Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis

Detalhes bibliográficos
Autor(a) principal: Souza, Marcelo Ramos de
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5243
Resumo: The present article presents a broad musical analysis of the Symphony No. 2 Brasília by Brazilian composer César Guerra-Peixe, covering formal, melodic, motivic and harmonic aspects. The terminology of the analytical terms was the same used by Peter Brown in his five volume series of all representative symphonies of the symphonic literature. These terms came from Guidelines to Style Analysis by Jan LaRue. The Symphony Brasília was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts. The present article will cover the musical analysis. A previous article covered historical aspects of the work.
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spelling Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysisSinfonía No. 2 Brasília de Guerra-Peixe (Parte 2): un análisis musicalSinfonia No. 2 Brasília de Guerra-Peixe (Parte 2): uma análise musicalCésar Guerra-PeixeSymphony No. 2 BrasíliaBrazilian nationalistic musicmusic analysisCésar Guerra-PeixeSinfonia No. 2 Brasíliamúsica brasileira nacionalistaanálise musicalCésar Guerra-PeixeSinfonía No. 2 Brasíliamúsica brasileña nacionalistaanálisis musicalThe present article presents a broad musical analysis of the Symphony No. 2 Brasília by Brazilian composer César Guerra-Peixe, covering formal, melodic, motivic and harmonic aspects. The terminology of the analytical terms was the same used by Peter Brown in his five volume series of all representative symphonies of the symphonic literature. These terms came from Guidelines to Style Analysis by Jan LaRue. The Symphony Brasília was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts. The present article will cover the musical analysis. A previous article covered historical aspects of the work.Este artículo presenta un amplio análisis musical de la Sinfonía No. 2 Brasilia, de César Guerra-Peixe, que aborda aspectos formales, melódicos, motores y armónicos. La terminología de los términos analíticos fue la misma utilizada por Peter Brown en sus cinco volúmenes de análisis musical de todas las sinfonías representativas de la literatura sinfónica, a su vez procedentes de'Guidelines to Style Analysis' de Jan LaRue. La Sinfonía Brasília de Guerra-Peixe fue objeto de mi tesis doctoral en tres frentes principales: producción de una edición performativa de la partitura completa; ejecución de la obra en Estados Unidos y Brasil, con el objetivo de corregir cualquier error y difusión de la obra; y producción de textos musicales históricos y analíticos. En este artículo se abordarán las cuestiones analíticas musicales; los aspectos históricos ya han sido objeto de un artículo científico.O presente artigo apresenta uma ampla análise musical da Sinfonia No. 2 Brasília, de César Guerra-Peixe, abordando aspectos formais, melódicos, motívicos e harmônicos. A terminologia dos termos analíticos foi a mesma utilizada por Peter Brown em seus cinco volumes de análise musical de todas as sinfonias representativas da literatura sinfônica, por sua vez advindos de ‘Guidelines to Style Analysis’ de Jan LaRue. A Sinfonia Brasília de Guerra-Peixe foi objeto de minha dissertação de doutorado em três frentes principais: produção de uma edição de performance da partitura completa; execução da obra nos Estados Unidos e no Brasil, com o objetivo de corrigir os eventuais erros e divulgação da obra; e produção de texto histórico e analítico musical. 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dc.title.none.fl_str_mv Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
Sinfonía No. 2 Brasília de Guerra-Peixe (Parte 2): un análisis musical
Sinfonia No. 2 Brasília de Guerra-Peixe (Parte 2): uma análise musical
title Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
spellingShingle Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
Souza, Marcelo Ramos de
César Guerra-Peixe
Symphony No. 2 Brasília
Brazilian nationalistic music
music analysis
César Guerra-Peixe
Sinfonia No. 2 Brasília
música brasileira nacionalista
análise musical
César Guerra-Peixe
Sinfonía No. 2 Brasília
música brasileña nacionalista
análisis musical
title_short Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
title_full Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
title_fullStr Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
title_full_unstemmed Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
title_sort Guerra-Peixe’s Symphony No. 2 Brasília (Part 2): a musical analysis
author Souza, Marcelo Ramos de
author_facet Souza, Marcelo Ramos de
author_role author
dc.contributor.author.fl_str_mv Souza, Marcelo Ramos de
dc.subject.por.fl_str_mv César Guerra-Peixe
Symphony No. 2 Brasília
Brazilian nationalistic music
music analysis
César Guerra-Peixe
Sinfonia No. 2 Brasília
música brasileira nacionalista
análise musical
César Guerra-Peixe
Sinfonía No. 2 Brasília
música brasileña nacionalista
análisis musical
topic César Guerra-Peixe
Symphony No. 2 Brasília
Brazilian nationalistic music
music analysis
César Guerra-Peixe
Sinfonia No. 2 Brasília
música brasileira nacionalista
análise musical
César Guerra-Peixe
Sinfonía No. 2 Brasília
música brasileña nacionalista
análisis musical
description The present article presents a broad musical analysis of the Symphony No. 2 Brasília by Brazilian composer César Guerra-Peixe, covering formal, melodic, motivic and harmonic aspects. The terminology of the analytical terms was the same used by Peter Brown in his five volume series of all representative symphonies of the symphonic literature. These terms came from Guidelines to Style Analysis by Jan LaRue. The Symphony Brasília was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts. The present article will cover the musical analysis. A previous article covered historical aspects of the work.
publishDate 2018
dc.date.none.fl_str_mv 2018-08-03
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 38 (2018): General Topics
Per Musi; Núm. 38 (2018): General Topics
Per Musi; n. 38 (2018): General Topics
2317-6377
1517-7599
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
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