasil, generando una gran controversia, ya que, además de no haber obtenido el primer premio, hubo un empate entre tres candidatos en segundo lugar: Guerra-Peixe, Guerra-Vicente y Claudio Santoro, todos ellos consagrados compositores de la música brasileña actual. La Sinfonía Guerra-Peixe Brasilia fue objeto de mi tesis doctoral en tres frentes principales: producción de una edición performativa de la partitura completa; ejecución de la obra en Estados Unidos y Brasil, con el objetivo de corregir cualquier error y difusión de la obra; y producción de textos musicales históricos y analíticos.O presente artigo aborda as circunstâncias históricas que culminaram com a composição da obra Sinfonia No. 2 Brasília, de César Guerra-Peixe, escrita para orquestra sinfônica, coro misto e um narrador opcional. A obra foi originalmente composta para um concurso organizado pelo MEC em 1960 para celebrar a inauguração da nova capital do Brasil, gerando uma substancial controvérsia, pois, além de não ter sido outorgado o prêmio de primeiro lugar, houve um empate entre três candidatos no segundo lugar: Guerra-Peixe, Guerra-Vicente e Claudio Santoro – todos eles compositores consagrados da música brasileira atual. A Sinfonia Brasília de Guerra-Peixe foi objeto de minha dissertação de doutorado em três frentes principais: produção de uma edição de performance da partitura completa; execução da obra nos Estados Unidos e no Brasil, com o objetivo de corrigir os eventuais erros e divulgação da obra; e produção de texto histórico e analítico musical.Universidade Federal de Minas Gerais (UFMG)2018-05-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpeghttps://periodicos.ufmg.br/index.php/permusi/article/view/524210.35699/2317-6377.2018.5242Per Musi; No. 38 (2018): General TopicsPer Musi; Núm. 38 (2018): General TopicsPer Musi; n. 38 (2018): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/5242/3256https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9459https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9460https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9461https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9462https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9463https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9464https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9465Souza, Marcelo Ramos deinfo:eu-repo/semantics/openAccess2020-02-27T19:14:47Zoai:periodicos.ufmg.br:article/5242Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T19:14:47Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
Sinfonía No. 2 Brasília de Guerra-Peixe (Parte 1): antecedentes históricos
Sinfonia No. 2 Brasília de Guerra-Peixe (Parte 1): antecedentes históricos
title Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
spellingShingle Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
Souza, Marcelo Ramos de
Guerra-Peixe
Symphony No. 2 Brasília
Brazilian music
Brazilian Nationalism
Guerra-Peixe
Sinfonia No. 2 Brasília
música brasileira
nacionalismo brasileiro
Guerra-Peixe
Sinfonía No.2 Brasília
música brasileña
nacionalismo brasileño
title_short Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
title_full Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
title_fullStr Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
title_full_unstemmed Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
title_sort Guerra-Peixe’s Symphony No. 2 Brasília (Part 1): a historical background
author Souza, Marcelo Ramos de
author_facet Souza, Marcelo Ramos de
author_role author
dc.contributor.author.fl_str_mv Souza, Marcelo Ramos de
dc.subject.por.fl_str_mv Guerra-Peixe
Symphony No. 2 Brasília
Brazilian music
Brazilian Nationalism
Guerra-Peixe
Sinfonia No. 2 Brasília
música brasileira
nacionalismo brasileiro
Guerra-Peixe
Sinfonía No.2 Brasília
música brasileña
nacionalismo brasileño
topic Guerra-Peixe
Symphony No. 2 Brasília
Brazilian music
Brazilian Nationalism
Guerra-Peixe
Sinfonia No. 2 Brasília
música brasileira
nacionalismo brasileiro
Guerra-Peixe
Sinfonía No.2 Brasília
música brasileña
nacionalismo brasileño
description This article investigates the historical circunstances that led to the composition of Symphony No. 2 Brasília, by César Guerra-Peixe, written for symphony orchestra, mixed choir and an optional narrator. The piece was originally composed for a competition organized by the Radio Station of Ministry of Education in 1960 to celebrate the inauguration of the new Brazilian capitol, originating substantial controversy, hence the first prize was not awarded and a tie was registered between three candidates in second place: Guerra-Peixe, Guerra-Vicente, and Claudio Santoro – all of them became renowned composers of Brazilian music. The Symphony Brasília by Guerra-Peixe was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-14
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5242
10.35699/2317-6377.2018.5242
url https://periodicos.ufmg.br/index.php/permusi/article/view/5242
identifier_str_mv 10.35699/2317-6377.2018.5242
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5242/3256
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9459
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9460
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9461
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9462
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9463
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9464
https://periodicos.ufmg.br/index.php/permusi/article/view/5242/9465
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 38 (2018): General Topics
Per Musi; Núm. 38 (2018): General Topics
Per Musi; n. 38 (2018): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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