The wonderful in Manuel Botelho de Oliveira’s poetry

Detalhes bibliográficos
Autor(a) principal: Muhana, Adma
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40338
Resumo: This text explains how the poetry of Luzo-Brazilian Manuel Botelho de Oliveira (Bahia, 1636-1711) aims to build the wonderful especially through the consonances that provokes surprise, in a poetry grounded in analogies with the “music”, the “chant”, the “verse”, the “lyrical”, the “rhythm”, the “sweetness” - concepts present in rhetorical, poetic and philosophical treatises of the Antiquity, and that here become center stage of this poetic, far removed from Aristotle. It highlights how, unlike the ingenious concept, the efficient cause of the acute poetry, the poet emulator of Marino favors sonority in the Lira Sacra and in the Música do Parnaso, his poem book. The musical elements turn admirabile what the poems says, playing finezas (niceties) or singable manners of the plectro doce e fino (plectrum sweet and gentle).
id UFMG-3_3a262f58337f28856dbfa6e35f937042
oai_identifier_str oai:periodicos.ufmg.br:article/40338
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling The wonderful in Manuel Botelho de Oliveira’s poetryLa "maravilla" en la poesía de Manuel Botelho de OliveiraA “maravilha” na poesia de Manuel Botelho de OliveiraPoeticsRhetoricXVII and XVIII centuriesBrazilian poetryMusicPoéticaRetóricaSéculos XVII e XVIIIPoesia brasileiraMusicalidadePoéticaRetóricaSiglos XVII y XVIIIPoesía brasileñaMusicalidadThis text explains how the poetry of Luzo-Brazilian Manuel Botelho de Oliveira (Bahia, 1636-1711) aims to build the wonderful especially through the consonances that provokes surprise, in a poetry grounded in analogies with the “music”, the “chant”, the “verse”, the “lyrical”, the “rhythm”, the “sweetness” - concepts present in rhetorical, poetic and philosophical treatises of the Antiquity, and that here become center stage of this poetic, far removed from Aristotle. It highlights how, unlike the ingenious concept, the efficient cause of the acute poetry, the poet emulator of Marino favors sonority in the Lira Sacra and in the Música do Parnaso, his poem book. The musical elements turn admirabile what the poems says, playing finezas (niceties) or singable manners of the plectro doce e fino (plectrum sweet and gentle).El objetivo es mostrar cómo la poesía de Manuel Botelho de Oliveira (Bahía, 1636-1711) pretende construir el asombro, principalmente a través de consonancias sorprendentes. mediante consonancias sorprendentes, en una poesía basada en analogías con la "música", canción", "verso", "lírica", "ritmo", "dulzura", conceptos presentes en los antiguos tratados retóricos, poéticos y filosóficos. Aquí se elevan al centro de esta poética, distanciada de la aristotélica. Es evidente cómo, a diferencia de la concepto ingenioso, causa eficiente del ingenio poético, el emulo poeta de Marino privilegia en su Lira Sacra y en el música parnasiana la sonoridad que hace admirables las palabras del poema, la delicadeza conmovedora o los modales cantables del "dulce y fino plectro".Trata-se de mostrar como a poesia de Manuel Botelho de Oliveira (Bahia, 1636-1711) visa construir a maravilha principalmente por meio das consonâncias que surpreendem, numa poesia assentada em analogias com a “música”, o “canto”, o “verso”, a “lírica”, o “ritmo”, a “doçura” – conceitos presentes em tratados retóricos, poéticos e filosóficos antigos, e que, aqui, se alçam a centro desta poética, distanciada da aristotélica. Evidencia-se como, diferentemente do conceito engenhoso, causa eficiente das agudezas poéticas, o poeta êmulo de Marino privilegia em sua Lira sacra e na Música do Parnaso a sonoridade que faz admirabile o dizer do poema, tangendo finezas ou as maneiras cantáveis do “plectro doce e fino”.Universidade Federal de Minas Gerais (UFMG)2011-07-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/40338Per Musi; No. 24 (2011): General Topics; 1-8Per Musi; Núm. 24 (2011): General Topics; 1-8Per Musi; n. 24 (2011): General Topics; 1-82317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40338/30842http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMuhana, Adma2022-08-31T22:02:09Zoai:periodicos.ufmg.br:article/40338Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-08-31T22:02:09Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The wonderful in Manuel Botelho de Oliveira’s poetry
La "maravilla" en la poesía de Manuel Botelho de Oliveira
A “maravilha” na poesia de Manuel Botelho de Oliveira
title The wonderful in Manuel Botelho de Oliveira’s poetry
spellingShingle The wonderful in Manuel Botelho de Oliveira’s poetry
Muhana, Adma
Poetics
Rhetoric
XVII and XVIII centuries
Brazilian poetry
Music
Poética
Retórica
Séculos XVII e XVIII
Poesia brasileira
Musicalidade
Poética
Retórica
Siglos XVII y XVIII
Poesía brasileña
Musicalidad
title_short The wonderful in Manuel Botelho de Oliveira’s poetry
title_full The wonderful in Manuel Botelho de Oliveira’s poetry
title_fullStr The wonderful in Manuel Botelho de Oliveira’s poetry
title_full_unstemmed The wonderful in Manuel Botelho de Oliveira’s poetry
title_sort The wonderful in Manuel Botelho de Oliveira’s poetry
author Muhana, Adma
author_facet Muhana, Adma
author_role author
dc.contributor.author.fl_str_mv Muhana, Adma
dc.subject.por.fl_str_mv Poetics
Rhetoric
XVII and XVIII centuries
Brazilian poetry
Music
Poética
Retórica
Séculos XVII e XVIII
Poesia brasileira
Musicalidade
Poética
Retórica
Siglos XVII y XVIII
Poesía brasileña
Musicalidad
topic Poetics
Rhetoric
XVII and XVIII centuries
Brazilian poetry
Music
Poética
Retórica
Séculos XVII e XVIII
Poesia brasileira
Musicalidade
Poética
Retórica
Siglos XVII y XVIII
Poesía brasileña
Musicalidad
description This text explains how the poetry of Luzo-Brazilian Manuel Botelho de Oliveira (Bahia, 1636-1711) aims to build the wonderful especially through the consonances that provokes surprise, in a poetry grounded in analogies with the “music”, the “chant”, the “verse”, the “lyrical”, the “rhythm”, the “sweetness” - concepts present in rhetorical, poetic and philosophical treatises of the Antiquity, and that here become center stage of this poetic, far removed from Aristotle. It highlights how, unlike the ingenious concept, the efficient cause of the acute poetry, the poet emulator of Marino favors sonority in the Lira Sacra and in the Música do Parnaso, his poem book. The musical elements turn admirabile what the poems says, playing finezas (niceties) or singable manners of the plectro doce e fino (plectrum sweet and gentle).
publishDate 2011
dc.date.none.fl_str_mv 2011-07-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40338
url https://periodicos.ufmg.br/index.php/permusi/article/view/40338
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40338/30842
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 24 (2011): General Topics; 1-8
Per Musi; Núm. 24 (2011): General Topics; 1-8
Per Musi; n. 24 (2011): General Topics; 1-8
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237168168960

Registros relacionados